A Russian adaptation of the classic fairy-tale of Snow White and the Seven Dwarves.

    This collection includes Elsa Beskow's "When Mother Troll Took in the King's Washing"; "The Magician's Cape" by Anna Wahlenberg; "The Seven Wishes" by Alfred Smedberg; "The Ring" by Helena Nyblom; "Stalo and Kauras" by PA. Lindholm; and "The Maiden in the Castle of Rosy Clouds" by Harald Ostenson.

    CONTENTS Blondine, Bonne-Biche, and Beau-Minon Blondine; Blondine Lost; The Forest of Lilacs; Blondine's Awakening - Beau-Minon; Bonne-Biche; Blondine's Second Awakening; The Parrot; Repentance; The Tortoise; The Journey and Arrival Good Little Henry The Poor Sick Mother; The Crow, the Cock, and the Frog; The Harvest; The Vintage; The Chase; The Fishing; The Plant of Life Princess Rosette The Farm; Rosette at the Court of the King Her Father; Family Council; Second Day of the Festival; Third and Last Day of the Festival The Little Gray Mouse The Little House; The Fairy Detestable; The Prince Gracious; The Tree in the Rotunda; The Casket Ourson The Lark and the Toad; Birth and Infancy of Ourson; Violette; The Dream; The Toad Again; Violette's Sacrifice; The Wild Boar; The Conflagration; The Well; The Farm - The Castle - The Forge; The Sacrifice; The Combat; The Recompense

    Over 150 tales are compiled from Iceland to Syria, Cuba to Papua.Part of the Pantheon Fairy Tale and Folklore Library

    From cautionary tales to ghostly visions, the fairy stories of Japan are characterized not only by the customary amount of fantasy but also by a welcome dose of mischievous fun. For any lover of other-worlds, dreamscapes, and magical beings, this collection of Japanese folk and fairy tales provides quick transportation to a land of miniature warriors, willow-women, and ogre-isles, beautifully accented by the unmistakable exoticism of the Land of the Rising Sun. Bohemian and writer PATRICK LAFCADIO HEARN (1850-1904) was born in Greece, raised in Ireland, and worked as newspaper reporter in the United States before decamping to Japan. He also wrote In Ghostly Japan (1899), and Kwaidan (1904).

    Book I has Mother Goose rhymes, as well as rhymes from Hungary, Denmark and China; ancient Norse and Greek myths; Aesop's fables; English fairy tales, including The Story of the Three Bears and Whittington and His Cat; and verse by Robert Louis Stevenson, Hilarie Belloc, and Dennis Lee. And there are wonderful stories by:-Margaret Wise Brown (Goodnight Moon)-Jean de Brunhoff (The Story of Babar the Little Elephant)-Marie Hall Ets (Play with Me)-Robert McCloskey (Make Way for Ducklings)-H.A. Rey (Curious George)-Ezra Jack Keats (Hi, Cat)-Judith Viorst (Alexander and the Terrible, Horrible, No Good, Very Bad Day)-Else Holmelund Minarik (A Kiss for Little Bear)-Wanda G'ag (The Funny Thing)-Tomi Ungerer (The Three Robbers)Continuing the parade of children’s favorites that began in the first book, the beautifully illustrated companion volume opens with Gunter Spang’s marvelous The House in Sunflower Street and ends with the modern classics Where the Wild Things Are and Chicken Soup with Rice by Maurice Sendak. In between there are fairy tales by the Brothers Grimm, including Cinderella, Hansel and Gretel and Rumpelstiltskin; nonsense verse and limericks by Edward Lear, and wonderfully illustrated stories by Mitsumasa Anno (The King’s Flower) and Dr. Seuss (And to Think That I Saw It on Mulberry Street).Readers will also meet some of the best-loved characters in children’s literature in:* The Tale of Peter Rabbit by Beatrix Potter * The Tomten by Astrid Lindgren*Amos and Boris by William Steig* The Story about Ping by Marjorie Flack and Kurt Wiese* Mr. Gumpy’s Motor Car by John Burningham* Eeyore Has a Birthday and Gets Two Presents by A.A. Milne* The Stupids Step Out by Harry Allard * The Emperor’s New Clothes by Hans Christian Andersen* “Paddington Goes Underground,” from A Bear Called Paddington by Michael Bond.Designed so that readers can dip into the two books anywhere and find something delightful and entertaining, The World Treasury of Children’s Literature is one of the finest anthologies of its kind ever published. It is a collection that will be read and reread by everyone, who, like Clifton Fadiman, is still in awe of “the miracle of language.”

    This anthology not only features the beloved tale, but 100 enchanting stories chosen from The Blue Fain/Book and other collections by Andrew Lang: 50 devoted to beauties and another 50 from the perspective of the beast.

    The Butterfly That Stamped, and How the Alphabet Was Made..

    The writing is lyrical and understated, a perfect tone for stories that introduce young readers to themes of love and loss, pride and forgiveness. Carson Ellis's elegant black-and-white illustrations lend an aura of beauty and mystery.

    Adaption

    Each has a special magic, an aura that is sometimes beautiful and fascinating, sombre and frightening, or exciting and colourful. But what unites all these stories is the essential quality of folk-lore, something that transcends the boundaries of nations, of custom and time, that gives them their permanence and universality of appeal. "Authors need folk-tales," Richard Adams says, "in the same way as composers need folk-song. They're the headspring of the narrator's art, where the story stands forth at its simple, irreducible best. They don't date, any more than dreams, for they are the collective dreams of humanity." In order to preserve as far as possible the immediacy and directness of authentic folk story-telling, each of the nineteen tales is presented as being told by an imagined narrator to one or more hearers at a particular time and place, sometimes past, sometimes present. However, the reader is never told the identity either of the teller or his hearers, but is left free to infer both them and the occasion solely from the narrator's own words. This original technique adds a novel dash of piquancy to this fine collection.

    So poor she had to go barefoot. Her name was Karen and she loved to dance. When Karen becomes an orphan, her great aunt takes her in. One day on a shopping trip, she is bought a beautiful pair of red shoes. The shoes magically come to life and steer Karen down a path she never would have imagined in her wildest dreams, or nightmares. This fresh take on the Hans Christian Andersen classic “The Red Shoes” is a tale of hope, obsession and guilt, retold and lavishly illustrated by multiple-Eisner award nominated creators Metaphrog. Also included is an adaptation of Andersen’s “The Little Match Girl” and an original story, “The Glass Case”."Hope, joy, and pain intermingle in these dark, alluring stories, which may leave readers thinking of Andersen as a precursor to modern horror." Publishers Weekly."A darkly pensive read, perfect for chilly fall evenings." Kirkus Reviews

    And the most magical of all are the beloved, venerable words of Mother Goose. Now folklorist Iona Opie has gathered more than sixty treasured rhymes in their most perfect, honest form. From "Hey Diddle, Diddle" and "Pat-a-Cake" to "Little Jack Horner" and "Pussycat, Pussycat," these are familiar verses that have been passed from parent to child for generations; these are the rhymes that are every child's birthright.With watercolors by Rosemary Wells that may prove equally enduring, MY VERY FIRST MOTHER GOOSE captures the simple joy and the sly humor that are the essence of Mother Goose. Parents and children will find themselves exploring this volume together, savoring delightful details and funny surprises on every page. This is a book that promises hours of quiet smiles and merry grins for readers of all ages.

    Sections group tales together by theme or juxtapose variations of individual tales, inviting comparison and analysis across cultures and genres. An accessible section of critical selections provides a foundation for readers to analyze, debate, and interpret the tales for themselves. An expanded introduction by the editors looks at the history of folk and fairy tales and distinguishes between the genres, while revised introductions to individual sections provide more detailed history of particular tellers and tales, paying increased attention to the background and cultural origin of each tale. A selection of illustrations from editions of classic tales from the 19th to the 21st centuries is also included.

    The Lion and the Mouse. The Boy Who Cried Wolf. The Jackdaw and the Borrowed Plumage. For generations, these titles and scores of others have been synonymous with the best in the timeless literature of childhood. Although he was probably as mythical as the tales attributed to him, the legendary name of Aesop has been associated for thousands of years with an enduringly popular collection of enchanting fables. In the lavish tradition of Chronicle Books' classic illustrated edition of A Child's Garden of Verses, this delightful selection of Aesop's parables--some of them universally recognizable, others refreshingly unfamiliar--is magnificently complemented by illustrations taken from a variety of antique editions. Among the artists represented in this superbly designed and beautifully reproduced new volume are Arthur Rackham, Thomas Bewick, Walter Crane, Charles Robinson, and Randolph Caldecott. Fully captioned illustrations, a complete bibliography of sources, and a set of biographical notes on the artists make this stunning compendium an ideal gift for any child as well as a valutable companion for collectors of fine illustrated books.