Nowhere but in the Mississippi Delta, he said, are antebellum conditions so nearly preserved. This crescent of bottomlands between Memphis and Vicksburg, lined by the Yazoo and Mississippi rivers, remains in some ways whatit was in 1860: a land of rich soil, wealthy planters, and desperate poverty--the blackest and poorest counties in all the South. And yet it is a cultural treasure house as well--the home of Muddy Waters, B.B. King, Charley Pride, Walker Percy, Elizabeth Spencer, and Shelby Foote. Painting afascinating portrait of the development and survival of the Mississippi Delta, a society and economy that is often seen as the most extreme in all the South, James C. Cobb offers a comprehensive history of the Delta, from its first white settlement in the 1820s to the present. Exploring the richblack culture of the Delta, Cobb explains how it survived and evolved in the midst of poverty and oppression, beginning with the first settlers in the overgrown, disease-ridden Delta before the Civil War to the bitter battles and incomplete triumphs of the civil rights era. In this comprehensive account, Cobb offers new insight into the most southern place on earth, untangling the enigma of grindingly poor but prolifically creative Mississippi Delta.

    Freedom from an established way of seeing, making, and marketing art fueled their creativity, which in turn inspired the city. Today Los Angeles has four museums dedicated to contemporary art, around one hundred galleries, and thousands of artists. Here, at last, is the book that tells the saga of how the scene came into being, why a prevailing Los Angeles permissiveness, 1960s-style, spawned countless innovations, including Andy Warhol's first exhibition, Marcel Duchamp's first retrospective, Frank Gehry's mind-bending architecture, Rudi Gernreich's topless bathing suit, Dennis Hopper's Easy Rider, even the Beach Boys, the Byrds, the Doors, and other purveyors of a California style. In the 1960s, Los Angeles was the epicenter of cool.

    Thirty-one American divisions - fully one-third of the U.S. Army raised during World War II - saw action in this battle. This battle was truly a test: could this conscript army from a pacifistic democracy defeat the best remaining men and machines that Germany's totalitarian government could produce? In Battle of the Bulge, author and artist Wayne Vansant brings readers into the frozen foxholes, haunting forests, and devastated villages of the Ardennes during that freezing cold winter. With meticulous historical accuracy and hand-drawn visuals that can tell a story in ways words alone cannot, Vansant recounts the Bulge with insightful detail, replaying the thrusts and volleys of both the combined Allied and German forces during the tumultuous battle. This is a story of panic, fear, and physical misery; a story of how a generation of draftees, National Guardsmen, and a small core of regular officers and NCOs faced those three elements as snow piled around their foxholes and the incessant drumming of artillery splintered the woods that gave them shelter. It is the story of men, frozen and hurting, far from home and holding little hope of seeing it again until the killing finally ended. Above all, TheBattle of the Bulge is a story of incredible triumph, now beautifully illustrated in graphic novel format for the first time.

    At the heart of this cultural explosion was Harlem, where everything was changing, including the influential denizens who helped define it. Among these were a little-known group of white women who for decades have been relegated to the shadows of history. In this groundbreaking cultural biography, esteemed scholar Carla Kaplan offers a captivating and full-blooded portrait of this band of independent-minded and spirited white women collectively referred to as "Miss Anne."Sexualized and sensationalized in the white press--often portrayed as monstrous or insane--Miss Anne was sometimes derided in black literature and among the Harlem community as well. While it was socially acceptable for white men to head uptown for "exotic" dancers and "hot" jazz, a white woman who embraced life on West 125th Street found herself ostracized. Miss Anne in Harlem introduces these women--many from New York's highest social echelons, many of them Jewish--who became patrons of, and romantic participants in, the Harlem Renaissance. In this superb blend of social history and biography, illustrated with black-and-white photos and two eight-page color inserts, Kaplan illuminates the myriad faces of Miss Anne, explores her motivations, and makes clear her often misunderstood choices. Returning Miss Anne to her rightful place in the interracial history of the Harlem Renaissance, Kaplan's formidable history remaps the landscape of the 1920s and alters our perception of this historical moment.

    Black music and with it the private black self were suddenly grossly public—tossed onstage, dressed in clown white, and bandied about with a gleeful arrogance that just yesterday had chosen to ignore and condescend.Blacks, it seemed, had lost the battle for mythological ownership of rock, as future events would prove.Written more than 40 years ago with astonishing prescience, celebrated critic and memoirist Margo Jefferson’s Ripping Off Black Music—her first published essay—is at once unflinchingly honest and dead-on in its critique of appropriation in popular music, from Chuck Berry to Elvis, Jimi Hendrix to the Beatles. Features an introduction by the author.Ripping Off Black Music was originally published in Harper’s, January 1973. Cover design by Adil Dara.

    The disappearance and brutal murders of James Chaney, Andrew Goodman, and Michael Schwerner caused a national uproar and was one of the most significant events of the civil rights movement.The Freedom Summer Murders tells the tragic story of these brave men, the crime that resulted in their untimely deaths, and the relentless forty-one-year pursuit of a conviction. It is the story of idealistic and courageous young people who wanted to change their county for the better. It is the story of black and white. And ultimately, it is the story of our nation's endless struggle to close the gap between what is and what should be.

    Life is more complicated than that." " In this remarkable book of days, John Hildebrand charts the overlapping rings--home, town, countryside--of life in the Midwest. Like E. B. White, Hildebrand locates the humor and drama in ordinary life: church suppers, Friday night football, outdoor weddings, garden compost, family reunions, roadside memorials, camouflage clothing. In these wry, sharply observed essays, the Midwest isn't The Land Time Forgot but a more complicated (and vastly more interesting) place where the good life awaits once we figure exactly out what it means. From his home range in northwestern Wisconsin, Hildebrand attempts to do just that by boiling down a calendar year to its rich marrow of weather, animals, family, home--in other words, all the things that matter.

    Kennedy assumed the presidency and stood to speak those words, America was divided, its citizens torn by fears of war. Kennedy's speech-called the finest since Lincoln at Gettysburg and the most memorable of any twentieth-century American politician-did more than reassure: it changed lives, marking the start of a brief, optimistic era of struggle against "tyranny, poverty, disease, and war itself." Ask Not is a beautifully detailed account of the week leading up to the inaugural which stands as one of the most moving spectacles in the history of American politics. At the heart of the narrative is Kennedy's quest to create a speech that would distill American dreams and empower a new generation. Thurston Clarke's portrait of JFK during what intimates called his happiest days is balanced, revealing the President at his most dazzlingly charismatic-and cunningly pragmatic. As the snow covers Washington in a blanket of white, as statesmen and celebrities arrive for candlelit festivities, the perfectionist Kennedy pushes himself to the limit, to find the words that would capture what he most truly believed and which would far outlast his own life. For everyone who seeks to understand the fascination with all things Kennedy, the answer can be found in Ask Not.

    Elected in the midst of multiple crises—a Wall Street meltdown that imperiled the global economy and American troops entangled in two foreign wars—Barack Obama’s presidency promised, from the start, to be one of the most consequential presidencies in modern American history. Although he stabilized the economy and restored America’s prestige on the global stage, President Obama has been denied the credit he deserves, receiving instead acidic commentary from political opponents such as former Vice President Dick Cheney, who declared that Obama was “the worst president in [his] lifetime”—an accusation that reflects the politics of resentment and recrimination that has come to characterize the president’s critics. In The Best Worst President, Mark Hannah and renowned New Yorker illustrator Bob Staake swiftly and systematically debunk conservative lies and disinformation meant to negate the president’s accomplishments and damage his reputation—baseless charges too often left unchallenged by the national media. The Best Worst President is a whip-smart take-down of these half-truths and hypocrisies, each refuted in a smart, witty, fact-based style. Hannah and Staake not only defend the president but showcase his administration’s most surprising and underappreciated triumphs—making clear he truly is the best “worst president” our nation has ever known.

    Or a crumbling platform from some once-bustling junction buried under the buddleia. If you are lucky you might be able to follow some rusting tracks, or explore an old tunnel leading to…well, who knows where? Listen hard. Is that the wind in the undergrowth? Or the spectre of a train from a golden era of the past panting up the embankment?These are the ghosts of The Trains Now Departed. They are the railway lines, and services that ran on them that have disappeared and gone forever. Our lost legacy includes lines prematurely axed, often with a gripping and colourful tale of their own, as well as marvels of locomotive engineering sent to the scrapyard, and grand termini felled by the wrecker's ball. Then there are the lost delights of train travel, such as haute cuisine in the dining car, the grand expresses with their evocative names, and continental boat trains to romantic far-off places.The Trains Now Departed tells the stories of some of the most fascinating lost trains of Britain, vividly evoking the glories of a bygone age. In his personal odyssey around Britain Michael Williams tells the tales of the pioneers who built the tracks, the yarns of the men and women who operated them and the colourful trains that ran on them. It is a journey into the soul of our railways, summoning up a magic which, although mired in time, is fortunately not lost for ever.THIS EDITION REVISED AND UPDATED TO INCLUDE MAPS.

    From Billy Lee, valet to George Washington, to Alfred Jackson, faithful servant of Andrew Jackson, these dramatic narratives explore our country’s great tragedy—that a nation “conceived in liberty” was also born in shackles.These stories help us know the real people who were essential to the birth of this nation but traditionally have been left out of the history books. Their stories are true—and they should be heard.This thoroughly-researched and documented book can be worked into multiple aspects of the common core curriculum.

    Boller devotes a full chapter to each of his subjects, featuring an incisive biographical essay followed by a selection of revealing anecdotes. Through his portrayal of such a diverse group of women, Boller sheds new light on how much the institution of the presidency tells us about ourselves and our life as a nation.First published in 1988, this second edition has been revised to include updated information on people such as Nancy Reagan and Jacqueline Kennedy Onassis, a new preface, and new chapters devoted to Barbara Bush and Hillary Rodham Clinton.

    The years after the Civil War represented an astonishing moment of opportunity for African-Americans. The rush to build a racially democratic society from the ruins of slavery is never more evident than in the personal history of Blanche Kelso Bruce and his heirs.Born a slave in 1841, Bruce became a local Mississippi sheriff, developed a growing Republican power base, amassed a real-estate fortune, and became the first black to serve a full Senate term. He married Josephine Willson, the daughter of a wealthy black Philadelphia doctor. Together they broke racial barriers as a socialite couple in 1880s Washington, D.C.By befriending President Ulysses S. Grant, abolitionist Frederick Douglass, and a cadre of liberal black and white Republicans, Bruce spent six years in the U.S. Senate, then gained appointments under four presidents (Garfield, Arthur, Harrison, and McKinley), culminating with a top Treasury post, which placed his name on all U.S. currency.During Reconstruction, the Bruce family entertained lavishly in their two Washington town houses and acquired an 800-acre plantation, homes in four states, and a fortune that allowed their son and grandchildren to attend Phillips Exeter Academy and Harvard University, beginning in 1896.The Senator's legacy would continue with his son, Roscoe, who became both a protégé of Booker T. Washington and a superintendent of Washington, D.C.'s segregated schools. When the family moved to New York in the 1920s and formed an alliance with John D. Rockefeller Jr., the Bruces became an enviable force in Harlem society. Their public battle to get their grandson admitted into Harvard University's segregated dormitories elicited the support of people like W. E. B. Du Bois and Franklin D. Roosevelt, and broke brave new ground for blacks of their day.But in the end, the Bruce dynasty's wealth and stature would disappear when the Senator's grandson landed in prison following a sensational trial and his Radcliffe-educated granddaughter married a black Hollywood actor who passed for white.By drawing on Senate records, historic documents, and the personal letters of Senator Bruce, Josephine, their colleagues, friends, children, and grandchildren, author Lawrence Otis Graham weaves a riveting social history that spans 120 years. From Mississippi to Washington, D.C., to New York, The Senator and the Socialite provides a fascinating look into the history of race and class in America.

    Sixteen black Southerners, elected to the U.S. Congress, arrived in Washington to advocate reforms such as public education, equal rights, land distribution, and the suppression of the Ku Klux Klan. But these men faced astounding odds. They were belittled as corrupt and inadequate by their white political opponents, who used legislative trickery, libel, bribery, and the brutal intimidation of their constituents to rob them of their base of support. Despite their status as congressmen, they were made to endure the worst humiliations of racial prejudice. And they have been largely forgotten—often neglected or maligned by standard histories of the period. In this beautifully written book, Philip Dray reclaims their story. Drawing on archival documents, contemporary news accounts, and congressional records, he shows how the efforts of black Americans revealed their political perceptiveness and readiness to serve as voters, citizens, and elected officials. We meet men like the war hero Robert Smalls of South Carolina (who had stolen a Confederate vessel and delivered it to the Union navy), Robert Brown Elliott (who bested the former vice president of the Confederacy in a stormy debate on the House floor), and the distinguished former slave Blanche K. Bruce (who was said to possess “the manners of a Chesterfield”). As Dray demonstrates, these men were eloquent, creative, and often effective representatives who, as support for Reconstruction faded, were undone by the forces of Southern reaction and Northern indifference. In a grand narrative that traces the promising yet tragic arc of Reconstruction, Dray follows these black representatives’ struggles, from the Emancipation Proclamation to the onset of Jim Crow, as they fought for social justice and helped realize the promise of a new nation.

    And for all the muscle and magic of his life-shaking concerts with the E Street Band, his legendary status comes down to the songs. He is an acknowledged master of music and lyrics, with decades of hits, from “Blinded by the Light” and “Born to Run” to “Hungry Heart,” “Dancing in the Dark,” and “The Rising.”   In Bruce Springsteen: The Stories Behind the Songs, longtime Rolling Stone writer Brian Hiatt digs into the writing and recording of these songs and all the others on Springsteen’s studio albums, from 1973’s Greetings from Asbury Park, N.J. to 2014’s High Hopes (plus all the released outtakes), and offers a unique look at the legendary rocker’s methods, along with historical context, scores of colorful anecdotes, and more than 180 photographs. Hiatt has interviewed Springsteen five times in the past and has conducted numerous new interviews with his collaborators, from longtime producers to the E Street Band, to create an authoritative and lushly illustrated journey through Springsteen’s entire songbook and career.