CHILL as Lady Deadpool and Headpool try to find the root cause of their majorly abusive frenemieship. Then THRILL as Kidpool and Dogpool embark on a 100-ton mechanized joy ride and and uhm...GET ILL as Dogpool makes a brand-new archenemy. Then it's 'Two Mutants and a Baby' in the untold story of how Cable escaped from Alaska with Hope. Wait -- You don't think Cable did that alone, did you? PLUS: Deadpool struggles to find the perfect way to honor his pal Cable.

    Earth can move incredible distances in his improbable Distance Mover, a wondrous vehicle that reflects the fantastic world it traverses. He, and his young art-star protégée Mendel, explore culture-rich crystalline cities, challenge the mighty Council of the Misters, try to overcome the all-conquering Ooze, and much more!Patrick Kyle lives and works in Toronto, Ontario. He is the co-founder and editor of Wowee Zonk, a contemporary comic book anthology featuring up-and-coming international artists. He has been previously nominated for Doug Wright and Ignatz awards for his comic book series Black Mass and Distance Mover.

    Breastfeeding nightmares, eating dinner with one hand, soft play hell and chronic sleep deprivation - but also the sheer beauty of falling in love again and the amazing discovery of what it's like to have a family - these are all captured in Sketchy Muma's glorious drawings.This is the perfect gift book for both young and experienced parents. Anna Lewis understands the light and shade that comes with motherhood, and it is those universal truths that will connect all those parents who delight in her sketches.

    Will Hopey actually show up, or will Maggie have to go it alone? Hell, will anybody show up? Lots of old friends and enemies make appearances in the second chapter of this latest Locas epic. Also, what happened to Princess Animus? The film may have broke but the movie was most definitely not over. All this and Tonta, too! Meanwhile, Gilbert serves up the second and concluding part of “The Magic Voyage of Aladdin,” which establishes the rivalry of its two stars, Fritz and Mila. Who’s Mila, you ask? And to make matters worse, who are the Fritz lookalikes that are coming out of the woodwork? You’ll have to read Love and Rockets: New Stories No. 8 to find out!

    Pitch invaders aside, few of us get to experience that adrenalin rush. Of those who do make it as a professional footballer, even fewer realise the giddy heights of success. In the Illustrated History of Football: Hall of Fame, cartoonist David Squires returns to celebrate those who straddle the game like giants; those talented, determined souls who were juggling tennis balls in the back streets before they could talk. There’s more than one way to attain football immortality though, and Squires also turns his comic eye to the mavericks, the pioneers, the forgotten legends and the anti-heroes. From Pele to Meazza, Maradona to Socrates, you will be taken on an unforgettable journey through the good, the bad and the Hagi.

    The comics here are sophisticated, unusual narratives about animal musicians, mischievous children, cavemen and heavenly bodies.

    One is her greatest fear...Pinhead! But what could he have planned for her? The revelations in this volume will change the world of Hellraiser forever!

    Mark Beyer was breathing delirious, heartbreaking, otherworldly life into it by means of Amy and Jordan. Obviously, you weren’t reading New York Press. But I sure was. Voraciously. Back in 1989, when I discovered that Beyer’s strips were appearing regularly in this new “alternative weekly” paper, I quickly became hooked, and a thought seized me: I had to clip and save them–they were exquisite poems of urban despair, dreamy and nightmarish. I was already a fan of Beyer’s talent based on his book Agony (Pantheon, 1988), but these new strips revealed, week by week, a whole new dimension to his work–an ingenious reinvention of panel-design that redefined what a comic strip could be. As with Peanuts, it helps to try and picture these in the context which they first appeared in order to appreciate just how profoundly they emerged from anything else on the newspaper page. Even the “outré” NYP ads and listings which often ran alongside them were hopelessly dull by comparison. One of its most impressive aspects was the way Form served the Content–no matter how eccentric the layout got, it somehow never confused the narrative. And what narrative: it was as if Candide had been transported to the East Village and split in two like an amoeba and holed up in a squat on Avenue C. Along with giant bugs from outer space. So I did clip and save them, and put them into an envelope, which was then placed in a shoebox with a lot of other envelopes (receipts, receipts!), which was shoved to the back of the closet of my sixth-floor walk-up studio apartment, which I moved out of three years later and in the process I unwittingly threw them all away. Which frankly is just the sort of thing that Amy and Jordan would do. Drat. “Oh well,” I thought, once I’d realized it, “at some point someone will collect and publish them, and I’ll get them back that way.” And that was that. Fast forward more than ten years, to the spring of 2002. During a panel of cartoonists I was chairing in Philadelphia, a member of the audience asked what Mark was working on and where he was. No one seemed to know. The discussion was transcribed and published in The Comics Journal that summer, and in the fall Mark contacted me with the best possible news: He’d read the panel transcript and wanted to publish again. And the Amy and Jordan strips had never been comprehensively collected. So now, as an editor, I was able to grant my own wish. Amy and Jordan ran from 1988 through early 1996. After that, Beyer put cartooning aside to pursue other projects. This book signals his return to the realm of comics, which he says he wants to start making again. We can only hope he does. For now, I’m just thankful I finally have my Amy and Jordan collection back. –Chip Kidd, NYC, 10/03

    Tolkien. Over the course of the story we meet Peace Punk, a punker on the verge of a bourgeois lifestyle; Tom Chief, a beat cop with an identity crisis; and Groomfiend, a daffy creature who leads the narrative. The serial has earned Thurber rave reviews from, among others, cartoonist Ben Katchor, who writes: "Matthew Thurber has singlehandedly revived the Surrealist program of revolutionary politics through dreamwork. What more can you ask for in a comic-book?" This edition collects five issues of "1-800-MICE," plus 48 pages of new material.

    She's been called an inimitable and masterful stylist, a kind of Edward Gorey who draws out the whimsical side of body-horror, and indeed, the spirit of Gorey's grotesques breathes through French's creations. In H Day, her first graphic novel in four years, French explores, through metaphor and in pictures, her struggles with migraine headaches, marshaling troops of insects, beasts and humanoids to envision the processes that result in such hideous sensations. A sweeping, often tense narrative of invasion, repulsion and liberation, H Day can be read both as an oblique autobiography and as a suspenseful fantasy story. This volume makes clear the qualities that led Myla Goldberg, author of Bee Season, to call Renee French "that rare gift among artists--one whose work finds its way into the most guarded corners of our psyches and allows us to revel in all that is awkward, embarrassing or sticky about being alive."

    Edie Fake confronts the reader with violent and unexpected manifestations of sexual connection and romantic possession as the Gaylord Phoenix searches for his lost love, his origins and his place in the world.

    Youth Is Wasted collects several of Noah Van Sciver's most outstanding short stories from his critically acclaimed, award-nominated comic book series, Blammo, as well as various anthology submissions.

    When he befriends an orangutan, Mowgli thinks he has found his lifemate. But Mowgli still wonders if there any other creatures that look like him. Mowgli sets out on a journey through the jungle, encountering all types of creatures and having numerous adventures. A fantastic use of layout and design by critically-acclaimed Olivier "Ollie" Schrauwen, printed in only orange and blue spot colors.

    This collection of the cartoonist's mini-comics, zines, anthology work, and more, is a follow up to the award-winning Very Casual, and shows the artist at the height of his occasionally fever-induced powers.A prolific artist who is constantly producing work in a variety of media, DeForge is a designer and storyboard artist on the Emmy Award-winning show Adventure Time. One can see hints of that show's house style filtered through the Lynchian landscapes and otherworldly vistas of DeForge's vision.

    Through classic comics, blog entries, and a wealth of other wacky new material, experience Jon’s dating disasters, phone call faux pas, wardrobe malfunctions, and mirthful mishaps—and cheer the geek with a heart of gold as he finally finds true love with Liz, the veterinarian. (Who’d have thunk it?) So, rejoice, Jon fans, and enjoy the fun. The moment of goof has arrived!