Carol Ann Duffy's 'Rapture' is about the loss and rediscovery of love in all its aspects - erotic, intellectual, emotional.

    And they can do so much more than produce foolproof rice, beans, and grains. The Ultimate Rice Cooker Cookbook shows you how to make everything from Thai Curried Rice to Chocolate Pots de Crème with Poached Fresh Cherries, from Breakfast Barley to Turkey Chili with Baby White Beans.

    This dark fantasy tale is unlike Clive Barker's other recent ones: it is more tightly plotted, and more of this world. In a sequence of well-executed stories within stories (comparable to Russian dolls), Barker unfolds a compelling examination of what it means to be human, to be a man, and to be a gay man--on a planet where aging, disease, and death bring "the passing of things, of days and beasts and men he'd loved." A satisfying long novel packed with vivid images, memorable characters, and a melancholy mood that reaches for hope.

    Critics call him a "haiku-like imagist" and his poems have been compared to Chekov's short stories. In Delights and Shadows, Kooser draws inspiration from the overlooked details of daily life. Quotidian objects like a pegboard, creamed corn and a forgotten salesman's trophy help reveal the remarkable in what before was a merely ordinary world."Kooser documents the dignities, habits and small griefs of daily life, our hunger for connection, our struggle to find balance."-PoetryTed Kooser is the author of eight collections of poems and a prose memoir. He lives on a small farm in rural Nebraska.

    The taunts of his now-deceased father ringing in his ears, Binh answers an ad for a live-in cook at a Parisian household, and soon finds himself employed by Gertrude Stein and Alice B. Toklas.Toklas and Stein hold court in their literary salon, for which the devoted yet acerbic Binh serves as chef, and as a keen observer of his "Mesdames" and their distinguished guests. But when the enigmatic literary ladies decide to journey back to America, Binh is faced with a monumental choice: will he, the self-imposed "exile," accompany them to yet another new country, return to his native Vietnam, or make Paris his home?

    The discovery of the Dead Sea Scrolls in Qumran, between 1947 and 1956, was one of the greatest archaeological finds of all time. Written in Hebrew, Aramaic and Greek, and hidden in caves by an ancient Jewish sect, these mysterious manuscripts revolutionized our understanding of the Bible, of Judaism and the early Christian world. Geza Vermes's English translations brought these extraordinary documents to thousands, and his life has been inextricably interwoven with the scrolls for over sixty years. In The Story of the Scrolls, Vermes relates the controversial story of their discovery and publication around the world, revealing cover-ups, blunders and academic in-fighting, but also the passion and dedication of many of those involved. He shares what he has learned about the scrolls and, evaluating passages from them, gives his views on their true significance and what they can teach us, as well as those areas where scholarly consensus has not yet been reached. 'The world's leading Gospel scholar'   The Times 'Vermes has the rare gift of wearing his immense scholarship lightly'  David Goldberg, Independent Geza Vermes is director of the Forum for Qumran Research at the Oxford Centre for Hebrew and Jewish Studies. His books, published by Penguin, include The Complete Dead Sea Scrolls in English and The Changing Faces of Jesus as well as the 'Jesus' trilogy: Nativity, Passion and Resurrection.

    Thomas-born, Florida-raised poet Nicole Sealey’s work is restless in its empathic, succinct examination and lucid awareness of what it means to be human.The ranging scope of inquiry undertaken in Ordinary Beast—at times philosophical, emotional, and experiential—is evident in each thrilling twist of image by the poet. In brilliant, often ironic lines that move from meditation to matter of fact in a single beat, Sealey’s voice is always awake to the natural world, to the pain and punishment of existence, to the origins and demises of humanity. Exploring notions of race, sexuality, gender, myth, history, and embodiment with profound understanding, Sealey’s is a poetry that refuses to turn a blind eye or deny. It is a poetry of daunting knowledge.

    The way the past is a kind of future leaning against the sporty hood.                   —from “Bugcatching at Twilight” In D. A. Powell’s fifth book of poetry, the rollicking line he has made his signature becomes the taut, more discursive means to describing beauty, singing a dirge, directing an ironic smile, or questioning who in any given setting is the instructor and who is the pupil. This is a book that explores the darker side of divisions and developments, which shows how the interstitial spaces of boonies, backstage, bathhouse, or bar are locations of desire. With Powell’s witty banter, emotional resolve, and powerful lyricism, this collection demonstrates his exhilarating range.

    Delany's 1976 SF novel, originally published as Triton, takes us on a tour of a utopian society at war with . . . our own Earth! High wit in this future comedy of manners allows Delany to question gender roles and sexual expectations at a level that, 20 years after it was written, still make it a coruscating portrait of the happily reasonable man, Bron Helstrom -- an immigrant to the embattled world of Triton, whose troubles become more and more complex, till there is nothing left for him to do but become a woman. Against a background of high adventure, this minuet of a novel dances from the farthest limits of the solar system to Earth's own Outer Mongolia. Alternately funny and moving, it is a wide-ranging tale in which character after character turns out not to be what he -- or she -- seems.

    Through photographs, poetry, prose, and a short story, Orion Carloto invites readers to remember the forgotten and reach into the past, find comfort in the present, and make sense of the intangible future. Film photography isn’t just eye candy; it’s timeless and romantic—the ideal complement to Carloto’s writing. In Film for Her, much like a visual diary, word and image are intertwined in a book perfect for both gift and self-purchase.

    When Max Andrews, the much-loved and handsome (lonely and gay) host of "Slumber Sunday Sundown" accidentally exposes himself in front of twenty million kids and their parents during a "Toys for Tots" segment, Sellevision faces its first big scandal. As Max fails to find a job in television, another host, the popular and perky Peggy Jean Smythe is receiving sinister emails about her appearance from a stalker. Popping pills and drinking heavily, she fails to notice that her husband is spending a lot of time with the very young babysitter who lives next door. Then there's Leigh, whose affair with Sellevision boss Howard Toast is going nowhere, until she exposes him on air; and Bebe, Sellevision's star host, who finds Mr. Right through the Internet--if she can just stop her shopping addiction from taking over.

    In verse that deals with sexual assault, mental illness, and body acceptance, Ms. Lambert's Shame Is an Ocean I Swim Across emerges as an important new voice in poetry, providing strength and resilience even in the darkest of times.

    An unforgettable story of coming of age in America, it is also an essential milestone in the movement of American fiction, from a novelist who has become one of the most important and enduring voices of this generation.

    His third book of poetry, Looking for The Gulf Motel, is a genealogy of the heart, exploring how his family’s emotion legacy has shaped—and continues shaping—his perspectives. The collection is presented in three movements, each one chronicling his understanding of a particular facet of life from childhood into adulthood. As a child born into the milieu of his Cuban exiled familia, the first movement delves into early questions of cultural identity and their evolution into his unrelenting sense of displacement and quest for the elusive meaning of home. The second, begins with poems peering back into family again, examining the blurred lines of gender, the frailty of his father-son relationship, and the intersection of his cultural and sexual identities as a Cuban-American gay man living in rural Maine. In the last movement, poems focused on his mother’s life shaped by exile, his father’s death, and the passing of a generation of relatives, all provide lessons about his own impermanence in the world and the permanence of loss. Looking for the Gulf Motel is looking for the beauty of that which we cannot hold onto, be it country, family, or love.

    Here the characters' lives are linked to each other by acts of generosity or cruelty. A critic once called Rakoff "magnificent," a word which perfectly describes this wonderful novel in verse.