Featuring a mind-blowing and otherworldly soundscape of liquefying aliens, hissing creatures, and humming spacecraft, listeners get to experience the duo's investigations like never before.Set after the events of The X-Files: I Want to Believe and providing additional backstory to the incidents that pulled Mulder and Scully out of reclusion prior to 2016's miniseries revival, a database breach at FBI headquarters allows an unknown group to access and capitalize on those investigations left unsolved - dubbed cold cases - by the secret department once known as The X-Files. As friends and foes of the agency long thought gone begin to inexplicably reappear, former agents Mulder and Scully come out of anonymity to face a growing conspiracy that involves not only their former department but the US government and forces not of this world.Here, fans are treated once again to Mulder and Scully's irreplicable chemistry as only the series' leads could deliver, Duchovny's deadpan and cynical aloofness finding its natural counterpoint in Anderson's unwavering intelligence and rigidity. Appearances from series regulars and the actors who made them fan favorites round out this must-listen arc: the gruff, no-BS righteousness of Walter Skinner (Mitch Pileggi); the distinctive click-puff of the Cigarette Smoking Man (William B. Davis); and the stooge-like hijinks of three beloved conspiracy theorists called the Lone Gunmen (Tom Braidwood, Dean Haglund, and Bruce Harwood).Whether you're a believer or a skeptic, find your "I Want to Believe" poster. Break out that makeshift alien stiletto. Grab a pack of Morley cigarettes.The truth is out there. You just have to listen.Join the conversation: #istillwanttobelieve© The X-Files ™ & © 2016 Twentieth Century Fox Film Corporation. All Rights Reserved. (P)2017 Audible, Inc.

    Two archaeologists glean forbidden knowledge from the ruins of a dead world. Robot servants of ruling insectoid Klikiss guard the Klikiss Torch, which has the power to create suns. The reasons for the fall of the Klikiss empire may return.

    Smart, dedicated, gorgeous, and, thanks to her last movie before she hung up on Hollywood, rich, she's a pleasure to oblige when she says Rob has to witness this channeler Ariaura's act--on her, not the Eye's, nickel--despite channelers being so last year. It's quite a show, all right, for in the midst of Ariaura's particular ancient wise guy's basso spiel, a gravelly baritone interrupts (both voices emanate from the channeler's female mouth) to berate the audience as "yaps" and the act as "claptrap." Why is Ariaura undermining herself? Or is she? After all, she angrily accuses Rob and Kildy of scheming to destroy her. Could the baritone belong to a genuine channeled spirit? Willis, one of sf's most spirited writers, rounds on the New Age; pays tribute to a great, skeptical journalist; and affectionately parodies pulp fiction at its best in this irresistible entertainment.

     They thought they were alone. They were wrong. On October 15th, humanity went missing. A handful of scattered survivors wake to find the world empty of friends, family, and neighbors. Among them, a child searches for his family. A special agent turned enemy of the state survives a fiery plane crash with no way to reach his daughter. A serial killer discovers he’s no longer at the top of the food chain. Now these strangers must find the strength inside them to weather the new world. But they are not alone. In the absence of civilization, a new threat emerges. In the stillness, it waits and watches, preying on their weakness. Their only hope is to find more survivors, rise above their fear, and face the oncoming darkness. But can they unite before they too are lost? And can they all be trusted? Season One of Yesterday’s Gone by Sean Platt and David W. Wright is a tense post-apocalyptic thriller that will leave you guessing to the end. Combining TV’s thrilling, episodic nature with the in-depth character only found in novels, Yesterday’s Gone is a new wave in fiction. If you like The Stand and LOST, you’ll love this series that combines tension, intrigue, and fear of the unknown. Get Yesterday’s Gone now and see who lives and who dies! (Warning: This book is intended for mature audiences and contains disturbing and potentially offensive material.)

    Vaccination and treatment are widely available, not held in reserve for the chosen few. There are still monsters left to fight, but the old ones, the simple ones, trouble us no more.Or so we thought. For with the reduction in danger comes the erosion of memory, as pandemics fade from memory into story into fairy tale. Those old diseases can’t have been so bad, people say, or we wouldn’t be here to talk about them. They don’t matter. They’re never coming back.How wrong we could be.It begins with a fever. By the time the spots appear, it’s too late: Morris’s disease is loose on the world, and the bodies of the dead begin to pile high in the streets. When its terrible side consequences for the survivors become clear, something must be done, or the dying will never stop. For Dr. Isabella Gauley, whose niece was the first confirmed victim, the route forward is neither clear nor strictly ethical, but it may be the only way to save a world already in crisis. It may be the only way to atone for her part in everything that’s happened.She will never be forgiven, not by herself, and not by anyone else. But she can, perhaps, do the right thing.We live in an age of monsters.

    . .The Humans is a funny, compulsively readable novel about alien abduction, mathematics, and that most interesting subject of all: ourselves. Combine Douglas Adams’s irreverent take on life, the universe, and everything with a genuinely moving love story, and you have some idea of the humor, originality, and poignancy of Matt Haig’s latest novel.Our hero, Professor Andrew Martin, is dead before the book even begins. As it turns out, though, he wasn’t a very nice man--as the alien imposter who now occupies his body discovers. Sent to Earth to destroy evidence that Andrew had solved a major mathematical problem, the alien soon finds himself learning more about the professor, his family, and “the humans” than he ever expected. When he begins to fall for his own wife and son--who have no idea he’s not the real Andrew--the alien must choose between completing his mission and returning home or finding a new home right here on Earth.

    What linguist Meg Dupris and her crewmates aboard the Earth ship Damocles discover on Didet—a planet bathed in the near-eternal daylight of seven suns—is a humanoid race with a different language, a different look, and a surprisingly similar society.But here, it’s the “Earthers” who are the extraterrestrial invaders, and it’s up to Meg—a woman haunted by tragedy and obsessed with the power of communication—to find the key to establishing trust between the natives and the newcomers. In Loul Pell, a young Dideto male thrust into the forefront of the historic event, Meg finds an unexpected kindred spirit, and undertakes an extraordinary journey of discovery, friendship, and life-altering knowledge.Told from both sides of a monumental encounter, Damocles is a compelling novel about man’s first contact with an extraterrestrial race.

    In western Pennsylvania, 1997, she is assigned to solve the murder of a Navy SEAL's family--and to locate his vanished teenage daughter. Though she can't share the information with conventional law enforcement, Moss discovers that the missing SEAL was an astronaut aboard the spaceship U.S.S. Libra—a ship assumed lost to the currents of Deep Time. Moss knows first-hand the mental trauma of time-travel and believes the SEAL's experience with the future has triggered this violence.Determined to find the missing girl and driven by a troubling connection from her own past, Moss travels ahead in time to explore possible versions of the future, seeking evidence to crack the present-day case. To her horror, the future reveals that it's not only the fate of a family that hinges on her work, for what she witnesses rising over time's horizon and hurtling toward the present is the Terminus: the terrifying and cataclysmic end of humanity itself.Luminous and unsettling, The Gone World bristles with world-shattering ideas yet remains at its heart an intensely human story.

    Dreaming that the real world could be a little more like the countless science-fiction books, movies, and videogames he’s spent his life consuming. Dreaming that one day, some fantastic, world-altering event will shatter the monotony of his humdrum existence and whisk him off on some grand space-faring adventure. But hey, there’s nothing wrong with a little escapism, right? After all, Zack tells himself, he knows the difference between fantasy and reality. He knows that here in the real world, aimless teenage gamers with anger issues don’t get chosen to save the universe. And then he sees the flying saucer. Even stranger, the alien ship he’s staring at is straight out of the videogame he plays every night, a hugely popular online flight simulator called Armada—in which gamers just happen to be protecting the earth from alien invaders. No, Zack hasn’t lost his mind. As impossible as it seems, what he’s seeing is all too real. And his skills—as well as those of millions of gamers across the world—are going to be needed to save the earth from what’s about to befall it. It’s Zack’s chance, at last, to play the hero. But even through the terror and exhilaration, he can’t help thinking back to all those science-fiction stories he grew up with, and wondering: Doesn’t something about this scenario seem a little…familiar? At once gleefully embracing and brilliantly subverting science-fiction conventions as only Ernest Cline could, Armada is a rollicking, surprising thriller, a classic coming of age adventure, and an alien invasion tale like nothing you’ve ever read before—one whose every page is infused with the pop-culture savvy that has helped make Ready Player One a phenomenon.

    Cherryh's eponymous series, Foreigner begins an epic tale of the survivors of a lost spacecraft who crash-land on a planet inhabited by a hostile, sentient alien race.From its beginnings as a human-alien story of first contact, the Foreigner series has become a true science fiction odyssey, following a civilization from the age of steam through early space flight to confrontations with other alien species in distant sectors of space. It is the masterwork of a truly remarkable author.

    Medical science and governments around the world scramble in an effort to solve the problem, but twenty-five years later there is no cure, and an entire generation grows up with a population of fewer than a thousand women.Zoey and some of the surviving young women are housed in a scientific research compound dedicated to determining the cause. For two decades, she’s been isolated from her family, treated as a test subject, and locked away—told only that the virus has wiped out the rest of the world’s population.Captivity is the only life Zoey has ever known, and escaping her heavily armed captors is no easy task, but she’s determined to leave before she is subjected to the next round of tests…a program that no other woman has ever returned from. Even if she’s successful, Zoey has no idea what she’ll encounter in the strange new world beyond the facility’s walls. Winning her freedom will take brutality she never imagined she possessed, as well as all her strength and cunning—but Zoey is ready for war.

     A guard discovers an unusual lifeform on her remote moon outpost. She disregards protocol to investigate it, with catastrophic consequences. The parasitic alien wears its victims' skins and adopts their personalities. It's a perfect disguise, and allows the creature to spread without being detected. By the time humanity realises it's facing extinction, a third of its six hundred space stations have already gone dark. As the alien's ruthless progress collapses communication networks, wipes out defences, and leaves hundreds of stations to fend for themselves, a handful of remarkable individuals must find a way to battle the greatest threat the universe has ever encountered.

    They’re wrong.Commander Noa Sato plans a peaceful leave on her home planet Luddeccea ... but winds up interrogated and imprisoned for her involvement in the Archangel Project. A project she knows nothing about.Professor James Sinclair wakes in the snow, not remembering the past twenty four hours, or knowing why he is being pursued. The only thing he knows is that he has to find Commander Sato, a woman he’s never met.A military officer from the colonies and a civilian from Old Earth, they couldn’t have less in common. But they have to work together to save the lives of millions—and their own.Every step of the way they are haunted by the final words of a secret transmission:The archangel is down.

    His life is dominated by the place and the thriving black market in the alien products. But when he and his friend Kirill go into the Zone together to pick up a “full empty,” something goes wrong. And the news he gets from his girlfriend upon his return makes it inevitable that he’ll keep going back to the Zone, again and again, until he finds the answer to all his problems.First published in 1972, Roadside Picnic is still widely regarded as one of the greatest science fiction novels, despite the fact that it has been out of print in the United States for almost thirty years.

    Zahra knew every detail of the plan. House of Wisdom, a massive exploration vessel, had been abandoned by the government of Earth a decade earlier, when a deadly virus broke out and killed everyone on board in a matter of hours. But now it could belong to her people if they were bold enough to take it. All they needed to do was kidnap Jaswinder Bhattacharya—the sole survivor of the tragedy, and the last person whose genetic signature would allow entry to the spaceship. But what Zahra and her crew could not know was what waited for them on the ship—a terrifying secret buried by the government. A threat to all of humanity that lay sleeping alongside the orbiting dead. And then they woke it up.