Set in Louis XIII's reign, it is the moving and exciting drama of one of the finest swordsmen in France, gallant soldier, brilliant wit, tragic poet-lover with the face of a clown. Rostand's extraordinary lyric powers gave birth to a universal hero--Cyrano De Bergerac--and ensured his own reputation as author of one of the best-loved plays in the literature of the stage.This translation, by the American poet Brian Hooker, is nearly as famous as the original play itself, and is generally considered to be one of the finest English verse translations ever written.

    The central character, Bimala, is torn between the duties owed to her husband, Nikhil, and the demands made on her by the radical leader, Sandip. Her attempts to resolve the irreconciliable pressures of the home and world reflect the conflict in India itself, and the tragic outcome foreshadows the unrest that accompanied Partition in 1947. This edition includes an introduction by Anita Desai.

    Chariton's Callirhoe, subtitled Love Story in Syracuse, is a fast-paced historical romance of the first century CE and the oldest extant novel.

    Forced to flee, they are then cruelly separated, and must face many dangers including plague, famine and imprisonment, and confront a variety of strange characters—the mysterious Nun of Monza, the fiery Father Cristoforo and the sinister “Unnamed”—in their struggle to be reunited. A vigorous portrayal of enduring passion, The Betrothed‘s exploration of love, power, and faith presents a whirling panorama of seventeenth-century Italian life and is one of the greatest European historical novels.“The 19th-century Italian literary classic renowned for its vivid descriptions of the 1630 pestilence that gutted Milan.” —The New York Times“Compulsory reading for Italian high school students, The Betrothed gives a historically accurate account of the bubonic plague that wiped out a quarter of Milan’s population in 1629-1631.” —Politico“This is not just a book; it offers consolation to the whole of humanity.” —Giuseppe Verdi

    With acerbic wit and sardonic perspective, it follows the whimsical adventures of a world-weary stray kitten who comments on the follies and foibles of the people around him.A classic of Japanese literature, I Am a Cat is one of Soseki's best-known novels. Considered by many as the most significant writer in modern Japanese history, Soseki's I Am a Cat is a classic novel sure to be enjoyed for years to come.

    Examining questions of faith, desire and enlightenment, the poem is a brilliantly nuanced and moving allegory of human redemption. Dante Alighieri was born in Florence in 1265 and belonged to a noble but impoverished family. His life was divided by political duties and poetry, the most of famous of which was inspired by his meeting with Bice Portinari, whom he called Beatrice,including La Vita Nuova and The Divine Comedy. He died in Ravenna in 1321.

    In a series of sparkling essays, she explores our rich classical heritage - from Greek drama to Roman jokes, introducing some larger-than-life characters of classical history, such as Alexander the Great, Nero and Boudicca. She also invites you into the places where Greeks and Romans lived and died, from the palace at Knossos to Cleopatra's Alexandria - and reveals the often hidden world of slaves. She brings back to life some of the greatest writers of antiquity - including Thucydides, Cicero and Tacitus - and takes a fresh look at both scholarly controversies and popular interpretations of the ancient world, from The Golden Bough to Asterix. The fruit of over thirty years in the world of classical scholarship, Classical Traditions captures the world of antiquity and its modern significance with wit, verve and scholarly expertise.

    Elegaic, macabre, chimerical, Funeral Rites is a dark meditation on the mirror images of love and hate, sex and death.

    Stephen Pearl's new translation, the first major English-language publication of Oblomov in more than fifty years, succeeds exquisitely to introduce this astonishing and endearing novel to a new generation of readers.

    He set himself the task of continuing the histories of Tacitus from A.D. 96 down to his own day. The first thirteen of his thirty-one books are lost; the remainder describe a period of only twenty-five years (A.D. 354-378) and the reigns of the emperors Constantis, Julian, Jovian, Valentinian and Valens, for which he is a prime authority. He was a pagan and an admirer of the apostate Julian, to whose career about half the surviving books are devoted. Nevertheless, his treatment of Christianity is free from prejudice and his impartiality and good judgement have been generally acknowledged.

    As Marco tells the khan about Armilla, which "has nothing that makes it seem a city, except the water pipes that rise vertically where the houses should be and spread out horizontally where the floors should be," the spider-web city of Octavia, and other marvelous burgs, it may be that he is creating them all out of his imagination, or perhaps he is recreating fine details of his native Venice over and over again, or perhaps he is simply recounting some of the myriad possible forms a city might take.

    Set against the political upheavals of Italy in the 1860s, it focuses on Don Fabrizio, a Sicilian prince of immense sensual appetites, wealth, and great personal magnetism. Around this powerful figure swirls a glittering array of characters: a Bourbon king, liberals and pseudo liberals, peasants and millionaires.

    But after his powerful godfather is assassinated, the unwitting Cornelius becomes caught up in deadly political intrigue and is falsely accused of high treason by a bitter rival. Condemned to life imprisonment, his only comfort is Rosa, the jailer's beautiful daughter, and together they concoct a plan to grow the black tulip in secret. Dumas' last major historical novel is a tale of romantic love, jealousy and obsession, interweaving historical events surrounding the brutal murders of two Dutch statesman in 1672 with the phenomenon of tulipomania that gripped seventeenth-century Holland.

    The stranger is a Sicilian, a victim of the island's corrupt Roman governor, Verres. The senator is Marcus Cicero—an ambitious young lawyer and spellbinding orator, who at the age of twenty-seven is determined to attain imperium—supreme power in the state. Of all the great figures of the Roman world, none was more fascinating or charismatic than Cicero. And Tiro—the inventor of shorthand and author of numerous books, including a celebrated biography of his master (which was lost in the Dark Ages)—was always by his side. Compellingly written in Tiro's voice, Imperium is the re-creation of his vanished masterpiece, recounting in vivid detail the story of Cicero's quest for glory, competing with some of the most powerful and intimidating figures of his—or any other—age: Pompey, Caesar, Crassus, and the many other powerful Romans who changed history. Robert Harris, the world's master of innovative historical fiction, lures us into a violent, treacherous world of Roman politics at once exotically different from and yet startlingly similar to our own—a world of Senate intrigue and electoral corruption, special prosecutors and political adventurism—to describe how one clever, compassionate, devious, vulnerable man fought to reach the top.

    Greater than a historical chronicle, War and Peace is an affirmation of life itself, `a complete picture', as a contemporary reviewer put it, `of everything in which people find their happiness and greatness, their grief and humiliation'. Tolstoy gave his personal approval to this translation, published here in a new single volume edition, which includes an introduction by Henry Gifford, and Tolstoy's important essay `Some Words about War and Peace'.