But I came home with a wife. I'm the responsible one. The brother who doesn't make mistakes. Getting married didn't feel like a mistake. Not that I can remember it. Waking up next to Andrea? It's more like a dream. She's bold and sassy and has all the confidence in the world. And practically an angel. When we return home we have to face reality. We're married. For better or worse. Except she's prepared to undo our nuptials. But secretly, part of me wants to stay this way. I'll make Andrea mine, even after there's a ring on her finger. Accidentally Wild is the second of the Wilder Brothers Series, about five wild brothers and their quest for love. USA Today Bestselling Author Nicole Elliot really knows how to heat up the South in these books. Book 3, Secretly Wild will be available in September!

    He had torn the Treaty of Versailles to shreds. He had rearmed Germany to the teeth— or as close to the teeth as he was able. He had stolen Austria before the eyes of a horrified and apparently impotent world. All these events were shocking to nations which had defeated Germany on the battlefield only 20 years before, but nothing so terrified the world as the ruthless, methodical, Nazi-directed events which during late summer and early autumn threatened a world war over Czechoslovakia. When without loss of blood he reduced Czechoslovakia to a German puppet state, forced a drastic revision of Europe's defensive alliances, and won a free hand for himself in Eastern Europe by getting a "hands-off" promise from powerful Britain (and later France), Adolf Hitler without doubt became 1938's Man of the Year. This story is part of the TIME Person of the Year Collection from Time Inc. This is a reproduction of a story that appeared in the January 2, 1939 issue of TIME magazine. Time Inc. is one of the world’s most influential media companies – home to 90 iconic brands like People, Sports Illustrated, Time, InStyle, Real Simple, Food & Wine, and Fortune. The Spotlight Stories in this collection aim to provide you with a quick read on a single subject, highlighting our readers’ most popular stories and featuring great reporting from our Time Inc. journalists.

    Maggie has just returned home after leaving her English boyfriend. She has a secret and no idea where her future lies. All she knows is that she needs to find a job and quick, before her mother starts asking awkward questions. But Maggie soon finds out that there aren't too many jobs going in top restaurants in Dublin city. Pamela has her life sorted. She's married to Dick whose needs are simple - a clean house, quiet children and a wife that does exactly what she's told. Two sisters, once close, are forced to question everything they thought they knew and ask - Is This Love?

    This witty and allusive book, in the style of classic film theorists/critics like André Bazin and Siegfried Kracauer, includes considerations of global cinema’s most important figures and films, from Lars von Trier and Zia Jiangke to WALL-E, Avatar and Inception.

    

    Sometime partner of the eccentric Howard Hughes, drinking buddy of William Faulkner and Ernest Hemingway, an inveterate gambler and a notorious liar, Hawks was the most modern of the great masters and one of the first directors to declare his independence from the major studios. He played Svengali to Lauren Bacall, Montgomery Clift, and others, but Hawks's greatest creation may have been himself.As The Atlantic Monthly noted, "Todd McCarthy . . . has gone further than anyone else in sorting out the truths and lies of the life, the skills and the insight and the self-deceptions of the work." "A fluent biography of the great director, a frequently rotten guy but one whose artistic independence and standards of film morality never failed." -- The New York Times Book Review; "Hawks's life, until now rather an enigma, has been put into focus and made one with his art in Todd McCarthy's wise and funny Howard Hawks." -- The Wall Street Journal; "Excellent . . . a respectful, exhaustive, and appropriately smartass look at Hollywood's most versatile director." -- Newsweek.

    Once she arrives, she quickly gets hired at the O'Donnells' watermelon wine making business.Dalton Wilson has been the foreman on the O'Donnells' ranch for a couple of years now. He's thirty years old and has a reputation for being a bad-boy cowboy, but deep in his heart, he is more than ready to settle down. It's love at first sight for Dalton, but convincing Becca that he is ready to hang up his bad boy spurs is quite another thing—until the night they both have too much watermelon wine and open their hearts…

    

    Most of this instructive and funny book is written in dialogue form and based on film classes Mamet taught at Columbia University. He encourages his students to tell their stories not with words, but through the juxtaposition of uninflected images. The best films, Mamet argues, are composed of simple shots. The great filmmaker understands that the burden of cinematic storytelling lies less in the individual shot than in the collective meaning that shots convey when they are edited together. Mamet borrows many of his ideas about directing, writing, and acting from Russian masters such as Konstantin Stanislavsky, Sergei M. Eisenstein, and Vsevelod Pudovkin, but he presents his material in so delightful and lively a fashion that he revitalizes it for the contemporary reader.

    The relations between film style and mode of production are, according to the authors, reciprocal and mutually influencing. The authors trace such topics as style, economics, and technology over time, demonstrating how significant changes occurrred in Hollywood from the earliest days through the sixties.

    The notes gathered over a long career and polished to a sharp edge documented the teachings and directions that Hauser shared privately with a host of theatrical and cinematic figures, including Sir Alec Guinness, Richard Burton, Sir Ian McKellen, Dame Judi Dench, Kevin Spacey, and many others who called Hauser their director, mentor, teacher, or boss.Now, the former student has expanded and enhanced his mentor's private notes into a book-length format suitable for anyone searching for the timeless gems of the director s craft. Drawing on years of training, decades of experience, and the distilled wisdom of leading practitioners, Notes on Directing is filled with enduring good advice expressed in assertive, no-nonsense language. More than a how-to, this is a tool for directors looking to better translate the page to the stage or to the screen. With one hundred and thirty directives supported with explanatory commentary, helpful examples, and rare quotes, this deceptively slim volume has the impact of a privileged apprenticeship to a great master.Whether you are a student or a professional, a playgoer, moviegoer, or enthusiast, Notes on Directing provides a thrilling glimpse into the hidden process of creating a live, shared experience.

    From those conversations stemmed this enlightened, affectionate book -- a mine of wonderful, surprising observations and information about editing, writing and literature, music and sound, the I-Ching, dreams, art and history.The Conversations is filled with stories about how some of the most important movies of the last thirty years were made and about the people who brought them to the screen. It traces the artistic growth of Murch, as well as his friends and contemporaries -- including directors such as Francis Ford Coppola, George Lucas, Fred Zinneman and Anthony Minghella -- from the creation of the independent, anti-Hollywood Zoetrope by a handful of brilliant, bearded young men to the recent triumph of Apocalypse Now Redux.Among the films Murch has worked on are American Graffiti, The Conversation, the remake of A Touch of Evil, Julia, Apocalypse Now, The Godfather (all three), The Talented Mr. Ripley, and The English Patient."Walter Murch is a true oddity in Hollywood. A genuine intellectual and renaissance man who appears wise and private at the centre of various temporary storms to do with film making and his whole generation of filmmakers. He knows, probably, where a lot of the bodies are buried."

    With an array of stunning performances in blockbusters as diverse as Big, The Da Vinci Code, Forrest Gump, Philadelphia, and Saving Private Ryan to his name, he has an outstanding reputation as one of the world's greatest leading men. Yet behind the many roles lies an intensely complex figure. This wonderful portrait of a dedicated family man and professional explores Tom Hanks' fractured childhood, the breakdown of his first marriage, his friendship with Princess Diana, his relationship with Bill Clinton, his moral and political stances, his family life, and the highs and lows of his stellar career.

    These collected stories cover well known and loved characters, as well as some lesser seen NPCs. Into the Deadlands: Alistern, Grimgar, Almira, Stewart, and Flora take their first trip into the sands. The longest story in the anthology, and a harrowing tale of heroics. Lilith’s History: How did Lilith come to be with Alistern and raise five wonderful daughters? Bob’s Tale: Everyone’s favorite Imp is featured in this story. Stewart’s Upbringing: How does a Half-blood Infernal grow up in a city that despises his kind? Erin’s Story: How does the barmaid come to love a noble’s son? A story of love and acceptance. Deirdre’s Story: What is one to do when her sister’s are finding love? Find her own, of course. Marian’s Story: With the other three sisters having found love, Marian yearns to find her own soulmate. Demon Lord’s Armor: The tale of how the infamous Demon Lord Armor set was created. Skippy’s Tale: Simmer down, we know most people hate him. Understand him so you can hate him even more. Bob’s Tale Part two: Bob is back with more story to dig into. Magiblood: The story of Rolland and Kim, never before seen anywhere. I hope you will enjoy reading these stories as much as I did writing them.

    Interviews with top film scoring professionals add the priceless insight of the wisdom that comes with experience.