Set in future Manila, a gleaming metropolis where one's paranoia may not be exactly unfounded and whose lashing sings tribute to Philip K. Dick. "Stations" takes on the ethical trappings of high technology adoption. "August Moon" relies on a succession of flashbacks to uncover, as well as obscure, the eventual doom of a woman who deems herself a "good wife," while "Eyes as Wide as the Sky" depicts a post-war world—scorched yet not wholly devoid of hope. These stories insist on the unreal becoming the real, the rational melding with the irrational, familiarity breeding strangeness.

    Told in the voice of its protagonist, Noel Ilustre Bulaong, the narrative travels through familiar social and literary territory: the coconut groves of Bulaong's childhood, Manila's hovels, the Diliman Commune, "UG" safehouse, martial law prisons, and the homes and offices of the petty-bourgeoisie. It is a story of false horizons, of betrayal, compromise, and guilt, and not incidentally of the contemporary middle-class Filipino's migration from the village to the metropolis to the outside world.

    The truth is: politics and innuendo clouded that story from the very beginning, with the result that few people really understand who The Duke and Duchess of Windsor were and what forces propelled them to their infamous fate. The Royal W.E. examines the individual and intertwined lives of Wallis and Edward – or “W.E.” as they referred to themselves – and provides readers with unique glimpses of the real people, as opposed to the sensationalized characters, that were The Duke and Duchess of Windsor. Through careful study of more than 75 years of rhetoric and scholarship, Victoria Martínez takes on the most controversial charges lodged against the couple (Was Wallis a hermaphrodite? Were the Duke and Duchess Nazi sympathizers?) with candor and evenhandedness. In analyzing the early lives of Wallis and the ex-king and their later relationships with other members of the Royal Family, her approach is to deal with all parties as human beings, whose true faults – though significant – were far less sinister than history has led us to believe. Ms. Martínez also addresses the ever-popular subject of the Duchess’s jewels, including new research on the famous 1946 Ednam Lodge jewel heist to dispel the long-held rumors that the Duke and Duchess committed jewel theft and insurance fraud. The subjects in this book are not always mainstream, well-known, or even consistent with “popular” opinion, and the objective is not to make anyone “like” the couple. Instead, readers will find refreshingly honest and accurate portrayals of W.E. that will help them understand the real people behind the myth and hype. “Prejudice and preconception are difficult things to set aside, particularly after so many years of negative stories and sordid rumor, but I think readers here will discover an alternative and convincing look at the Duke and Duchess of Windsor. I am sure they would approve and perhaps, just perhaps, the future may be a little bit kinder to Edward and Wallis because of the efforts of people like Ms. Martínez.” -Greg King, author of The Duchess of Windsor: The Uncommon Life of Wallis Simpson

    Ten years ago, the town's harvest failed utterly, and the people---believing the gods had abandoned them--left their farms and moved on.Now, on a Friday before a long weekend, Regina ends her workday at an office in Makati, and walks home with a new colleague, Diana. Following a strange and disturbing conversation between them, Diana does not show up at work on Monday, nor Tuesday, nor Wednesday.On Thursday, Regina finds a folded piece of paper In her bag. In Diana's handwriting are two names and a strange map that will send Regina back to her hometown. Here, in her quest to find Diana, she encounters rumors of genetic experiments, stumbles upon a strange facility that no one seems to know about, finds herself in places that don't exist, and discovers that people are not who they seem to be. And the biggest question in the bizarre chain of events is not what, or how, but why?Wounded Little Gods is a tale that brings mythology to a sci-fi thriller that's filled with a sense of place--a place where gods are in many ways human and point to the ways in which humans can be inhumane. As Regina struggles to unwind the knots surrounding the mystery of this facility and the people connected to it. She discovers that she is more intertwined in the strange events in her hometown than she ever knew.

    People are puzzled how she can spontaneously make them laugh in the midst of national policy crises, and of real danger to her life as a corruption fighter.This book is a collection of jokes, one-liners, pick-up lines, conebacks and speeches delivered and/or curated by the beloved Senator. Also, inside are illustrations by Cj de Silva-Ong, Manix Abrera, Elbert Or, Rob Cham and more of the Philippines' best young illustrators.

    Hau, Writer and literary critic

    Their ambitions may be dampened by third world realities and malcontention but they also proudly belong to a generation of dreamers who fight for their voices to be heard. They are among the so-called "Bagong Lipunan" children, trying their best to live up to their name. But over the years, as Allan watches his friends leave one by one and feels his sense of idealism wane, he starts to wonder where they are all headed.(from http://martiallawbabies.com/)

    As Hagedorn points out in her insightful introduction, Manila is a city burdened with a violent and painful past, with a long heritage of foreign occupation. The specters of WWII (during which the city suffered from U.S. saturation bombing), and the oppressive 20-year reign of dictator Ferdinand Marcos live on in recent memory. The Filipino take on noir includes a liberal dose of the gothic and supernatural, with disappearance and loss being constants."--Publishers Weekly (starred review)"This Southeast sampler is unique, possessing an overall gritty tone. Each slice of supernatural splendor pulls the reader in with their nontraditional heroes…Ultimately, readers get a strong taste of the real Manila and all her dark secrets, wanting more of while being slightly afraid of what she might do next. Manila is the perfect place for noir scenes to occur, and it is easy to get sucked into its deadly nightshade of doom."--Criminal Class PressBrand-new stories by: Lourd De Veyra, Gina Apostol, Budjette Tan and Kajo Baldisimo, F.H. Batacan, Jose Dalisay Jr., Eric Gamalinda, Jessica Hagedorn, Angelo Lacuesta, R. Zamora Linmark, Rosario Cruz-Lucero, Sabina Murray, Jonas Vitman, Marianne Villanueva, and Lysley Tenorio.Manila provides the ideal, torrid setting for an Akashic Noir series volume. It's where the rich rub shoulders with the poor, where five-star hotels coexist with informal settlements, where religious zeal coexists with superstition, and where politics is often synonymous with celebrity and corruption.From the Introduction by Jessica Hagedorn:Manila is not for the faint of heart. Built on water and reclaimed land, it’s an intense, congested, teeming megalopolis, the vital core of an urban network of sixteen cities and one municipality collectively known as Metro Manila. Population: over ten million and growing by the minute. Climate: tropical. Which means hot, humid, prone to torrential monsoon rains of biblical proportions.I think of Manila as the ultimate femme fatale. Complicated and mysterious, with a tainted, painful past. She’s been invaded, plundered, raped, and pillaged, colonized for four hundred years by Spain and fifty years by the US, bombed and pretty much decimated by Japanese and American forces during an epic, month-long battle in 1945.Yet somehow, and with no thanks to the corrupt politicians, the crime syndicates, and the indifferent rich who rule the roost, Manila bounces back. The people’s ability to endure, adapt, and forgive never ceases to amaze, whether it’s about rebuilding from the latest round of catastrophic flooding, or rebuilding from the ashes of a horrific world war, or the ashes of the brutal, twenty-year dictatorship of Ferdinand Marcos . . .Many years have passed since the end of the Marcos dictatorship. People are free to write and say what they want, yet nothing is different. The poor are still poor, the rich are still rich, and overseas workers toil in faraway places like Saudi Arabia, Israel, Germany, and Finland. Glaring inequities are a source of dark humor to many Filipinos, but really—just another day in the life . . .Writers from the Americas and Europe are known for a certain style of noir fiction, but the rest of the world approaches the crime story from a culturally unique perspective. In Manila Noir we find that the genre is flexible enough to incorporate flamboyant emotion and the supernatural, along with the usual elements noir fans have come to expect: moody atmospherics, terse dialogue, sudden violence, mordant humor, a fatalist vision.

    This is the first in a series of true stories about a young helicopter pilot’s tour of duty in Vietnam.

    But a physician’s incorrect diagnosis will always be a matter of life and death. Dr. Baticulon’s dispatches from the country’s leading public hospital are told in language that requires no further acrobatics. How do you tell a mother that the smiling ten-year-old boy in her arms will not survive the following week? How do you tell a little girl she’ll never be able to go home to play because her parents can’t afford P54,000 for her surgery? How do you live with yourself after breaking a promise to save an eight-year-old boy’s life? Like the trenches of war zones, the operating room is the frontline of life’s most difficult questions. Here are a neurosurgeon’s gripping ruminations on hope and loss."—Lourd De Veyra"Ronnie Baticulon follows in the footsteps of many other physicians for whom the task of understanding and healing humanity did not stop at the clinic or the operating room. They used words and language not only for their patients but also for themselves—a long and distinguished line from Rabelais, Chekhov, and Maugham to Michael Crichton, Richard Selzer, Oliver Sacks, and of course our own Jose Rizal and Arturo Rotor. Dr. Baticulon is a worthy addition to that tradition."—Jose Y. Dalisay Jr.

    More than the individual story of a mother watching her sons grow and plunge into real life, Dekada '70 is an indictment of martial law, and here, Lualhati minces no worlds." - Female Forum, November 21, 1983

    After two years of college he couldn't afford to continue so he was forced to relinquish his student deferment and enter the draft. He tried various strategies to get a non-combat job; nevertheless he ended up in the infantry and was assigned to Vietnam. The stories in this book depict the year Doug spent in Alpha Company where he spent days on patrols finding and killing North Vietnamese soldiers along the hundreds of miles of trails heading for the Saigon. These stories range from funny to tragic, from uplifting to extremely frustrating and from touching to horrifying. This book gives the reader a sense of life in the infantry in 1968 and 1969.

    Her mother, who disappeared soon after they migrated from the Philippines to America, speaks to her in prophetic dreams. Stranger still is the old man who turns up at her house one day and claims to be her grandfather, even though Karina’s mother had told her he died a long time ago.Karina discovers that her mother is an engkanto princess who ran away from Engkantasia. Karina is now of age to take the throne and must do so to prevent a war between Engkantasia and the human world. She must learn to control her powers and fight a range of weird creatures trying to kill her and her family. To make matters worse, she finally meets a boy she likes and there’s something about him she can’t quite figure out.

    The memoir tells his story starting from the ambivalence he had about being drafted through the firefights and wounds he experienced in Vietnam to the estrangement he felt as he walked out of Walter Reed hospital into a civilian world not very interested in a faraway war. It also tells a tale of the commonplace courage of the twenty-year-old infantrymen of Charley Company, 5th of the 12th, 199th Light Infantry Brigade, and of the cowardice and character flaws of a Lieutenant more interested in his own glory and advancement than the well-being of his platoon. The good, the bad, and the ugly of a country and an army fighting a distant war for unclear purposes are all on display in this account focused on nine months of war in 1969.

    He'd heard that the locals constructed jerry-rigged hoops out of any material they could get their hands on-car hoods, driftwood, twisted rebar-and built courts everywhere, from cluttered street corners to the slopes of volcanoes and in the thick of jungles.Allured by the idea of an island nation full of people who love the game as irrationally as he does, American journalist Rafe Bartholomew arrived in Manila to unlock the riddle of basketball's grip on the Philippines. On his unforgettable journey, Bartholomew spends a season inside the locker room of a Philippine professional team, dines with politicians who exploit hoops for electoral success, travels with a troupe of midgets and transsexuals who play exhibition games at rural fiestas, and even acts in a local soap opera. Sweating his way through hard-fought games of 3-on-3, played with homemade hoops for 50-cent wagers, Bartholomew uses a mix of journalistic knowhow and the hard- court ethics he learned from his dad to get in the paint and behind the scenes of Filipinos' against-all-odds devotion to the sport.