It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    It feels like a fairy tale when Alberta ”Bert” Monte receives a letter addressed to “Countess Alberta Montebianco” at her Hudson Valley, New York, home that claims she’s inherited a noble title, money, and a castle in Italy. While Bert is more than a little skeptical, the mystery of her aristocratic family’s past, and the chance to escape her stressful life for a luxury holiday in Italy, is too good to pass up.At first, her inheritance seems like a dream come true: a champagne-drenched trip on a private jet to Turin, Italy; lawyers with lists of artwork and jewels bequeathed to Bert; a helicopter ride to an ancestral castle nestled in the Italian Alps below Mont Blanc; a portrait gallery of ancestors Bert never knew existed; and a cellar of expensive vintage wine for Bert to drink.But her ancestry has a dark side, and Bert soon learns that her family history is particularly complicated. As Bert begins to unravel the Montebianco secrets, she begins to realize her true inheritance lies not in a legacy of ancestral treasures, but in her very genes.

    Dr. Charcot holds all of Paris in thrall with his displays of hypnotism on women who have been deemed mad and cast out from society. But the truth is much more complicated—these women are often simply inconvenient, unwanted wives, those who have lost something precious, wayward daughters, or girls born from adulterous relationships. For Parisian society, the highlight of the year is the Lenten ball—the Madwomen’s Ball—when the great and good come to gawk at the patients of the Salpetriere dressed up in their finery for one night only. For the women themselves, it is a rare moment of hope. Genevieve is a senior nurse. After the childhood death of her sister Blandine, she shunned religion and placed her faith in both the celebrated psychiatrist Dr. Charcot and science. But everything begins to change when she meets Eugenie—the 19-year-old daughter of a bourgeois family that has locked her away in the asylum. Because Eugenie has a secret: she sees spirits. Inspired by the scandalous, banned work that all of Paris is talking about, The Book of Spirits, Eugenie is determined to escape from the asylum—and the bonds of her gender—and seek out those who will believe in her. And for that she will need Genevieve's help . . .

    Sylvan Threadgill, a night soiler cleaning out the privies behind the tenement houses, finds an abandoned newborn baby in the muck. An orphan himself, Sylvan rescues the child, determined to find where she belongs. Odile Church and her beautiful sister, Belle, were raised amid the applause and magical pageantry of The Church of Marvels, their mother’s spectacular Coney Island sideshow. But the Church has burnt to the ground, their mother dead in its ashes. Now Belle, the family’s star, has vanished into the bowels of Manhattan, leaving Odile alone and desperate to find her.A young woman named Alphie awakens to find herself trapped across the river in Blackwell’s Lunatic Asylum—sure that her imprisonment is a ruse by her husband’s vile, overbearing mother. On the ward she meets another young woman of ethereal beauty who does not speak, a girl with an extraordinary talent that might save them both.As these strangers’ lives become increasingly connected, their stories and secrets unfold. Moving from the Coney Island seashore to the tenement-studded streets of the Lower East Side, a spectacular human circus to a brutal, terrifying asylum, Church of Marvels takes readers back to turn-of-the-century New York—a city of hardship and dreams, love and loneliness, hope and danger. In magnetic, luminous prose, Leslie Parry offers a richly atmospheric vision of the past in a narrative of astonishing beauty, full of wondrous enchantments-a marvelous debut that will leave readers breathless.

    And when the personal secretary of the visiting Prince Sebastian of Alucia is found murdered, it’s all anyone can talk about, including Eliza Tricklebank. Her unapologetic gossip gazette has benefited from an anonymous tip about the crime, prompting Sebastian to take an interest in playing detective—and an even greater interest in Eliza.With a trade deal on the line and mounting pressure to secure a noble bride, there’s nothing more salacious than a prince dallying with a commoner. Sebastian finds Eliza’s contrary manner as frustrating as it is seductive, but they’ll have to work together if they’re going to catch the culprit. And when things heat up behind closed doors, it’s the prince who’ll have to decide what comes first—his country or his heart.

    Her new family greets her with apathy and even resentment. Only the quiet houseguest, Silas Rotherham, welcomes her company.When Aurelie decides to complete her father's unfinished serial novel, writing the family into the story as unflattering characters, she must keep her identity as Nathaniel Droll hidden while searching for the truth about her mother's disappearance--and perhaps even her father's death.Author Joanna Davidson Politano's stunning debut set in Victorian England will delight readers with its highly original plot, lush setting, vibrant characters, and reluctant romance.

    A killer is obsessed with Eva Tilling. Can she stop him, or will he claim her?When Eva Tilling wakes up in the hospital, she’s confused—who in her sleepy little North Carolina town could have hit her with their car? And why? But before she can consider the question, she finds that she’s awoken with a strange new skill: the ability to foresee people’s deaths when they touch her. While she is recovering from the hit-and-run, Nate, an old flame, reappears, and the two must traverse their rocky past as they figure out how to use Eva’s power to keep her friends—and themselves—alive. But while Eva and Nate grow closer, the killer grows increasingly frantic in his attempt to get to Eva.For the first time, New York Times bestselling author Melissa Marr has applied her extraordinary talent to contemporary realism. Chilling twists, unrequited obsession, and high-stakes romance drive this Gothic, racy thriller—a story of small-town oppression and salvation. Melissa’s fans, and every YA reader, will find its wild ride enthralling.

    Divided by time. Bound by a secret...1911At the age of fifteen, carefree Mary Kirk and indomitable Wallis Warfield meet at summer camp. Their friendship will survive heartbreaks, separation and the demands of the British Crown until it is shattered by one unforgivable betrayal.1997Rachel's romantic break in Paris with her fiance ends in tragedy when the car ahead crashes. Inside was Princess Diana. Back in Brighton, Rachel is haunted by the accident, and intrigued to learn the princess had visited the last home of Wallis, Duchess of Windsor, only hours before the crash. Soon, the discovery of a long-forgotten link to Wallis Simpson leads Rachel to the truth behind a scandal that shook the world...Richly imagined and beautifully written, Another Woman's Husband is a gripping, moving novel about two women thrust into the spotlight, followed by scandal, touched by loss.

    All alone in this pious and patriarchal society, Abitha fights for what little freedom she can grasp onto, while trying to stay true to herself and her past.Enter Slewfoot, a powerful spirit of antiquity newly woken… and trying to find his own role in the world. Healer or destroyer? Protector or predator? But as the shadows walk and villagers start dying, a new rumor is whispered: Witch. Both Abitha and Slewfoot must swiftly decide who they are, and what they must do to survive in a world intent on hanging any who meddle in the dark arts.

    Hannah Smith just wishes she wasn't that girl. As a narcoleptic and the companion to an earl's daughter with a strange affliction of her own, Hannah knows she's lucky to have a roof over her head and food in her belly when so many orphans starve on the streets. Yet freedom is something Hannah longs for. She did not, however, want her freedom to arrive in the form of kidnapping.Taken by handsome Jack Langley to a place known as Freak House, she finds herself under the same roof as a mad scientist, his niece, a mute servant and Jack, a fire starter with a mysterious past. They assure Hannah she is not a prisoner and that they want to help her. The problem is, they think she's the earl's daughter. What will they do when they discover they took the wrong girl?

    It’s the only way to contain the fey curse that scars her cheek. The Great War is five years gone, but its scattered victims remain—the ironskin. When a carefully worded listing appears for a governess to assist with a "delicate situation"—a child born during the Great War—Jane is certain the child is fey-cursed, and that she can help. Teaching the unruly Dorie to suppress her curse is hard enough; she certainly didn’t expect to fall for the girl’s father, the enigmatic artist Edward Rochart. But her blossoming crush is stifled by her own scars, and by his parade of women. Ugly women, who enter his closed studio...and come out as beautiful as the fey. Jane knows Rochart cannot love her, just as she knows that she must wear iron for the rest of her life. But what if neither of these things is true? Step by step Jane unlocks the secrets of her new life—and discovers just how far she will go to become whole again.

    The other half belongs to a man who disappeared without a trace twenty-seven years ago—her father.Leaving London behind to settle the inheritance from her mother’s estate, Ailsa returns to her childhood home, nestled amongst the craggy peaks of the Scottish Highlands, joined by the half-sister who’s almost a stranger to her.Ailsa can’t escape the claustrophobic feeling that the house itself is watching her—as if her past hungers to consume her. She also can’t ignore how the neighbourhood animals refuse to set one foot within the gates of the garden.When the first nighttime intruder shows up, Ailsa fears that the manor’s careless rugged beauty could cost her everything.

    Everything changes when she’s attacked and a man ends up dead at her feet—her scissors in his neck, and she can’t explain how they got there.Before she can be condemned as a murderess, two cape-wearing nurses arrive to inform her she is deathly ill and ordered to report to Haxahaven Sanitarium. But Frances finds Haxahaven isn’t a sanitarium at all: it’s a school for witches. Within Haxahaven’s glittering walls, Frances finds the sisterhood she craves, but the headmistress warns Frances that magic is dangerous. Frances has no interest in the small, safe magic of her school, and is instead enchanted by Finn, a boy with magic himself who appears in her dreams and tells her he can teach her all she’s been craving to learn, lessons that may bring her closer to discovering what truly happened to her brother.Frances’s newfound power attracts the attention of the leader of an ancient order who yearns for magical control of Manhattan. And who will stop at nothing to have Frances by his side. Frances must ultimately choose what matters more, justice for her murdered brother and her growing feelings for Finn, or the safety of her city and fellow witches. What price would she pay for power, and what if the truth is more terrible than she ever imagined?