H. Billings: http://www.genealogybuff.com/ma/billi...http://www.worldcat.org/title/deserte...

    They provide a vivid self-portrait of the man who, of all his contemporaries, seems to express attitudes and feelings most in tune with the twentieth century. In addition, they offer a mirror of his own time. This first collected edition of all Byron's known letters supersedes Prothero's incomplete edition at the turn of the century. It includes a considerable number of hitherto unpublished letters and the complete text of many that were bowdlerized by former editors for a variety of reasons. Prothero's edition included 1,198 letters. This edition will have more than 3,000, over 80 percent of them transcribed entirely from the original manuscripts. Byron's epistolary saga continues "con brio" in this volume. At the start of 1818 he sends off the last canto of Childe Harold and abandons himself to the debaucheries of the Carnival in Venice. At the close of 1819 he resolves to return to England but instead follows Teresa Guiccioli to Ravenna. In the meantime he writes three long poems and two cantos of Don Juan, whose bowdlerization he violently protests; he breaks off with Marianna Segati, copes with his amorous "tigress" Margarita Cogni, then falls passionately in love with the young Countess Guiccioli; he thinks seriously of emigrating to South America; he takes custody of his little daughter Allegra and becomes increasingly fond of the child. The Shelleys visit him, as does Thomas Moore, to whom he entrusts his memoirs (burned after his death). The letters to friends are amarvelous outpouring of funny anecdotes, practical talk, discussions of his poems, statements of his beliefs. The love letters are in a class by themselves.

    Her fears are confirmed when a youth fires a gun at the administrator, but that isn't the only shooting!

    

    It has a biographical Preface by Lear himself, and concludes with some delightful 'heraldic' sketches of his cat, Foss.

      When young Mr. Stockdale arrives in a small village to fill in for the Methodist minister, he finds himself pining for his comely new landlady. But she leads a mysterious life, keeping odd hours and speaking in hushed tones. As his love for her grows, he’s soon at the center of a hilarious high-stakes adventure, complete with slapstick, hijinks, and a marauding band of cross-dressers. And he’s forced to choose: follow his heart or his higher purpose?***This is a Hybrid Book.Melville House HybridBooks combine print and digital media into an enhanced reading experience by including with each title additional curated material called Illuminations — maps, photographs, illustrations, and further writing about the author and the book.The Melville House Illuminations are free with the purchase of any title in the HybridBook series, no matter the format.Purchasers of the print version can obtain the Illuminations for a given title simply by scanning the QR code found in the back of each book, or by following the url also given in the back of the print book, then downloading the Illumination in whatever format works best for you.Purchasers of the digital version receive the appropriate Illuminations automatically as part of the ebook edition.

    Beeton's Book of Household Management is a volume of insight and common sense. Written by what one might now describe as a Victorian Martha Stewart, the book offers advice on fashion, child-care, animal husbandry, poisons, and the management of servants. To the modern reader expecting stuffy verbosity or heavy moralizing, Beeton's book is a revelation: it explores the foods of Europe and beyond, suggesting new food stuffs and techniques, mixing domestic advice with discussions of science, religion, class, industrialism and gender roles. Alternately frugal and fashionable, anxious and self confident, the book highlights the concerns of the growing Victorian middle-class at a key moment in its history. This abridged edition serves as a cookery book, while documenting a significant aspect of Victorian social and cultural history.

    A melodramatic tale of intrigue and daring escapades, it may shed some light on certain aspects of his career.

    But it's also true, as Sebastian Faulks argues in this remarkable book, that the novel helped invent the British: for the first time we had stories that reflected the experiences of ordinary people, with characters in which we could find our reality, our understanding and our escape.In Faulks on Fiction, Faulks examines many of these enduring fictional characters from over the centuries -- Heroes from Tom Jones to John Self, Lovers from Mr Darcy to Lady Chatterly, Villains from Fagin to Barbara Covett, and Snobs from Emma Woodhouse to James Bond -- and shows us how they mapped and inspired the British psyche, and continue to do so.Published to coincide with a major BBC series, Faulks on Fiction is an engaging and opinionated look at the psychology of the British through their literature, and a unique social history of Britain from one of our most respected writers.From the Trade Paperback edition.

    The Book of the Duchess

    Doing English:explains what 'doing English' really means introduces current ideas about literature, contexts and interpretations bridges the gap between 'traditional' and 'theoretical' approaches to literature, showing why English has had to change and what those changes mean for students of the subject. Doing English deals with the exciting new ideas and contentious debates that make up English today, covering a broad range of issues from the history of literary studies and the canon to Shakespeare, politics and the future of English. The second edition has been revised throughout and includes a new chapter on narrative. Robert Eaglestone's refreshingly clear explanations and advice make this volume essential reading for all those planning to 'do English' at advanced or degree level.

    The scene opens with several small vessels drifting about on the ocean. There had been a fire, followed by an explosion aboard a vessel carrying slaves. Most of the crew were pretty nasty people, but there were two pairs of people who become the heroes of this story. One of these is Ben Brace and a sixteen year old boy seaman, whom he had rescued from being eaten by the thirty or so crew members who had found enough spars, timber, sails, ropes and barrels to construct a large raft, though rather badly made, because these men were consoling themselves with a rum-barrel. At a distance floated the ship's gig, with the captain, the mate, the carpenter and three other men. Finally, there is a construction, hardly more than a large barrel, containing Snowball, an African ship's cook of the Coromantee tribe, together with a little girl of eight or ten. Luckily these get together with Ben Brace and the boy William, and it is their adventures that the story is mainly about. The author is a natural historian, and he tells us lots of interesting things about the fish and other denizens of the deep. Naturally the whole thing comes right in the end, with the wicked perishing, and the good being picked up by a whale-ship.

    H.: Sons and LoversLawrence, D. H.: The RainbowLe Fanu, Sheridan: In a Glass DarklyLewis, Matthew Gregory: The MonkLewis, Sinclair: Main StreetLondon, Jack: The Call of the WildLovecraft, H.P.: At the Mountains of MadnessMann, Thomas: Royal HighnessMaugham, William Somerset: Of Human BondageMaupassant, Guy de: Bel-AmiMelville, Herman: Moby-DickPoe, Edgar Allan: The Fall of the House of UsherProust, Marcel: Swann's WayRadcliffe, Ann: The Mysteries of UdolphoRichardson, Samuel: ClarissaSand, George: The Devil’s PoolScott, Walter: IvanhoeShelley, Mary: FrankensteinSienkiewicz, Henryk: Quo VadisSinclair, May: Life and Death of Harriett FreanSinclair, Upton: The JungleStendhal: The Red and the BlackStendhal: The Chartreuse of ParmaSterne, Laurence: Tristram ShandyStevenson, Robert Louis: Treasure IslandStoker, Bram: DraculaStowe, Harriet Beecher: Uncle Tom’s CabinSwift, Jonathan: Gulliver's TravelsTagore, Rabindranath: The Home and the WorldThackeray, William Makepeace: Vanity FairTolstoy, Leo: War and PeaceTolstoy, Leo: Anna KareninaTrollope, Anthony: The Way We Live NowTurgenev, Ivan: Fathers and SonsTwain, Mark: The Adventures of Huckleberry FinnVerne, Jules: Journey to the Center of the EarthWallace, Lew: Ben-HurWells, H. G.: The Time MachineWest, Rebecca: The Return of the SoldierWharton, Edith: The Age of InnocenceWilde, Oscar: The Picture of Dorian GrayXueqin, Cao: The Dream of the Red ChamberZola, Émile: Germinal

    Their new ruler, Diabolus, brought them great harm. When Shaddai sends Prince Emmanuel, his son, to rescue them, a great battle is fought. Who will emerge victorious—Diabolus or Emmanuel? And what can the inhabitants of Mansoul do to resist the attacks of the evil one?   From the author of The Pilgrim’s Progress comes a powerful allegory about the battle being fought for man’s heart, mind, and spirit. Your soul is under attack from the forces of evil. Through this compelling read, you will learn how to build up your defenses, flood your moat, and prepare for victory in the war against Satan and the forces of darkness!

    Probably composed between 1372 and 1389, the poem survives in three distinct versions. It is known to modern readers largely through the middle of the three, the so-called B-text. Now, George Economou's verse translation of the poet's third version makes available for the first time in modern English the final revision of a work that many have regarded as the greatest Christian poem in our language.Langland's remarkable powers of invention and his passionate involvement with the spiritual, social, and political crises of his time lay claim to our attention, and demand serious comparison with Dante's Divine Comedy. Economou's translation preserves the intensity of the poet's verse and the narrative energy of his alliterative long line, the immediacy of the original's story of the quest for salvation, and the individuality of its language and wordplay.