Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    All the other bulls would run and jump and butt their heads together. But Ferdinand would rather sit and smell the flowers. And he does just that, until the day a bumblebee and some men from the Madrid bullfights give gentle Ferdinand a chance to be the most ferocious star of the corrida—and the most unexpected comic hero. This cherished hardcover is perfect for those who love Ferdinand, and those who have yet to meet him.

    and your heart!The creators of 'The Gruffalo' stand and deliver another masterpiece, in this rollicking rhyme inspired by Alfred Noyes' much-loved poem, 'The Highwayman'. "a classic picture book ... great to read aloud' - Radio 4's Front Row

    Seventeen fairy tales are wonderfully adapted and illustrated in comics format by seventeen different cartoonists, including Raina Telgemeier, Brett Helquist, Cherise Harper, and more. Edited by Nursery Rhyme Comics' Chris Duffy, this jacketed hardcover is a beautiful gift and an instant classic.

    Twenty-eight fables from different cultures and traditions are wonderfully adapted and illustrated in comics format by twenty-six different cartoonists. Edited by New York Times bestselling Fairy Tale Comics' Chris Duffy, this jacketed hardcover is a beautiful gift and an instant classic.

    Clark zooms into school, crashes through the classroom, and is rowdy at recess. Clark loves life—but when his enthusiasm is too much for his friends, Clark's teacher, Mrs. Inkydink, helps him figure out a way to tone it down.Clark the Shark celebrates boisterous enthusiasm—and knowing when it's time for indoor voices!

    He does tricks, he helps the paper boy with his round and then he sees a river... and George is curious. And that's when his exciting adventure begins.

    Quiet isn't a problem anymore for Julia...but getting her housemates to behave themselves is!The simple, sweet text of this picture book by New York Times Best-Selling Zita the Spacegirl author/illustrator Ben Hatke is perfectly balanced by his lush, detailed, immersive watercolor illustrations.

    Priscilla the princess has accidentally switched places with Pigmella, the farmer's new piglet. The kindly farmer and his wife believe it's the work of a good witch, while the ill-tempered king and queen blame the bad witch-after all, this happens in fairy tales all the time! While Priscilla grows up on the farm, poor yet very happy, things don't turn out quite so well for Pigmella. Kissing a frog has done wonders before, but will it work for a pig?Sure to hog all the attention, this story's frequent nods to well-known fairy tales such as Sleeping Beauty, The Frog Princess, and Thumbelina-plus hilarious illustrations-will delight readers of any age.

    Embittered and suspicious from the war, the people hide their food and close their windows tight. That is, until the clever strangers suggest making a soup from stones. Intrigued by the idea, everyone brings what they have until-- together, they have made a feast fit for a king! In this inspiring story about the strength people possess when they work together, Muth takes a simple, beloved tale and adds his own fresh twist.

    Beautifully illustrated . . . this handsome volume is an art object in itself."- Kirkus Reviews"Punchy writing and bold images make this a promising readaloud prospect. It’s a work of art, too" -Publishers WeeklyMeet the most wily jackal in the forest. Too lazy to hunt for food, he decides to trick his friend the crane, and soon gets carried away, gobbling up every animal he encounters. This lighthearted story, told in cumulative rhyme, is an adaptation of an oral trickster tale from Rajasthan, north India. It is illustrated with finger painting by the talented Sunita, a young woman artist who hails from the Meena tribe. In this handmade, silkscreen printed children's book, Sunita adapts a traditional Meena art form called Mandna, which is traditionally painted by women on the walls and floors of their village homes.This is the first time that Mandna--rarely seen outside the confines of Meena villages--has been used in a children’s book. Each book is made completely by hand, and numbered out of a limited edition.

    He's also the silliest, most lovable, most muddleheaded possum south of the Mason-Dixon line!Better choose your words wisely when he's around, 'cause otherwise you never know what you'll get. Epossumondas just might bring you a fist full of crumbs, or a soaking wet puppy, or a scruffy wad of bread--oh, you just wouldn't believe it!Renowned storyteller Coleen Salley and Caldecott Honor illustrator Janet Stevens team up for this outrageous twist on the Southern story of the noodlehead who takes everything way too literally. (Or is that Epossumondas just pulling his mama's leg?)

    A well-known Norwegian folk tale from Victorian times about three Billy-Goats trying to cross a bridge and a Troll trying to stop them,This edition is illustrated with woodcuts by Susan Blair.

    He scribbles in books. He steals candy from baby unicorns. He even burps in church. Seriously, who does that? Dragon, that's who. The king, the knights, and the villagers are desperate to take down this beast once and for all. But sometimes it's up to the unlikeliest of heroes to tame a dragon this terrible.

    First written in 1899, the story has become a childhood classic and the authorized American edition with the original drawings by the author has sold hundreds of thousands of copies. Little Black Sambo is a book that speaks the common language of all nations, and has added more to the joy of little children than perhaps any other story. They love to hear it again and again; to read it to themselves; to act it out in their play.