There were a handful of suspects, including her boyfriend, Nick, but without sufficient evidence the case ultimately went cold.For decades Maggie was haunted by Eve’s death and that horrible night. Now a detective in Grotto, and seven months pregnant, she is thrust back into the past when a new piece of evidence surfaces and the case is reopened. As Maggie investigates and reexamines the clues, secrets about what really happened begin to emerge. But someone in town knows more than they’re letting on, and they’ll stop at nothing to keep the truth buried deep.Check out these other riveting novels of suspense by bestselling author Heather Gudenkauf:The Weight of SilenceThese Things HiddenOne Breath AwayLittle MerciesMissing PiecesNot a SoundBefore She Was Found

    Until, driving along a deserted road late one night, he surprises a murderer disposing of a couple of bodies. That’s when Paul’s "normal" existence is turned upside down. After nearly losing his own life in that encounter, he finds himself battling PTSD, depression, and severe problems at work. His wife, Charlotte, desperate to cheer him up, brings home a vintage typewriter—complete with ink ribbons and heavy round keys—to encourage him to get started on that novel he’s always intended to write.However, the typewriter itself is a problem. Paul swears it’s possessed and types by itself at night. But only Paul can hear the noise coming from downstairs; Charlotte doesn’t hear a thing. And she worries he’s going off the rails.Paul believes the typewriter is somehow connected to the murderer he discovered nearly a year ago. The killer had made his victims type apologies to him before ending their lives. Has another sick twist of fate entwined his life with the killer—could this be the same machine? Increasingly tormented but determined to discover the truth and confront his nightmare, Paul begins investigating the deaths himself.But that may not be the best thing to do. Maybe Paul should just take the typewriter back to where his wife found it. Maybe he should stop asking questions and simply walk away while he can. . .

    With only brief flashes of the last few years of her life, her world has narrowed to a few neighbors on the island where she lives with her devoted husband. But when Kyra begins having visions—or are they memories?—of a rocky marriage, broken promises, and cryptic relationships with the island residents she believes to be her friends, she can’t help but wonder if her new life is all a carefully constructed lie. As Kyra races to uncover her past, it soon becomes clear that the truth is a terrifying nightmare.

    No help for miles. What would you do?On her way to Utah to see her dying mother, college student Darby Thorne gets caught in a fierce blizzard in the mountains of Colorado. With the roads impassable, she’s forced to wait out the storm at a remote highway rest stop. Inside are some vending machines, a coffee maker, and four complete strangers.Desperate to find a signal to call home, Darby goes back out into the storm . . . and makes a horrifying discovery. In the back of the van parked next to her car, a little girl is locked in an animal crate.Who is the child? Why has she been taken? And how can Darby save her?There is no cell phone reception, no telephone, and no way out. One of her fellow travelers is a kidnapper. But which one?Trapped in an increasingly dangerous situation, with a child’s life and her own on the line, Darby must find a way to break the girl out of the van and escape.But who can she trust?

    Having just moved to Washington, DC, Audrey busies herself impressing her new boss, interacting with her online fan base, and staving off a creepy upstairs neighbor with the help of the only two people she knows in town: an ex-boyfriend she can’t stay away from and a sorority sister with a high-powered job and a mysterious past.But Audrey’s faulty door may be the least of her security concerns. Unbeknownst to her, her move has brought her within striking distance of someone who’s obsessively followed her social media presence for years—from her first WordPress blog to her most recent Instagram Story. No longer content to simply follow her carefully curated life from a distance, he consults the dark web for advice on how to make Audrey his and his alone. In his quest to win her heart, nothing is off-limits—and nothing is private.

    A stressed-out single mom of two and struggling novelist, Finlay’s life is in chaos: The new book she promised her literary agent isn’t written; her ex-husband fired the nanny without telling her; and this morning she had to send her four-year-old to school with hair duct-taped to her head after an incident with scissors.When Finlay is overheard discussing the plot of her new suspense novel with her agent over lunch, she’s mistaken for a contract killer and inadvertently accepts an offer to dispose of a problem husband in order to make ends meet. She soon discovers that crime in real life is a lot more difficult than its fictional counterpart, as she becomes tangled in a real-life murder investigation.Fast-paced, deliciously witty, and wholeheartedly authentic in depicting the frustrations and triumphs of motherhood in all its messiness, hilarity, and heartfelt moments, Finlay Donovan Is Killing It is the first in a brilliant new series from award-winning Elle Cosimano.

    Doesn’t matter how long it’s been, or how badly they’ve occasionally behaved, or how late it is when that call finally comes—you show up. No questions asked.Honestly, that’s how the five of us ended up here in the Catskills. We did have the best of intentions. Especially after what happened to Alice all those years ago, we can’t bear to think of losing anyone else. In fact, we’ll do anything to make sure that doesn’t happen. We’ll go so much farther than we ever thought we would. In the end, maybe that’s what caught up with us. That, and the fact that we’re such a complicated group—so much history and so many big personalities. Secrets, too, that can slip out at the most inopportune moments. Of course, we love each other despite all of those things. We love each other no matter what.There’s something so beautiful about that kind of unconditional love. It can turn ugly, though. Or maybe that’s just us. After all, we’ve already been through so much together. And we have so very much to hide.

    But Elise knows Julie better than anyone, and she feels in her bones that her best friend is out there, and that one day she'll come back. She's right. Two years to the day that Julie went missing, she reappears with no memory of where she's been or what happened to her.

    Now she must run, not only to escape the dark secrets in her past, but to outwit the man who is stalking her every move.On the other side of the country, Allison's mother is desperate for news of her daughter, who is missing, presumed dead. Maggie refuses to accept that she could have lost her only child and sets out to discover the truth.Mother and daughter must fight - for survival and to find their way through a dark web of lies and back to one another, before it's too late...

    Probing the dark side of influencer culture and the perils of parenting online, People Like Her explores our desperate need to be seen and the lengths we’ll go to be liked by strangers. It asks what—and who—we sacrifice when make our private lives public, and ultimately lose control of who we let in. . . .

    Determined to finally let go of the past, she throws herself into life at Knollwood, the prestigious New Englandschool she attends. Charlie quickly becomes friends with Knollwood’s “it” crowd.Charlie has also been tapped by the A’s—the school’s elite secret society well known for terrorizing the faculty, administration, and their enemies. To become a member of the A’s, Charlie must play The Game, a semester-long, diabolical high-stakes scavenger hunt that will jeopardize her friendships, her reputation, even her place at Knollwood.As the dark events of past and present converge, Charlie begins to fear that she may not survive the terrible truth about her family, her school, and her own life.

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?

    But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant - and it does.JaneAfter a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street, she is instantly drawn to the space - and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home's previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror as the girl before.

    Finally, they’ll be accepted into a tribe. Marley will make friends and Ruth will be welcomed by the mothers. Instead, the parents are turned off by Ruth’s ostentatious wealth and before kindergarten even begins, Ruth and Marley are outcasts. The last guest to arrive at the meet-and-greet is Gemma, a widow and a single mother to her daughter, Bee. Ruth sets her sights on the mother-daughter duo, and soon the two families are inseparable. Ruth takes Gemma and Bee on Aspen vacations, offers VIP passes to Cirque du Soleil, and pays for dinners at Michelin-starred restaurants. For Gemma, who lives paycheck to paycheck, Ruth’s largesse is seductive, but as the years go by, she can’t shake the feeling that she’s accruing an increasingly unpayable debt. When Ruth’s affair with a married Hillside dad is exposed, and she’s publicly shunned, Gemma uses it to sever ties with Ruth. Six years later, when Gemma finds herself embroiled in a scandal of her own—Ruth comes to her defense. Their renewed friendship rehabilitates their reputations, but once again, Gemma starts to feel trapped as Ruth grows more and more obsessed with their relationship. A relentless page-turner, Did I Say You Could Go is the story of friendships steeped in lies and duplicity. It’s about two families who, when pushed to extremes, cross the line with devastating results.

    And they’re right; with newborn twins, Morgan and Riley, she’s never been more tired in her life. But she knows what she saw: that night, in her hospital room, a woman tried to take her babies and replace them with her own…creatures. Yet when the police arrived, they saw no one. Everyone, from her doctor to her husband, thinks she’s imagining things.A month passes. And one bright summer morning, the babies disappear from Lauren’s side in a park. But when they’re found, something is different about them. The infants look like Morgan and Riley―to everyone else. But to Lauren, something is off. As everyone around her celebrates their return, Lauren begins to scream, These are not my babies.Determined to bring her true infant sons home, Lauren will risk the unthinkable. But if she’s wrong about what she saw…she’ll be making the biggest mistake of her life.Compulsive, creepy, and inspired by some our darkest fairy tales, Little Darlings will have you checking―and rechecking―your own little ones. Just to be sure. Just to be safe.