Now on the cusp of turning 30, I'm ready to expose some parts of my life that I haven't shared before. Before, it was all about privacy, process and time. And now the time has come! I’m ready to put myself out there, for you.  I'm a little nervous about all these vulnerable words going into the world, these tales about my love life, the wrestling I’ve done with faith, how I feel about sex and my family and myself. I’ve had a lot of trials, a lot of errors, but also a lot of passion. Here’s the thing--I've always found comfort in the stories shared by others, so I hope my stories, now that I feel ready to tell them, will bring you some comfort too.And when you read this book please remember: Buffering is just the time it takes to process.Enjoy!Love,Hannah

    His goal was ambitious: to transform what would become over a hundred hours of interviews into an unprecedented portrait of Malcolm X, one that would separate fact from fiction.The result is this historic biography that conjures a never-before-seen world of its protagonist, a work whose title is inspired by a phrase Malcolm X used when he saw his Hartford followers stir with purpose, as if the dead were truly arising, to overcome the obstacles of racism. Setting Malcolm’s life not only within the Nation of Islam but against the larger backdrop of American history, the book traces the life of one of the twentieth century’s most politically relevant figures “from street criminal to devoted moralist and revolutionary.”In tracing Malcolm X’s life from his Nebraska birth in 1925 to his Harlem assassination in 1965, Payne provides searing vignettes culled from Malcolm’s Depression-era youth, describing the influence of his Garveyite parents: his father, Earl, a circuit-riding preacher who was run over by a street car in Lansing, Michigan, in 1929, and his mother, Louise, who continued to instill black pride in her children after Earl’s death. Filling each chapter with resonant drama, Payne follows Malcolm’s exploits as a petty criminal in Boston and Harlem in the 1930s and early 1940s to his religious awakening and conversion to the Nation of Islam in a Massachusetts penitentiary.With a biographer’s unwavering determination, Payne corrects the historical record and delivers extraordinary revelations—from the unmasking of the mysterious NOI founder “Fard Muhammad,” who preceded Elijah Muhammad; to a hair-rising scene, conveyed in cinematic detail, of Malcolm and Minister Jeremiah X Shabazz’s 1961 clandestine meeting with the KKK; to a minute-by-minute account of Malcolm X’s murder at the Audubon Ballroom.Introduced by Payne’s daughter and primary researcher, Tamara Payne, who, following her father’s death, heroically completed the biography, The Dead Are Arising is a penetrating and riveting work that affirms the centrality of Malcolm X to the African American freedom struggle.

    Now, at last, The Essential Dykes to Watch Out For gathers a “rich, funny, deep and impossible to put down” (Publishers Weekly) selection from all eleven Dykes volumes. Here too are sixty of the newest strips, never before published in book form.Settle in to this wittily illustrated soap opera (Bechdel calls it “half op-ed column and half endless serialized Victorian novel”) of the lives, loves, and politics of a cast of characters, most of them lesbian, living in a midsize American city that may or may not be Minneapolis.Her brilliantly imagined countercultural band of friends -- academics, social workers, bookstore clerks -- fall in and out of love, negotiate friendships, raise children, switch careers, and cope with aging parents.Bechdel fuses high and low culture -- from foreign policy to domestic routine, hot sex to postmodern theory -- in a serial graphic narrative “suitable for humanists of all persuasions.”

    Brynn tells Rachel about breaking up with her first serious girlfriend, about her brother Nick's death, about her passive mother and even worse stepfather, about how she's stuck in remedial courses at school and is considering dropping out.Then Brynn is confronted with a moral dilemma. One student representative will be allowed to have a voice among the administration in the selection of a new school superintendent. Brynn's archnemesis, Adam, and ex-girlfriend, Sarah, believe only Honors students are worthy of the selection committee seat. Brynn feels all students deserve a voice. When she runs for the position, the knives are out. So she begins to ask herself: What Would Rachel Maddow Do?

    Not gay enough for the Dykes, her ex-clique, thanks to a recent relationship with a boy; not tiny and white enough for ballet, her first passion; and not sick enough to look anorexic (partially thanks to recovery). Etta doesn’t fit anywhere— until she meets Bianca, the straight, white, Christian, and seriously sick girl in Etta’s therapy group. Both girls are auditioning for Brentwood, a prestigious New York theater academy that is so not Nebraska. Bianca seems like Etta’s salvation, but how can Etta be saved by a girl who needs saving herself? The latest powerful, original novel from Hannah Moskowitz is the story about living in and outside communities and stereotypes, and defining your own identity.

    The book has been banned from many school libraries and publicly burned in Kansas City. Of the author and the book, the Margaret A. Edwards Award committee said, “Using a fluid, readable style, Garden opens a window through which readers can find courage to be true to themselves.”

    If you're lucky, you find a place that accepts you, no questions asked. And if you're really lucky, that place has a drum set, a place to practice, and a place to sleep. For Kid, the streets of Greenpoint, Brooklyn, are that place. Over the course of two scorching summers, Kid falls hopelessly in love and then loses nearly everything and everyone worth caring about. But as summer draws to a close, Kid finally finds someone who can last beyond the sunset. Brooklyn, Burning is a fearless and unconventional love story. Brezenoff never identifies the gender of his two main characters, and readers will draw their own conclusions about Kid and Scout. Whatever they decide, Brooklyn, Burning is not a book any teen reader will soon forget. Brooklyn, Burning is the story of two summers in Brooklyn, two summers of fires, music, loss, and ultimately, love.

    Before our names, before we have likes and dislikes - before we, or anyone else, has any idea who we are. And two years ago, as Juno Dawson went to tell her mother she was (and actually, always had been) a woman, she started to realise just how wrong we've been getting it.Gender isn't just screwing over trans people, it's messing with everyone. From little girls who think they can't be doctors to teenagers who come to expect street harassment. From exclusionist feminists to 'alt-right' young men. From men who can't cry to the women who think they shouldn't. As her body gets in line with her mind, Juno tells not only her own story, but the story of everyone who is shaped by society's expectations of gender - and what we can do about it. Featuring insights from well-known gender, feminist and trans activists including Rebecca Root, Laura Bates, Gemma Cairney, Anthony Anaxagorou, Hannah Witton, Alaska Thunderfuck and many more, The Gender Games is a frank, witty and powerful manifesto for a world in which everyone can truly be themselves.

    Masterfully weaving together multiple strands of the events in New York; at the Pentagon; and in Shanksville, Pennsylvania, Fall and Rise is a mesmerizing, minute-by-minute account of that terrible day.In the days and months after 9/11, Mitchell Zuckoff, then a reporter for the Boston Globe, wrote about the attacks, the victims, and their families. After additional years of meticulous reporting, Zuckoff has filled Fall and Rise with voices of the lost and the saved. The result is an utterly gripping book filled with intimate stories of people most affected by the events of that sunny Tuesday in September: an out-of-work actor stuck in an elevator in the North Tower of the World Trade Center; the heroes aboard Flight 93 deciding to take action; a veteran trapped in the inferno in the Pentagon; the fire chief among the first on the scene in sleepy Shanksville; a team of firefighters racing to save an injured woman and themselves; and the men, women, and children flying across the country who suddenly faced terrorists bent on murder.Fall and Rise will open new avenues of understanding for everyone who thinks they know the story of 9/11, bringing to life—and in some cases, bringing back to life—the extraordinary ordinary people who experienced the worst day in modern American history.

    Now Ta-Nehisi Coates explores the tragic echoes of that history in our own time: the unprecedented election of a black president followed by a vicious backlash that fueled the election of the man Coates argues is America's "first white president."But the story of these present-day eight years is not just about presidential politics. This book also examines the new voices, ideas, and movements for justice that emerged over this period--and the effects of the persistent, haunting shadow of our nation's old and unreconciled history. Coates powerfully examines the events of the Obama era from his intimate and revealing perspective--the point of view of a young writer who begins the journey in an unemployment office in Harlem and ends it in the Oval Office, interviewing a president.We Were Eight Years in Power features Coates's iconic essays first published in The Atlantic, including Fear of a Black President, The Case for Reparations and The Black Family in the Age of Mass Incarceration, along with eight fresh essays that revisit each year of the Obama administration through Coates's own experiences, observations, and intellectual development, capped by a bracingly original assessment of the election that fully illuminated the tragedy of the Obama era. We Were Eight Years in Power is a vital account of modern America, from one of the definitive voices of this historic moment.

    Because there’s no single definition of crazy, there’s no single experience that embodies it, and the word itself means different things—wild? extreme? disturbed? passionate?—to different people. (Don’t) Call Me Crazy is a conversation starter and guide to better understanding how our mental health affects us every day. Thirty-three writers, athletes, and artists offer essays, lists, comics, and illustrations that explore their personal experiences with mental illness, how we do and do not talk about mental health, help for better understanding how every person’s brain is wired differently, and what, exactly, might make someone crazy. If you’ve ever struggled with your mental health, or know someone who has, come on in, turn the pages, and let’s get talking.

    In What We Don't Talk About When We Talk About Fat, Aubrey Gordon unearths the cultural attitudes and social systems that have led to people being denied basic needs because they are fat and calls for social justice movements to be inclusive of plus-sized people's experiences. Unlike the recent wave of memoirs and quasi self-help books that encourage readers to love and accept themselves, Gordon pushes the discussion further towards authentic fat activism, which includes ending legal weight discrimination, giving equal access to health care for large people, increased access to public spaces, and ending anti-fat violence. As she argues, I did not come to body positivity for self-esteem. I came to it for social justice.By sharing her experiences as well as those of others--from smaller fat to very fat people--she concludes that to be fat in our society is to be seen as an undeniable failure, unlovable, unforgivable, and morally condemnable. Fatness is an open invitation for others to express disgust, fear, and insidious concern. To be fat is to be denied humanity and empathy. Studies show that fat survivors of sexual assault are less likely to be believed and less likely than their thin counterparts to report various crimes; 27% of very fat women and 13% of very fat men attempt suicide; over 50% of doctors describe their fat patients as awkward, unattractive, ugly and noncompliant; and in 48 states, it's legal--even routine--to deny employment because of an applicant's size.Advancing fat justice and changing prejudicial structures and attitudes will require work from all people. What We Don't Talk About When We Talk About Fat is a crucial tool to create a tectonic shift in the way we see, talk about, and treat our bodies, fat and thin alike.

    But before he expired, Dreadnought passed his mantle to her, and those secondhand superpowers transformed Danny’s body into what she’s always thought it should be. Now there’s no hiding that she’s a girl. It should be the happiest time of her life, but Danny’s first weeks finally living in a body that fits her are more difficult and complicated than she could have imagined. Between her father’s dangerous obsession with “curing” her girlhood, her best friend suddenly acting like he’s entitled to date her, and her fellow superheroes arguing over her place in their ranks, Danny feels like she’s in over her head.She doesn’t have much time to adjust. Dreadnought’s murderer—a cyborg named Utopia—still haunts the streets of New Port City, threatening destruction. If Danny can’t sort through the confusion of coming out, master her powers, and stop Utopia in time, humanity faces extinction.

    Sal used to know his place with his adoptive gay father, their loving Mexican American family, and his best friend, Samantha. But it’s senior year, and suddenly Sal is throwing punches, questioning everything, and realizing he no longer knows himself. If Sal’s not who he thought he was, who is he?

    As a girl in boys’ clothes, she is accepted by neither tribe, bullied by both. What are you? they ask. Abandoned as a baby wrapped in a T-shirt with an image of a lizard on the front, Kivali found a home with nonconformist artist Sheila. Is it true what Sheila says, that Kivali was left by a mysterious race of saurians and that she’ll one day save the world? Kivali doesn’t think so. But if it is true, why has Sheila sent her off to CropCamp, with its schedules and regs and what feels like indoctrination into a gov-controlled society Kivali isn’t sure has good intentions?But life at CropCamp isn’t all bad. Kivali loves being outdoors and working in the fields. And for the first time, she has real friends: sweet, innocent Rasta; loyal Emmett; fierce, quiet Nona. And then there’s Sully. The feelings that explode inside Kivali whenever Sully is near—whenever they touch—are unlike anything she’s experienced, exhilarating and terrifying. But does Sully feel the same way?Between mysterious disappearances, tough questions from camp director Ms. Mischetti, and weekly doses of kickshaw—the strange, druglike morsel that Kivali fears but has come to crave—things get more and more complicated. But Kivali has an escape: her unique ability to channel and explore the power of her animal self. She has Lizard Radio.Will it be enough to save her?