Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one’s own path in identity, life, and love.In the HospitalMy mother was in the hospital & everyone wanted to be my friend.But I was busy making a list: good dog, bad citizen, shortskeleton, tall mocha. Typical Tuesday.My mother was in the hospital & no one wanted to be her friend.Everyone wanted to be soft cooing sympathies. Very reasonablepigeons. No one had the time & our solution to itwas to buy shinier watches. We were enamored withwhat our wrists could declare. My mother was in the hospital& I didn’t want to be her friend. Typical son. Tall latte, short tale,bad plot, great wifi in the atypical café. My mother was in the hospital& she didn’t want to be her friend. She wanted to be the familygrocery list. Low-fat yogurt, firm tofu. She didn’t trust my fatherto be it. You always forget something, she said, even whenI do the list for you. Even then.

    Foregrounding the state-sanctioned murder of Eric Garner in a historical analysis of the policing, disenfranchisement, and invisibilizing of fat Black men and trans and nonbinary AMAB people, Harrison discusses the pervasive, insidious ways that anti-fat anti-Blackness shows up in everyday life. Fat people can be legally fired in 49 states for being fat; they’re more likely to be houseless. Fat people die at higher rates from misdiagnosis or non-treatment; fat women are more likely to be sexually assaulted. And at the intersections of fatness, race, disability, and gender identity, these abuses are exacerbated.Taking on desirability politics, f*ckability, healthism, hyper-sexualization, invisibility, and the connections between anti-fatness and police violence, Harrison viscerally and vividly illustrates the myriad harms of anti-fat anti-Blackness–and offers strategies for dismantling denial, unlearning the cultural programming that says “fat is bad,” and moving beyond the world we have now toward one that makes space for the fat and Black.

    An evocative, moving and at times hilarious true-life story about growing up gay in a small town, finding out you're adopted, and losing your father at the age of fourteen. Always an outsider, the Rhona of 1979 was desperate to fit in at any cost, and here lies the bittersweet humour. At the heart of the book is the Clubhouse, a place that symbolises all that is normal, happy, and secure. And behind the club, outside, Rhona and her friends are smoking, fighting, kissing and drinking. In this darkly funny and deeply biographical first book, Rhona Cameron takes us back to a year when everything seemed to change. A new British government came to power, the Eighties were approaching and at times life felt so precarious that it really looked like she and her family might never make it through the next year, let alone the next decade.

    For some, America is a bewildering and alienating place where coworkers can’t pronounce your name but will eagerly repeat the Sanskrit phrases from their yoga class. Harit, a lonely Indian immigrant in his midforties, lives with his mother who can no longer function after the death of Harit’s sister, Swati. In a misguided attempt to keep both himself and his mother sane, Harit has taken to dressing up in a sari every night to pass himself off as his sister. Meanwhile, Ranjana, also an Indian immigrant in her midforties, has just seen her only child, Prashant, off to college. Worried that her husband has begun an affair, she seeks solace by writing paranormal romances in secret. When Harit and Ranjana’s paths cross, they begin a strange yet necessary friendship that brings to light their own passions and fears.Reminiscent of Angela Flournoy’s The Turner House, Ayad Akhtar’s American Dervish, and Jade Chang’s The Wangs vs. the World, No One Can Pronounce My Name is a distinctive, funny, and insightful look into the lives of people who must reconcile the strictures of their culture and traditions with their own dreams and desires.

    As a man named "Ed," she had everything anyone could ever want: a soul mate's love, two beautiful daughters, a house in the best neighborhood, a successful trial lawyer's career - a "Grand Plan" life so picture-perfect it inspired a beautiful pastel drawing,But there was a problem: "Ed" was a woman born into a male body. Finding inner peace meant Ed would have to become Ellen. It also meant losing that picture-perfect life.How could anyone make that choice, pay that kind of price? Then again, how could anyone not? Through what became a "gender journey," Ellen Krug discovered her true self and the honesty it takes to make life-changing decisions."Getting to Ellen" is much more than one person's story about some things lost and others gained. It's a glimpse into the life choices that all of us make --whether or not we're transgender.

    An ode to the power that resides in us all to overcome the most difficult circumstances, this poem is truly an inspiration and affirmation of the faith that restores and nourishes the soul. Entwined with the vivid paintings of Diego Rivera, the renowned Mexican artist, Angelou's words paint a portrait of the amazing human spirit, its quiet dignity, and pools of strength and courage. An ideal gift for a friend, lover, or family member, this special edition will be treasured by all who receive it.

    Thomas-born, Florida-raised poet Nicole Sealey’s work is restless in its empathic, succinct examination and lucid awareness of what it means to be human.The ranging scope of inquiry undertaken in Ordinary Beast—at times philosophical, emotional, and experiential—is evident in each thrilling twist of image by the poet. In brilliant, often ironic lines that move from meditation to matter of fact in a single beat, Sealey’s voice is always awake to the natural world, to the pain and punishment of existence, to the origins and demises of humanity. Exploring notions of race, sexuality, gender, myth, history, and embodiment with profound understanding, Sealey’s is a poetry that refuses to turn a blind eye or deny. It is a poetry of daunting knowledge.

    Nikhil Pal Singh asks what happened to the worldly and radical visions of equality that animated black intellectual activists from W. E. B. Du Bois in the 1930s to Martin Luther King, Jr. in the 1960s. In so doing, he constructs an alternative history of civil rights in the twentieth century, a long civil rights era, in which radical hopes and global dreams are recognized as central to the history of black struggle.It is through the words and thought of key black intellectuals, like Du Bois, Ralph Bunche, C. L. R. James, Richard Wright, Ralph Ellison, Langston Hughes, and others, as well as movement activists like Malcolm X and Black Panthers, that vital new ideas emerged and circulated. Their most important achievement was to create and sustain a vibrant, black public sphere broadly critical of U.S. social, political, and civic inequality.Finding racism hidden within the universalizing tones of reform-minded liberalism at home and global democratic imperatives abroad, race radicals alienated many who saw them as dangerous and separatist. Few wanted to hear their message then, or even now, and yet, as Singh argues, their passionate skepticism about the limits of U.S. democracy remains as indispensable to a meaningful reconstruction of racial equality and universal political ideals today as it ever was.

    The title refers to a form of navigation he resorted to as a first mate in the Navy during World War II. As he says, "As I was writing this account of my life and times since "Palimpsest," I felt as if I were again dealing with those capes and rocks in the Bering Sea that we had to navigate so often with a compass made inoperable by weather." It is a beautifully apt analogy for the hazards (mostly) eluded during his eventful life and for the way this memoir proceeds--far from linear but always on course. From his desks in Ravello and the Hollywood Hills, Gore Vidal travels in memory through the arenas of literature, television, film, theater, politics and international society where he has cut a broad swath, recounting achievements and defeats, friends and enemies made (and on a number of occasions lost). Among the gathering of notables to be found in these pages, sketched with a draftsman's ease and evoked with the panache of one of our great raconteurs, are Jack and Jacqueline Kennedy, Tennessee Williams (the "Glorious Bird"), Eleanor Roosevelt, Orson Welles, Johnny Carson, Greta Garbo, Federico Fellini, Rudolph Nureyev, Elia Kazan, and Francis Ford Coppola. Some of the book's most moving pages are devoted to the illness and death of his partner of five decades, Howard Austen, and indeed the book is, among other things, a meditation on mortality written in the spirit of Montaigne. Elegiac yet vital and even ornery, "Point to Point Navigation" is a summing-up of Gore Vidal's time on the planet that manages to be at once supremely entertaining, endlessly provocative, and thoroughly moving.

    If racism has an everyday life, how does it remain so powerful and yet mask its very presence? To answer this question, Sharon Patricia Holland moves into the territory of the erotic, understanding racism's practice as constitutive to the practice of racial being and erotic choice.Reemphasizing the black/white binary, Holland reinvigorates critical engagement with race and racism. She argues that only by bringing critical race theory, queer theory, and black feminist thought into conversation with each other can we fully envision the relationship between racism and the personal and political dimensions of our desire. The Erotic Life of Racism provocatively redirects our attention to a desire no longer independent of racism but rather embedded within it.

    But beyond her massive professional success on the soccer field, Rapinoe has become an icon and ally to millions, boldly speaking out on the issues that matter most. In recent years, she's become one of the faces of the equal pay movement and her tireless activism for LGBTQ rights has earned her global support.In One Life, Rapinoe embarks on a thoughtful and unapologetic discussion of social justice and politics. Raised in a conservative small town in northern California, the youngest of six, Rapinoe was four years old when she kicked her first soccer ball. Her parents encouraged her love for the game, but also urged her to volunteer at homeless shelters and food banks. Her passion for community engagement never wavered through high school or college, all the way up to 2016, when she took a knee during the national anthem in solidarity with former NFL player Colin Kaepernick, to protest racial injustice and police brutality - the first high-profile white athlete to do so. The backlash was immediate, but it couldn't compare to the overwhelming support. Rapinoe became a force of social change, both on and off the field.Using anecdotes from her own life and career, from suing the United States Soccer Federation alongside her teammates over gender discrimination to her widely publicized refusal to visit the White House, Rapinoe discusses the obligation we all have to speak up, and reveals the impact each of us can have on our communities. As she declared during the soccer team's victory parade in New York in 2019, "[T]his is everybody's responsibility, every single person here, every single person who is not here, every single person who doesn't want to be here, every single person who agrees and doesn't agree.... It takes everybody. This is my charge to everybody. Do what you can. Do what you have to do. Step outside yourself. Be more. Be better. Be bigger than you've ever been before."

    One of the most enduring artists of popular music, Mavis and her talented family fused gospel, soul, folk, and rock to transcend racism and oppression through song. Honing her prodigious talent on the Southern gospel circuit of the 1950s, Mavis and the Staple Singers went on to sell more than 30 million records, with message-oriented soul music that became a soundtrack to the civil rights movement—inspiring Martin Luther King, Jr. himself.Critically acclaimed biographer and Chicago Tribune music critic Greg Kot cuts to the heart of Mavis Staples’s music, revealing the intimate stories of her sixty-year career. From her love affair with Bob Dylan, to her creative collaborations with Prince, to her recent revival alongside Wilco’s Jeff Tweedy, this definitive account shows Mavis as you’ve never seen her before. I’ll Take You There was written with the complete cooperation of Mavis and her family. Readers will also hear from Prince, Bonnie Raitt, David Byrne, and many others whose lives have been influenced by Mavis’s talent.Filled with never-before-told stories, this fascinating biography illuminates a legendary singer and group during a historic period of change in America. “Ultimately, Kot depicts the endurance of Mavis Staples and her family’s music as an inspiration, a saga that takes us, like the song that inspired this book’s name, to a place where ain’t nobody crying” (The Washington Post).“A biography that will send readers back to the music of Mavis and the Staple Singers with deepened appreciation and a renewed spirit of discovery” (Kirkus Reviews, starred review)—from the acclaimed music journalist and author featured prominently in the new HBO documentary Mavis!

    The essays in this collection, which include her last writings and span the length of her extraordinary career, reveal Jordan as an incisive analyst of the personal and public costs of remaining committed to the ideal and practice of democracy. Willing to venture into the most painful contradictions of American culture and politics, Jordan comes back with lyrical honesty, wit, and wide-ranging intelligence in these accounts of her reckoning with life as a teacher, poet, activist, and citizen.

    It makes an effort to value aspects of historical gay experience that now threaten to disappear, branded as embarrassing evidence of the bad old days before Stonewall. Love argues that instead of moving on, we need to look backward.

    Losing his mother when he is twelve, González must then confront his father’s abandonment and an abiding sense of cultural estrangement, both from his adopted home in the United States and from a Mexican birthright. His only sense of connection gets forged in a violent relationship with an older man. By finding his calling as a writer, and by revisiting the relationship with his father during a trip to Mexico, González finally claims his identity at the intersection of race, class, and sexuality. The result is a leap of faith that every reader who ever felt like an outsider will immediately recognize. 2007 Finalist, Randy Shilts Awards for Gay Nonfiction, Publishing Triangle Winner, American Book Awards, Before Columbus Foundation