6 easy piano arrangements of songs from this Broadway classic, including: Many a New Day * Oh, What a Beautiful Mornin' * Oklahoma * Out of My Dreams * People Will Say We're in Love * The Surrey with the Fringe on Top.

    Musical Theatre: A History presents a comprehensive history of stage musicals from the earliest accounts of the ancient Greeks and Romans, for whom songs were common elements in staging, to Jacques Offenbach in Paris during the 1840s, to Gilbert and Sullivan in England, to the rise of music halls and vaudeville traditions in America, and eventually to "Broadway's Golden Age" with George M. Cohan, Victor Herbert, Jerome Kern, George and Ira Gershwin, Rodgers and Hart, Oscar Hammerstein, Leonard Bernstein, and Andrew Lloyd Webber. The 21st century has also brought a popular new wave of musicals to the Broadway stage, from The Producers to Spamalot, and Mamma Mia! to The Drowsy Chaperone. Musical Theatre: A History covers it all, from the opening number to the curtain call, offering readers the most comprehensive and up-to-date history of the art form. As informative as it is entertaining, Musical Theatre is richly illustrated with anecdotes of shows and show people. It is cause for celebration for those working in the theatre as well as its legion of devoted fans.

    This book contains student-friendly Study Tips, Clinical View boxes, and progressive question sets to motivate students to internalize and apply what they've learned.

    The text examines the basics of analog image analysis while placing greater emphasis on digitally based systems and analysis techniques. The presentation is discipline neutral, so students in any field of study can gain a clear understanding of these systems and their virtually unlimited applications.

    Peter Burkholder has meticulously revised and restructured the text to make it more accessible for today's students. This revision places a stronger emphasis on social and historical context and adds substantially expanded pedagogy and striking four-color design.

    In this richly textured anthology, well-known scholar David Brackett brings together more than 100 readings from a wide range of sources and by writers who have played an integral part in the development of popular music criticism. Brackett includes articles from mainstream and specialized magazines, newspapers, and scholarly journals, as well as interviews and autobiographies of musicians and other music industry insiders. Organized into broad time periods, the chapters are divided into sections by genre, and these sections are organized chronologically. The chapter divisions parallel those found most frequently in textbooks on popular music. Representing a wide variety of time periods, styles, and genres--and including groundbreaking criticism on disco, hip-hop, rap, and techno--the selections introduce students to important social and cultural issues raised by the study of popular music. Topics covered include the role of race, class conflict, gender roles, regional differences in the reception of popular music, and the relative value of artistry versus commerce. Extensive editorial introductions and headnotes supply context for the selections, provide links between different eras and genres, clarify the issues raised by the documents, and explain their historical significance. The second edition of this captivating anthology features eleven new source readings and introductions, further reading and discography selections for each chapter, and a companion website containing student and instructor resources.

    This is not an encyclopedic reference book of the past--but rather a cutting edge resource for teachers who want to connect with their techno-savvy 21st century students and in turn connect them to the literature of today. Using themes of exploration and connecting to literature--the authors emphasize actual reading of books, rather than reading about them. The authors also encourage using the Internet to expand our knowledge and interest of literature. Finally, the text contains the most current materials that will get adolescents reading-horror, humor, mystery, science fiction, fantasy, graphic novels and comic books.

    Racing in the Street is the first comprehensive collection of writings about Springsteen, featuring the most insightful, revealing, famous, and infamous articles, interviews, reviews, and other writings. This nostalgic journey through the career of a rock-’n’-roll legend chronicles every album and each stage of Springsteen’s career. It’s all here—Dave Marsh’s Rolling Stone review of Springsteen’s ten sold-out Bottom Line shows in 1975 in New York City, Jay Cocks’s and Maureen Orth’s dueling Time and Newsweek cover stories, George Will’s gross misinterpretation of Springsteen’s message on his Born in the USA tour, and Will Percy’s 1999 interview for Double Take, plus much, much more.

    It Combines Comprehensive Medical Content With Dynamic New Features And Interactive Technology To Better Support Instructors And To Help Prepare Students For The Field. An Interactive Skills DVD Is Also Packaged Free With Each Copy Of The Text.

    Rarer than Stradivarius violins, these musical works of art are built from near-extinct Brazilian Rosewood, Appalachian spruce, black ebony, and fine mother-of-pearl. With Henderson's keen ear for the vibrations of each piece of wood he uses, each note that comes out of them has the power of a cannon and the sweetness of maple syrup.In "Clapton's Guitar," Allen St. John recounts how a perfect acoustic guitar comes into the world and how an artist gauges perfection. Wayne Henderson, master luthier and genius in blue jeans, will tell you that he simply puts penknife to wood and carves away "everything that isn't a guitar." This is the story of a master artist, set deep in the mountains of southwestern Virginia in a brick, one-story guitar shop, as busy and chaotic inside as it is simple outside. The space is well-lighted, cluttered with power tools, air hoses, and guitar bodies in various stages of completion. It is in this modest shop that Wayne Henderson crafts some of the most highly coveted acoustic guitars on earth, including one very special instrument he built for Eric Clapton.Normally, there is a ten-year wait for a Henderson guitar, and St. John finds there are no exceptions even for an iconic figure like Clapton. But seeing it as a shortcut to getting his own guitar done, St. John jump-starts the process, and then takes readers with him on a mesmerizing journey into the heart of high-end instrument making with the man "The Washington Post" calls the "Mad Scientist of Mountain Music." Henderson, a small-town wise man, is not only the star ofthis book as a master guitar maker but also is the star of any stage he sets foot on as a master guitar player, equally at home at Carnegie Hall or the local VFW hall. Around this drolly humorous man circulates a small coterie of colorful characters and inspired musicians, who welcome you for an all-too-brief visit. By book's end, you too will want to be Wayne Henderson's friend.In a rich tapestry of folklore and folksiness, St. John tells the story of building the Clapton guitar in loving detail, from the centuries-old forests where great tonewood grows, to the auction floor of Christie's where one of Clapton's guitars commands over $700,000. It's also a loving look at Wayne's corner of the world, the Blue Ridge mountain hamlets where American traditional music was born, and of Wayne's hometown of Rugby, Virginia, population 7, where the winding roads have kept progress at bay.Whether you love old-time music, unplugged rock, traditional American craftsmanship, or simply gifted storytelling, Clapton's Guitar is an engaging work that you will want to savor and share with friends.

    Jack Spielvogel's engaging, chronological narrative weaves the political, economic, social, religious, intellectual, cultural, and military aspects of history into a gripping story that is as memorable as it is instructive. Each chapter offers a substantial introduction and conclusion, providing students a context for these disparate themes. The clear narrative of a single gifted author makes it easy for students to follow the story of Western civilization. Spielvogel gives the book depth by including over 150 maps and excerpts of over 200 primary sources--including official documents, poems, and songs--that enliven the past while introducing students to source material that forms the basis of historical scholarship. Available in many split options: WESTERN CIVILIZATION, Comprehensive, 6th Edition (Chapters 1-29), ISBN: 0534646026; WESTERN CIVILIZATION, Volume I, To 1715, 6th Edition (Chapters 1-16), ISBN:0534646034; WESTERN CIVILIZATION, Volume II, Since 1500, 6th Edition (Chapters 13-29), ISBN:0534646042; WESTERN CIVILIZATION, Volume A: To 1500, 6th Edition (Chapters 1-12), ISBN: 0534646050; WESTERN CIVILIZATION, Volume B: 1300-1815, 6th Edition (Chapters 11-19), ISBN:0534646069; WESTERN CIVILIZATION, Volume C: Since 1789, 6th Edition (Chapters 19-29), ISBN: 0534646077; WESTERN CIVILIZATION, Since 1300, 6th Edition (Chapters 11-29), ISBN:0534646085.

    This book is a Piano/Vocal Selections book, in standard piano vocal format with the melody in the piano part. It features a special section of color photos from the production, a note from composer/lyricist Stephen Schwartz, and these fantastic tunes: As Long as You're Mine Dancing Through Life Defying Gravity For Good I Couldn't Be Happier I'm Not That Girl No Good Deed No One Mourns the Wicked One Short Day Popular What Is This Feeling? The Wizard and I Wonderful

    Biss doesn’t just love Beethoven more than other music, he loves it more than most things. It’s the lens through which he understands the world, and has been since he can remember. But in Unquiet Biss reveals the full extent to which Beethoven is also a ruthless lens through which he views himself.Biss provides listeners front and center access to his long overdue confrontation with a painful truth: Living with Beethoven has essentially amounted to severing all meaningful ties with himself. As we learn in rich detail, amidst the treasures Beethoven’s music has gifted Biss also lies searing self-doubt and heaps of crippling anxiety. Biss’s raw self-reflection is delivered through pitch-perfect prose, delving deep into the fascinating paradox that the greatest pleasure in his life is also responsible for imprisoning him. Beethoven’s defining personal characteristic, for example—his unwavering self-conviction and weapons-grade callousness—only served to mock Biss’s own perceived shortcomings and vulnerabilities. This captivating combination of wit and wisdom Biss readily shares is only interrupted by something even more extraordinary—his new interpretations of movements from seven of Beethoven's sonatas, including the Pathetique and Tempest, and his groundbreaking, awe-inducing final sonatas.Unquiet both begins and ends with Jonathan Biss staring down the daunting complexity and infinite majesty of Beethoven's last piano sonatas. But between these two points, the singular pianist has traversed a world of healing. An immeasurable weight has been lifted from him—by him. And we have witnessed its dramatic rise. While his journey is a fantastically unique one, if we listen close, we can hear ours too. An endless battle to confront and quiet our greatest pain so that we can embrace something even greater. Take a moment, and heed the sound.

    The woman herself is a melancholy mystery --- one Max can't stop thinking about.But Carolee isn't talking --- at least not at first. Hiding from everything --- the end of what she thought was a happy marriage, the painful estrangement from her cherished daughter --- is the only way she can get through each day. Even the thought of a friendship with Max isn't possible --- or is it?But just as Max and Carolee realize that companionship is the least of what they want from each other, tragedy shatters Carolee's fragile new confidence --- and reveals that danger may wear a familiar face. Someone is determined to destroy everything --- and everyone --- Carolee loves ...

    Here is a book that will be enjoyed by all pianists not only for the stimulating advice it provides, but also for the style with which it is written.