See how they effortlessly mix contemporary furniture with thrift-store finds, and learn all sorts of tricks for creating a stylish home no matter what the obstacles: seven children, small spaces, or a tiny budget. From toddler-friendly bedroom for triplets to a beach retreat for two twenty-somethings, from a New Jersey basement to a Palm Beach cabana, Home by Novogratz proves that good design is just a book away.

    The fascinating "Montaillou: The Promised Land of Error" (and alternate titles; 1975, translation 1978) may be the best-known of his works, as well as the most controversial among historians, based as it is on village gossip recorded by Inquisitors. Perhaps more representative are detailed studies of a popular demonstration / riot in "Carnival in Romans" ("Le Carnaval de Romans," 1979), and of folktale themes as transmitted in popular and literary versions from the south of France, in "Love, Death and Money in the Pays D'Oc" ("L'argent, l'amour et la mort en pays d'Oc," 1980), in which social stresses and personal anxieties come together.Underlying much of this production, however, and perhaps giving Ladurie the confidence to interpret the notoriously difficult inquisitorial records, is this less-inspiring sounding early work, "Les Paysans de Languedoc" of 1966, here translated under an equally plain and literal title, which appeared in English only three years after the original French edition. In any case, it clearly underlies his later investigations of provincial culture and society.This is a sophisticated analysis of primarily economic records from one of the traditional provinces of southern France, covering mainly the sixteenth, seventeenth, and eighteenth centuries. It deals with the basics of ordinary life -- production, consumption, property, and taxes, and how they interacted. There are interesting confirmations of what can go wrong when people act without much guidance from economic theory in determining self-interest. For example, wide-spread cutting of wages in a time of rising prices reduced income and purchases, ultimately putting meat beyond the reach of most consumers. This was a catastrophe for some of the same employers, who were cattle-raisers (or owners of grazing land) with a diminishing market. (If I understand Ladurie's tables and charts correctly -- and this involves some interpretation on the part of a non-professional -- the typical response to their falling profits was to cut wages again, again reducing the cash in circulation, and reinforcing the cycle in a time when markets for most goods, especially perishable ones, were strictly local.)It is definitely not light reading, but Ladurie is not above adding characterizations (such as "tight-fisted fellows") to otherwise anonymous groups of property-owners and employers, sacrificing a little of the appearance of objectivity for the sake of human interest. Generally speaking, Ladurie draws such positions from the hard data, and the attentive reader may well reach the same conclusion; I remain happier about the practice from a literary point of view than an historical one."Peasants of Languedoc" represents a major move toward understanding the history of people left out of official histories, although the original description as "total history" is rather misleading. Taken together with Ladurie's later cultural studies, however, it does mark a considerable advance.This review by Ian M. Slater "aylchanan" was copied from Amazon.com. (There was no prior default book description.)

    Goya's model for his visual indictment of war and its horrors was the Spanish insurrection of 1808 and the resulting Peninsular War with Napoleonic France. The bloody conflict and the horrible famine of Madrid were witnessed by Goya himself, or were revealed to him from the accounts of friends and contemporaries. From 1810 to 1820, he worked to immortalize them in a series of etchings.The artist himself never saw the results. The etchings were not published until 1863, some 35 years after his death. By then, the passions of the Napoleonic era had subsided and the satirical implications in Goya's work were less likely to offend. The Dover edition reproduces in its original size the second state of this first edition, which contained 80 prints. Three additional prints not in the 1863 edition are also included here, making this the most complete collection possible of the etchings Goya intended for this series. The bitter, biting captions are reprinted, along with the new English translations, as are the original title page and preface.

    En route, he travels through Spain’s most picturesque towns. And Benidorm.Along the way he learns about the region’s history, from the time four hydrogen bombs fell over Spain, to the politician who shot General Franco’s daughter in the bottom yet rose to become one of the country’s most powerful men. While riding across Spain, Chris also meets an array of eccentric characters such as the man who lives in a cave and the Airbnb host who admitted strangling her previous guest.People told him he was crazy to leave his job and his girlfriend behind to jump on the cheapest bike he could find. After a series of mishaps including one that almost sparked a mountain rescue mission, it would appear they were right.

    Through it's inspired voice, it: * Clarifies the essential wisdom of A Course In Miracles * Progresses from the simple to the most advanced teachings * Brings true peace and joy * Focuses on practical application Love, David Do you desire clarification of the Course metaphors and want to go past common blocks? Are you tired of being a seeker and ready to be a finder? Then this book is for you! Written in a warm, engaging question-and-answer style that sparkles with laughter, this book will show you how to: * Forgive all your relationships * Experience unshakable inner peace * Overcome pain, loneliness and death * Find the strength and love of God * Awaken Now!

    . . a perfect introduction to the architecture of the Italian Renaissance."--Richard Stapleford, Cooper Union School of ArchitectureA classic guide to one of the most pivotal periods in art and architectural history, The Architecture of the Italian Renaissance remains the most lucid and comprehensive volume available.  From Leonardo, Raphael, Michelangelo, Palladio, and Brunelleschi to St. Peter's in Rome, the palaces of Venice, and the Medici Chapel in Florence, Peter Murray's lavishly illustrated book tells readers everything they need to know about the architectural life of Italy from the thirteenth through the sixteenth centuries.

    Chapters are brief and each major Chinese dynasty, Japanese Shogunate, or other discrete period is treated in a separate chapter. Chapters or groups of chapters on China or Japan alternate. Encounters with the West, beginning in the 16th and expanding greatly in the 19th century, are extensively covered.

    From extraordinary highs - patronage by the Medicis, friendship with Galileo and, most importantly of all, beautiful and outstandingly original paintings - to rape by her father's colleague, torture by the Inquisition, life-long struggles for acceptance by the artistic Establishment, and betrayal by the men she loved, Artemisia was a bold and brilliant woman who lived as she wanted, and paid a high price.

    Anguished by the death of friends and discouraged by the loss of commissions to younger artists, this supreme painter and sculptor began carving his own tomb. It was at this unlikely moment that fate intervened to task Michelangelo with the most ambitious and daunting project of his long creative life.Michelangelo, God's Architect is the first book to tell the full story of Michelangelo's final two decades, when the peerless artist refashioned himself into the master architect of St. Peter's Basilica and other major buildings. When the Pope handed Michelangelo control of the St. Peter's project in 1546, it was a study in architectural mismanagement, plagued by flawed design and faulty engineering. Assessing the situation with his uncompromising eye and razor-sharp intellect, Michelangelo overcame the furious resistance of Church officials to persuade the Pope that it was time to start over.In this richly illustrated book, leading Michelangelo expert William Wallace sheds new light on this least familiar part of Michelangelo's biography, revealing a creative genius who was also a skilled engineer and enterprising businessman. The challenge of building St. Peter's deepened Michelangelo's faith, Wallace shows. Fighting the intrigues of Church politics and his own declining health, Michelangelo became convinced that he was destined to build the largest and most magnificent church ever conceived. And he was determined to live long enough that no other architect could alter his design.

    From painting and sculpture to installation, video art, and performance, it examines the roles played by the body in art, from being the subject of portraiture to becoming an active presence in participatory events.Organized thematically, the book focuses on subjects such as nature and technology, the grotesque, identity politics, and the place of the individual in society. Featuring work by artists such as Matthew Barney, Marlene Dumas, Olafur Eliasson, Oleg Kulik, and Ernesto Neto, it shows how the body continues to be pivotal to the understanding and expression of our place in the universe.

    But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion. In The King’s Painter, biographer Franny Moyle traces and analyzes the life and work of an extraordinary artist against the backdrop of an era of political turbulence and cultural transformation, to which his art offers a subtle and endlessly refracting mirror. It is a work of serious scholarship written for a wide audience.

    Studioilse, the award-winning design studio founded by Ilse Crawford, bridges the worlds of interior design, architecture, and product design with the philosophy of putting the human being at the center. Fascinated by what drives us and makes us feel alive, Crawford says: "When I look at making spaces, I don’t just look at the visual. I’m much more interested in the sensory thing, in thinking about it from the human context, the primal perspective, the thing that touches you." Featuring Studioilse’s work to date, from private residences to hotels, restaurants, and retail projects, this book illustrates the effectiveness of design grounded in human needs and desires. Layering materials and textures, combined with her understanding of human behavior, Crawford’s designs are sensual and accessible. A forerunner of the holistic design movement a decade ago, her humanistic approach has now become the norm. This volume illustrates why Crawford’s design philosophy is so seminal—her work has influenced not only a generation of Dutch and European designers, but also Americans due to her acclaimed Soho House New York. With new photography and essays by Crawford and design critic Edwin Heatcote, this inspirational volume is sure to be one of the most important design books of the year.

    The sheer number and proximity of works of painting, sculpture, and architecture in Florence can be so overwhelming that Florentine hospitals treat hundreds of visitors each year for symptoms brought on by trying to see them all, an illness famously identified with the French author Stendhal.While most guidebooks offer only brief descriptions of a large number of works, with little discussion of the historical background, Judith Testa gives a fresh perspective on the rich and brilliant art of the Florentine Renaissance in An Art Lover’s Guide to Florence. Concentrating on a number of the greatest works, by such masters as Botticelli and Michelangelo, Testa explains each piece in terms of what it meant to the people who produced it and for whom they made it, deftly treating the complex interplay of politics, sex, and religion that were involved in the creation of those works. With Testa as a guide, armchair travelers and tourists alike will delight in the fascinating world of Florentine art and history.

    Traces in detail the evolution of the chief genres of architecture, sculpture, painting, and draughtsmanship. Essays link individual works to the history & ideas of the time. 11" x 12 1/2". Color & b&w illus.

    Le Modulor was published in 1950 and after meeting with success, Le Corbusier went on to publish Modulor 2 in 1955. In many of Le Corbusier's most notable buildings, including the Chapel at Ronchamp and the Unite d'habitation, evidence of his Modulor system can be seen. These two volumes form an important and integral part of Le Corbusier's theoretical writings.