The hostage-takers threaten to shoot pilgrims every day, unless the incumbent Government accedes to their demands. With the popular Hindu festival of Diwali just around the corner and elections less than six months away, the Government at the center is under immense pressure to act. What will the Government do? The army? The intelligence agencies? The common man? No terrorist group has claimed responsibility for the attack. Who are these men? Is there a larger plot? Faced with such unprecedented events, will the country descend into unimaginable anarchy or will it rise above the issues of collective apathy and greed that have plagued it since Independence?

    When fortune deserts Jai and his carefully ordered life spins inexorably out of control, Jai stands on the brink of ruin. Only a delayed monsoon can save Jai’s biggest project from disaster, but there are millions across the land praying for the exact opposite. Reason seems to have its limits - the weather defies all prediction, let alone control. Will Jai relinquish the beliefs of a lifetime? Will he reconcile with the awful ambiguity about his past? Will he be able to save his crumbling marriage?

    Severely injured, he does not know if he will survive the night. Reflecting on the evening's dreadful events, wondering if he could have done anything to alter them, his thoughts begin to drift. He begins to contemplate his remarkable life, his dysfunctional family, and the unfortunate prospect that he may have to soon answer for his life to God. While vividly recalling the most amusing, distressing, bizarre, and disturbing events of his life, he soon comes to realize "the monster you know is far easier to deal with than the monster you don't!" Will he get the miracle he needs to make it through the night? If so, will he finally find peace? Author's Note: This book deals with sensitive topics, and is intended for mature audiences only.

    His collection brings together the best of Kalki’s short stories, which contain some of his most colourful and enduring characters and themes of Tamil popular fiction of the nineteen thirties and forties. There is in these stories the heady urgency of the freedom struggle, the piquant humour of the parodied Tamil gothic and devastating social satire. In her sensitive translations, Gowri Ramnarayan has succeeded in capturing the nuances of the gently mordant wit that made Kalki’s stories the highlight of the magazines they were originally published in, creating for themselves a dedicated following that flourishes undiminished to this day.Coinciding with the centenary of Kalki’s birth, this volume is a well-deserved tribute to a writer whose breadth of vision and genius imagined and served a new India.

    Ki. Rangarajan. The Tamil actor Kamal Hassan suggested that Ra. Ki. translate I, Claudius by Robert Graves into Tamil. Instead, Ra. Ki. decided to present a first-person narrative of the story of Krishnadevaraya, the emperor of Vijayanagar.Ra. Ki.’s hero is like any other young man his age—his romantic attachments overshadowing everything else in his life—until his minister and mentor, Appaji, reminds him that his duty ought to take precedence over his love life.Coming to the throne under difficult circumstances, Krishnadevaraya had to wage a relentless battle to preserve the Vijayanagar empire. Circumstances prevented him from marrying the woman he loved or pursuing literature, his true passion. Overcoming all of this, Krishnadevaraya went on to become the greatest emperor of the Vijayanagar empire.I, Krishnadevaraya takes you into the inner world of the emperor, providing a vivid picture of his thinking, his insecurities and his decision-making. Ably translated by Suganthy Krishnamachari, I, Krishnadevaraya is a fascinating look at one of India’s greatest kings.

    It captures the dominance of a colonial power over the region that began with the entry of the Portuguese about four hundred years ago. The novel is a graphic description of the displacement of this strongly-rooted community which saw its resurrection in a new area. In the course of its narrative, the novel traces the gradual changes in the structure of the family that moved from a closely knit joint family of the bygone era to the nuclear family. It also deals with the factors that are responsible for the change in value systems of individuals in the wake of such paradigm shifts. With its vast canvas, it remarkably weaves fiction with myth and history, peppered with cultural details and linguistic nuances. The narration in Swapna Saraswatha progresses in the form of an epic detailing the story of nine generations spread over a period of two hundred and fifty years from 1510 to about 1760. It encompasses more than a hundred and fifty characters which include Hindus, Muslims, Christians, chieftains, traders, farmers, priests and black magicians, and covers a range of themes spread across folk tales, legends, armies, myths and a sprinkling of history.

    

    Akbar's amazing story of three generations of a Muslim family —based on his own—and how they deal with the fluctuating contours of Hindu-Muslim relations. Telinipara, a small jute mill town some 30 miles north of Kolkata along the Hooghly, is a complex Rubik's Cube of migrant Bihari workers, Hindus and Muslims; Bengalis poor and 'bhadralok'; and Sahibs who live in the safe, 'foreign' world of the Victoria Jute Mill. Into this scattered inhabitation enters a child on the verge of starvation, Prayaag, who is saved and adopted by a Muslim family, converts to Islam and takes on the name of Rahmatullah. As Rahmatullah knits Telinipara into a community, friendship, love trust and faith are continually tested by the cancer of riots. Incidents—conversion, circumcision, the arrival of the plague of electricity—and a fascinating array of characters: the ultimate Brahmin, Rahmatullah's friend Girija Maharaj; the worker's leader, Bauna Sardar; the storyteller, Talat Mian; the poet-teacher, Syed Ashfaque; the smiling mendicant, Burha Deewana; the sincere Sahib, Simon Hogg; and then the questioning, demanding third generation of the author and his friend Kamala, interlink into a narrative of social history as well as a powerful memoir. Blood Brothers is a chronicle of its age, its canvas as enchanting as its narrative, a personal journey through change as tensions build, stretching the bonds of a lifetime to breaking point and demanding, in the end, the greatest sacrifice. Its last chapters, written in a bare-bones, unemotional style, are the most moving as the author searches for hope amid raw wounds with a surgeon's scalpel.

    Yama, the God of death and righteousness, commands him to return to earth in spiritual form to witness but not to intervene in the subsequent events. The village elder observes the other characters as they are confronted by difficult decisions and revelations which cause them look inward and attempt

    That superpower was what we know today as India under the Mughal Empire. Years of internal strife, attacks by Afghan raiders and finally conquest by the British led to the decline and destruction of this mighty empire.But what if India had never been conquered by the British? What if it remained a mighty and prosperous nation under the rule of the Mughal Empire?A nation known as Hindustaan.Dilli, 1857. The Mughal Empire is at the peak of its power and is gearing up to celebrate the hundredth anniversary of its victory over the British, an occasion where the popular Emperor Bahadur Shah Zafar is widely expected to announce his successor. The Empire is thrown into sudden chaos when the Emperor is assassinated and a new regime seizes power in a bloody coup. In this maelstrom, three unlikely companions find themselves thrown together by fate. Ranveer, a young officer in the elite Mughal cavalry, who is now hunted by the very Empire he served; Theo, a rakish English traveller with a mysterious past and Maya, a beautiful and spirited Princess they rescue. Together, they embark on a series of dramatic adventures across Hindustaan. A journey that takes them from bloody skirmishes with Afghan raiders, rescue missions in remote forts, joining a coalition of rulers who band together against the new despotic regime to protect their independence, and finally back into the heart of Dilli for a dramatic mission.The stage is set for a monumental struggle that will decide not just their fate, but that of the whole of Hindustaan.

    It has no touch of rural life or modernization and the problems occurring with that. It does not reach deep down its interior to handle the pains, yet it has a peculiar style, a natural freshness. It finds depths and humour in simple subjects. It does not avoid pain, but is not very fond of it. It presents the normal mind, normal set up, normal feelings. It makes us laugh and freshens us up. It makes us forget about our day- to- day life and the meager problems that come with it.

    These finely nuanced stories provide a rare glimpse into the complex and mysterious inner lives of human beings.Happy Birthday was longlisted for the prestigious Frank O'Connor Award 2014. It has also been voted the TOP title on Flipkart’s editors picks for this month: http://www.flipkart.com/books/~editor...A dedicated friend undertakes one last labour of love for a childless woman. Nadia - married into money - finds herself facing uncomfortable truths about her comfortably numb marriage. A Mumbai slum-girl dreams of speaking words valuable enough to be translated into English. An American tourist seeking nirvana sets off a sudden chain of events when his bag is stolen, and destiny plays her hand. A retired civil servant of modest means struggles to support his snooty foreign-returned daughter.Meghna Pant’s knife - sharp stories are compelling, emotionally intelligent and provide a rare glimpse into the strange workings of the human heart. They evade neat categorization andare the perfect read for all curious spirits."These are stories with a large heart and a keen eye, deeply aware of the complex, sometimes uncomfortable realities of India, its many layers. Meghna Pant knows how to create characters that will surprise and move you." – Chitra Banerjee Divakaruni "Deft, merciless and expertly-tuned parables for the new Indian century."– Jeet Thayil"Meghna Pant pierces one’s heart with the reality and depth of her stories, wrapping up her tales with unanticipated yet undeniable flourish. Exceptionally thought-provoking narratives that manage to be provocative and inspirational in the very same breath."– Ashwin Sanghi"These intimate stories juxtapose a range and register of aerial and emotional perspectives, with craft, delicacy and an intensely human sensibility."– Namita Gokhale

    Padma Nadir Majhi ( Bengali:,English title: Boatman of the River Padma or The Padma Boatman ) (1993) is an award-winning Indian Bengali feature film directed by Goutom Ghosh from novel,the same name Manik Banerjees Padma Nadir Majhi.Hossian Miya (Utpal Dutta),Bengali Muslim, a trader who offers to take this community to with an idealistic vision: he wants to establish a little utopia on an island (Moynadeep) in the Padma delta . and offer them a better life there. It is apparent that Hossian Miya has a flourishing business there, because he has recently purchased a huge boat because of expanding business.

    There he is stunned to discover that his father’s will disinherits his family and leaves everything – including the family home – to a secret son, Andrew Shaw.The news fills the Shaw family with hope. Twenty-year-old Andrew is in desperate need of a kidney transplant, and for him the inheritance may mean the difference between life and death. However, the lives of Andrew, his devoted older sister Tors and young brother Jack are disrupted when their mother insists they move from their home in Kerry to Wicklow to stake their claim under the will. There they live in a tiny bungalow on the sea front, while the Murtaghs take steps to contest the will.Gradually, both Seán Murtagh and Tors Shaw recognise the need to seek some middle ground but that seems impossible, such is the hostility between the families and the burning resentment that exists between the mothers.Andrew Shaw’s focus, however, is not on the question of the inheritance. There is something else he needs from the Murtaghs . . . something only they can give him . . .The Secret Son is a poignant and thought-provoking story that will stay with you long after you turn the last page.

    Haunted by illness and obsessed with death, he moves to Mumbai from his village Udali, breaking away from his feudal roots. He encounters young men frustrated by the system but refuses to become one of them. Suddenly, he takes a fancy to education and pursues masters in Arts, without his family knowing about it.Bidhar is the story of a pessimist who struggles to move on in life.