Now the final nightmare must explode. Now the killing frenzy must begin...

    But when a small Italian girl, whom she had been hired to escort across Europe, vanished into thin air on the Paris Express, even Kate was assailed by doubts and fears. Why had no-one admitted to seeing the girl board the train? And which of the two men in Kate's life was desperately trying to kill her? Caught in a terrifying web of betrayal and deceit, accused on all sides of being the victim of hallucinations, Kate found herself questioning which was the friend, and which the enemy—with absolutely no help to hand.

    And now, the man who loves Naomi must find her...and bring her back to the world of the living, a world where a New York brownstone holds a burial ground of those accused of witchcraft, where the secrets of the living may be found within the ancient diary of a witch, and where a creature known only as the Serpent has escaped its bounds at last.

    In 1946 New York, Ellen, a world-renowned musician, is suffering from the effects of her latest mental breakdown. Amongst other challenges, a chance meeting with a folk singer from her past causes her psychological well-being to rapidly deteriorate. Over the following terrifying weeks, Ellen finds herself becoming both a criminal and a victim as she attempts to contend with the darkness within.

    As their wedding day grows near, Alfred finds himself embroiled in an urban nightmare not the least of which is his fiance's family, the possiblity of marriage without Faith, muggings, and a sniper's bullet.

    Higg's' riveting vision of the nightmare underside of the American dream, brilliantly echoes the grand Gothic horror tradition of Edgar Allan Poe and Roald Dahl.

    Reprint. TV tie-in.

    As Olivia grew into a young woman, her mother’s erratic behavior turned to madness, with fits of rage and despair over her childhood home, the grand plantation Devereaux House, which Olivia never knew. During her mother’s dark rages, Olivia dreamed of going to her family home and reclaiming her legacy.After her mother’s death, Olivia yearns to find her roots and meet the grandmother she never knew. Keeping her identity a secret, she travels to Devereaux House, where she is hired as a member of the household staff. At last, the doors to Devereaux House are opened. But Olivia can sense that something is not right, and soon she is drawn into a world of dark secrets, and a poisoned legacy of lust and desecration.

    But from the moment of his arrival at the secluded country mansion strange and inexplicable events begin to transpire. Soon he is drawn into an impenetrable maze of horror, and by the time he discovers the role he is intended to play in a diabolical design, it will already be too late. For the seeds of evil have been sown, and the time to reap their wicked harvest is nigh!

    The house belongs to her. She should be happy. But Valerie isn’t quite normal… She’s taking in roommates to make ends meet, but, one by one, they keep ending up dead. Her young niece is crying out for a special kind of discipline that only she can provide. And there’s the voices she hears...voices that want her to do terrible things. Valerie is only trying to survive. If she stops doing what the voices tell her, something grotesquely evil will devour her soul... WHAT’S WRONG WITH VALERIE?

    Now Dani, along with her four companions, must fight against incredible odds to survive a night that no one will ever forget.A night that will forever be known as ‘the hatching.’The Hatching is a horror novel inspired by John Carpenter movies, as well as the classic stories of Stephen King and Richard Matheson. If you love taut, fast-paced claustrophobic horror, you’ll love The Hatching.

    To a small English village, it is a vast organic presence, as ancient as time itself and seething with hidden life and forbidden legends...To its victims, it is a nameless horror beyond description, a razor-toothed evil, rising up from the murky depths to feast on human prey...To archaeologist David Macauley and his family, it is the ultimate scientific mystery -- and the ultimate experiment in terror...

    A Marine Corps psychiatrist with a crisis of faith encourages his patients to enact their fantasies as part of their therapy. However, he proves himself to be more deeply disturbed than at first appears and finally sacrifices himself to save one of his patients.

    But then he sees them for himself: weird and uncanny images of the dead appearing in his photographs. The apparitions seem to have some connection to Childgrave, a remote village in upstate New York with a deadly secret dating back three centuries. Jonathan and Joanne feel themselves oddly drawn to Childgrave, but will they survive the horrors that await them there?The third novel by Ken Greenhall (1928-2014), whose works are receiving renewed attention as neglected classics of modern horror, Childgrave (1982) is a slow-burn chiller that ranks among Greenhall’s best.“Writing in Shirley Jackson’s precise, sharp, chilly prose, Greenhall delivers a slippery book that can’t be pinned down, all about spectral photography, little dead girls, snowbound small towns, and the disquieting proposition that maybe God is not civilized.” - Grady Hendrix, author of Paperbacks from Hell“A very well-orchestrated, eerie tale.” - Publishers Weekly

    When Monster Magazine reporter Clint Stockbern sets out to interview the legendary '50s horror movie director Landis Woodley, he uncovers a bizarre story of real-life horror.Flashback to Hollywood, 1957. Woodley is shooting his latest zombie movie, Cadaver, in a real morgue when he has a brainstorm that will help him pinch some pennies. But when zombie make-up effects are replaced by real corpses, a deadly curse begins to take its toll on those foolish enough to become involved with the filming of the soon-to-be cult classic, Cadaver.