Written in potent, raw prose that propelled the author to celebrity upon publication, the book has become almost completely forgotten.In the early 20th century, MacLane's name was synonymous with sexuality; she is widely hailed as being one of the earliest American feminist authors, and critics at the time praised her work for its daringly open and confessional style. In its first month of publication, the book sold 100,000 copies—a remarkable number for a debut author, and one that illustrates MacLane's broad appeal.Now, with a new foreword written by critic Jessa Crispin, I Await The Devil's Coming stands poised to renew its reputation as one of America's earliest and most powerful accounts of feminist thought and creativity.

    But for someone who should have been hailed as a pioneer in the genre there was little information available. For, as O’Meara soon discovered, Patrick’s contribution had been claimed by a jealous male colleague, her career had been cut short and she soon after had disappeared from film history. No one even knew if she was still alive.As a young woman working in the horror film industry, O’Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick’s contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney’s first female animators. And at last, O’Meara discovered what really had happened to Patrick after The Creature’s success, and where she went.A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O’Meara’s The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since.

    Someone to vent to, giggle with, and someone to help her face Millicent and the Select Seven at school every day. Those girls are boy crazy, talk in codes, and call Suzie “teacher’s pet.” It’s not easy being a teacher’s kid! And it’s not easy being eleven, going on twelve, without a best friend. Then Co Co Langdon moves in next door. Suzie has never met anyone like Co Co. First, she’s from France and has traveled all over the world. And second, she’s never been to school, having been tutored by the ultra-strict Mademoiselle. But now that Co Co is in America, she will go to school for the very first time. And Suzie will finally have a best friend by her side! First published in 1955, Best Friends follows two girls through one unforgettable school year as they take on mean girls, a cranky neighbor, boys, and a missing beloved neighborhood dog—but most of all, as they find out what it truly means to be best friends.

    Luther nailed his ninety-five theses to a church door in Germany, exploding a powder keg of unrest that seethed for decades. Against this background Regina Strahm found herself caught between two religious factions in Switzerland."

    She didn't yet know how she would make her mark, but in this new place she could do or be whatever she wanted.Willing as she is to brave this new world, Temperance is utterly ill-equipped to survive the wilderness; all she knows is how to live inside the pages of adventure and philosophy books. Loyally at her side, Lily helps Temperance weather pioneer life. A young woman running from lifelong accusations of witchcraft, Lily finds friendship with Temperance and an acceptance of her psychic gifts. Together, they forge paths within the community: Temperance attempts to advise the makeshift government, while Lily experiences the blossoming of first love.But as the harsh winter approaches, Lily intuitively senses a darkness creep over the colony and the veneer of civilized life threatens to fall away-negotiations with the Indians grow increasingly hostile and provisions become scarce. Lily struggles to keep food on the table by foraging in the woods and being resourceful. Famine could mean the end of days. It's up to Lily to save them both, but what sacrifice will be enough to survive?A transporting and evocative story, The Brief and True Report of Temperance Flowerdew is a fiercely hopeful novel-a portrait of two intrepid women who choose to live out their dreams of a future more free than the past.

    But young Mary Yellan chose instead to honor her mother's dying request that she join her frightened Aunt Patience and huge, hulking Uncle Joss Merlyn at Jamaica Inn.From her first glimpse on that raw November eve, she could sense the inn's dark power. But never did Mary dream that she would become hopelessly ensnared in the vile, villainous schemes being hatched within its crumbling walls—or that a handsome, mysterious stranger would so incite her passions... tempting her to love a man whom she dares not trust.

    The Gestapo is closing in. On foot, by train, even on water, Becker is running and gunning for his life ... and for the world. Hitler's Third Reich is rearming and planning for war. Churchill wants to stop him, but only Becker's report can reverse the British mood of appeasement. Cornered by the Gestapo, desperate to save his German collaborator Maria, Becker has mere days to ward off double disaster...

    These three women become best friends when they are young and struggling in New York City and then climb to the top of the entertainment industry-only to find that there is no place left to go but down-into the Valley of the Dolls.

    Here is the heartwarming story of a young girl's struggle to belong and fit in, in the face of adversity, and of her upbringing among strong women, grumpy fishermen, annoying gossips, sea captains, and the dreamlike, temptestuous landscape of Orr's Island. THE PEARL OF ORR'S ISLAND is one of the forgotten -- but not lost -- masterpieces of American literature. It reflects Harriet Beecher Stowe's awareness of the complexity of small-town society, her commitment to realism, and her fluency in the local language.

    This highly entertaining biography, written by Jason Thomas and culled from the recollections and family records of Duke's godson, Pony Duke, represents the only candid record of Doris Duke's remarkable life and highly controversial death. From early childhood—too rich to play with other children for fear of disease, kidnapping, or mixing with those of less desirable lineage—Doris was virtually imprisoned in a cold, sterile mansion on Manhattan's Fifth Avenue (the house reeked of ammonia used to keep her environment germ-free) with a powerful father and a bitter, blue-blooded mother. As she broke free into adulthood, Doris inherited a massive fortune and learned to live life on her own terms. She entered into an arranged marriage and later divorced (her first); she learned the ways of sex and desire in the arms of a muscular Hawaiian Olympic champion; she followed her next love into World War II and returned alone. And amid her numerous and headline-making affairs, Doris Duke increased her vast wealth. Her investments in real estate, art, and business allowed her to leave behind far more money than she inherited, something few heiresses can boast. She learned from an early age that those who befriended her mind or romanced her body more than likely desired her wallet, and this realization left Doris Duke a lonely woman.<br>From interviews, private family documents, and the words of Doris herself, Too Rich provides facts and insights never before unearthed by the outside media. Her bizarre adoption of a thirty-five-year-old woman, Chandi Heffner, and, in later years, sensational events surrounding Duke's death and suspected murder in 1993—including the inside story of her butler, Bernard Lafferty—are meticulously documented in this uniquely intimate portrait of one of the most interesting and controversial celebrities of the twentieth century.<br><br>PONY DUKE is Doris Duke's cousin and godson and one of the surviving members of the Duke clan. He is a self-employed businessman and rancher living in Montana. JASON THOMAS is a novelist and former nationally syndicated columnist.<br><br>She was the richest child born in America; she had the president's private phone number; her scandalous marriages and affairs—with an ambassador, Olympian, musician, politician, general, international stud, and movie star—were legendary. But who, really, was Doris Duke? Who was the mysterious woman behind the billions, who took private pleasure in singing gospel music, loving nature, and seducing men? What insurmountable rules and expectations of wealth corralled her life into the world of the lonely elite—and led, at the age of eighty, to her alleged murder?<br><br>Too Rich was made into a successful CBS television mini-series entitled Too Rich: The Secret Life of Doris Duke starring Richard Chamberlain and Lauren Bacall.

    A group of teenagers from two families meet for a picnic, but the war across the Channel is soon to tear them away from such youthful pleasures. All too soon, the horror of what is to become known as The Great War engulfs them, their friends and the whole village. From the horror of the trenches, to the devastating reality seen daily by those nursing the wounded, they struggle to survive - and nothing will ever be the same again.A powerful and engrossing novel about love and war, from Carnegie Medal-winning author Theresa Breslin.

    The narrator describes the frustration that the people of the community have with the artist, who is not only painting over one of their favorite places to play, relax in the shade, and hold on to the memories of a lost friend, but the artist is unwilling to accept the hospitality from anyone who tries to offer her food, or find out what she is up to. When the narrator and Lou go out into the country to meet up with their grandmother, they learn about graffiti from dad and grandmother who are watching the news, and they decide that they are going to deface the painting when they return back to Taliaferro Street. When they return, however, they find that the mural was a beautiful picture that not only reminded the community of all of the things that they loved about the wall, but celebrated the vibrant cultural richness of their community.

    No other work of fiction so faithfully conveys both the sharp physical realities and the mythic sweep of the transformation of the American frontier—and the transformation of the people who settled it. Cather's heroine is Alexandra Bergson, who arrives on the wind-blasted prairie of Hanover, Nebraska, as a girl and grows up to make it a prosperous farm. But this archetypal success story is darkened by loss, and Alexandra's devotion to the land may come at the cost of love itself.At once a sophisticated pastoral and a prototype for later feminist novels, O Pioneers! is a work in which triumph is inextricably enmeshed with tragedy, a story of people who do not claim a land so much as they submit to it and, in the process, become greater than they were.

    This daring new fiction, often innovative in form and courageous in its candid representations of female sexuality, marital discontent, and feminist protest, shocked Victorian critics, who denounced the authors as "literary degenerates" or "erotomaniacs." This collection brings together twenty of the most original and important stories from this period. The writers included in this highly readable volume are Kate Chopin, Victoria Cross, George Egerton, Julia Constance Fletcher, Charlotte Perkins Gilman, Sarah Grand, Vernon Lee, Ada Leverson, Charlotte Mew, Olive Schreiner, Edith Wharton, Constance Fenimore Woolson, and Mabel E. Wotton. As Elaine Showalter shows in her introduction, the short fiction of the Fin-de-Siecle is the missing link between the Golden Age of Victorian women writers and the new era of feminist modernism. Elaine Showalter is a professor of English at Princeton University. She is the author of A Literature of Their Own, The Female Malady, and other books, and editor of Alternative Alcott, a volume in the American Women Writers Series

    One is the shy Caroline Helstone, who is trapped in the oppressive atmosphere of a Yorkshire rectory and whose bare life symbolizes the plight of single women in the nineteenth century. The other is the vivacious Shirley Keeldar, who inherits a local estate and whose wealth liberates her from convention.A work that combines social commentary with the more private preoccupations of Jane Eyre, Shirley demonstrates the full range of Brontë's literary talent. "Shirley is a revolutionary novel," wrote Brontë biographer Lyndall Gordon. "Shirley follows Jane Eyre as a new exemplar but so much a forerunner of the feminist of the later twentieth century that it is hard to believe in her actual existence in 1811-12. She is a theoretic possibility: what a woman might be if she combined independence and means of her own with intellect. Charlotte Brontë imagined a new form of power, equal to that of men, in a confident young woman [whose] extraordinary freedom has accustomed her to think for herself....Shirley [is] Brontë's most feminist novel."