Reissue.

    She even locked him out of the house, tied him up with electrical cord, and on one occasion, gave him a beating that sent him to the emergency room. His fifteen-year-old half brother Matthew Montejo also was a victim to Jane Bautista's dark mood swings and erratic behavior, but for some reason, Jason received the brunt of the abuse—until he decided he'd had enough…A SON'S REVENGEOn the night of January 14, 2003, Jason strangled his mother. To keep authorities from identifying her body, he chopped off her head and hands, an idea he claimed he got from watching an episode of the hit TV series "The Sopranos." Matthew would later testify in court that he sat in another room in the house with the TV volume turned up while Jason murdered their mother. He also testified that he drove around with Jason to find a place to dump Jane's torso.A CRIME THAT WOULD BOND TWO BROTHERSThe morning following the murder, Matthew went to school, and Jason returned to his classes at Cal State San Bernardino. When authorities zeroed in on them, Jason lied and said that Jane had run off with a boyfriend she'd met on the Internet. But when police confronted the boys with overwhelming evidence, Jason confessed all. Now the nightmare was only just beginning for him…

    What it contained - and why - would prove to be explosive.The murdered baby in the suitcase was one of many dead infants who were turning up in the harbour, on trains and elsewhere. These innocent victims were a devastating symptom of the clash between public morality, private passion and unrelenting poverty in a fast-growing metropolis.Police tracked down Sarah Boyd, the mother of the suitcase baby, and the complex story and subsequent murder trial of Sarah and her friend Jean Olliver became a media sensation. Sociologist Tanya Bretherton masterfully tells the engrossing and moving story of the crime that put Sarah and her baby at the centre of a social tragedy that still resonates through the decades.

    For Jim Fromm and Doug Rushing, the two young detectives assigned to the case, the investigation is a chance to earn their stripes and prove their mettle. At first, Fromm and Rushing peg the woman’s mercurial husband, a pipe-fitter who works outside of town, as the primary suspect. But as their case against Steve Benson unravels, the detectives find themselves short on leads—and running out of time. With the city on edge and anxious for answers, a notorious serial killer goes on the lam, and yet another young woman and her children turn up dead.In The Killing Season, acclaimed journalist Alex French traces the story of the Benson murders from the night Linda and Kelley’s bodies are found strewn across their second floor apartment, to an improbable discovery, made more than 30 years later, that enabled a new breed of detectives to crack the case and bring closure to those who'd watched justice slip away. Writing in taut, atmospheric prose, French has crafted a heart-pounding tale of tragedy, resilience, and redemption—set against the burning-red vistas of the American Southwest.Alex French is a freelance journalist. His reportage and oral histories have appeared in the New York Times Magazine, BuzzReads, GQ, New York Magazine, Grantland, This American Life and a variety of other venues. He lives in Monmouth County, New Jersey, with his wife and two children.Cover design by Adil Dara.

    In this volume the stories reveal the complexity of abnormal human behaviour. In some cases the reason appears to be psychosis or demonic voices, for others, overpowering compulsions with deep psychological roots and for some killing is better than sex and the only way they can achieve total gratification. Ted Bundy, Jack the Ripper, Jeffrey Dahmer, Richard Chase, Andrei Chikatilo and many more.Part One: Children who Kill - what makes them kill? including Mary and Norma Bell, Jessie Holtmeyer, Larry SchwartzPart Two: Men who Kill - these men are monsters including The Yorkshire Ripper, The Cannibal Killer, The Boston Strangler, The Ultimate Psycho, The Real Dracula.Part Three: Women who Kill - can women be a cold-blooded as men? including Elizabeth Bathory, Lizzie Borden, Velma Barfield, Mary Ann Cotton, Florida's Black Widow.Part Four: Couples who Kill - torturous teams including Fred and Rosemary West

    Forty minutes later, rescuers found the body of four-year-old Eldon. Miraculously, his seven-year-old sister, Trinity, was saved. As the public cried out for blood, Amanda was arrested, convicted, and sentenced to thirty-five years in prison.Embarking on a seven-year quest for the truth, Rommelmann traced the roots of Amanda’s fury and desperation through thousands of pages of records, withheld documents, meetings with lawyers and convicts, and interviews with friends and family who felt shocked, confused, and emotionally swindled by a woman whose entire life was now defined by an unspeakable crime. At the heart of that crime: a tempestuous marriage, a family on the fast track to self-destruction, and a myriad of secrets and lies as dark and turbulent as the Willamette River. “In To the Bridge, Nancy Rommelmann takes what many consider the most unforgivable of crimes—a mother set on murdering her own children—and delivers something thoughtful and provocative: a deeply reported, sensitively told, all-too-relevant tragedy of addiction and codependency, toxic masculinity, and capricious justice. You won’t be able to look away—nor should any of us.” —Robert Kolker, New York Times bestselling author of Lost Girls: An Unsolved American Mystery “How do you understand the not understandable and forgive the unforgivable? So asks one of the characters in this clear-eyed investigation into something we all turn away from. To the Bridge is a tour de force of both journalism and compassion, in the lineage of such masterpieces as In Cold Blood and The Executioner’s Song. Word by word, sentence by sentence, Rommelmann’s writing is that good. And so is her heart.” —Nick Flynn, PEN/Martha Albrand Award–winning author of Another Bullshit Night in Suck City

    After twenty years, when the killer was finally captured with the help of DNA technology, Jensen and fellow detectives spent 188 days interviewing Gary Ridgway in an effort to learn his most closely held secrets--an epic confrontation with evil that proved as disturbing and surreal as can be imagined. Written by Jensen's own son, acclaimed entertainment journalist Jeff Jensen, Green River Killer: A True Detective Story is bound to become a well-recognized member of the crime-genre graphic novel family, including titles like Darwyn Cooke’s The Hunter and Alan Moore’s From Hell.

    With podcasts like My Favorite Murder and In the Dark, bestsellers like I’ll Be Gone in the Dark and Furious Hours, and TV hits like American Crime Story and Wild Wild Country, the cultural appetite for stories of real people doing terrible things is insatiable.Acclaimed author of The Real Lolita and editor of Women Crime Writers: Eight Suspense Novels of the 1940s & 50s (Library of America) and Troubled Daughters, Twisted Wives (Penguin), Sarah Weinman brings together an exemplary collection of recent true crime tales. She culls together some of the most refreshing and exciting contemporary journalists and chroniclers of crime working today.  Michelle Dean’s “Dee Dee Wanted Her Daughter To Be Sick” went viral when it first published and is the basis for the TV show The Act and Pamela Colloff’s “The Reckoning,” is the gold standard for forensic journalism.  There are 13 pieces in all and as a collection, they showcase writing about true crime across the broadest possible spectrum, while also reflecting what makes crime stories so transfixing and irresistible to the modern reader.

    Ed Strimlan is a doctor who never got to practice medicine. Instead he discovers how people died. Mike Chichwak is a stolid ex-paramedic, respected around the office for his compassion and doggedness. Tiffani Hunt is twenty-one, a single mother who questions whether she wants to spend her nights around dead bodies.All three deputy coroners share one trait: a compulsive curiosity. A good thing too because any observation at a death scene can prove meaningful. A bag of groceries standing on a kitchen counter, the milk turning sour. A broken lamp lying on the carpet of an otherwise tidy living room. When they approach a corpse, the investigators consider everything. Is the victim face-up or down? How stiff are the limbs? Are the hands dirty or clean? By the time they bag the body and load it into the coroner's wagon, Tiffani, Ed, and Mike have often unearthed intimate details that are unknown even to the victim's family and friends.The intrigues of investigating death help make up for the bad parts of the job. There are plenty of burdens--grief-stricken families, decomposed bodies, tangled local politics, and gore. And maybe worst of all is the ever-present reminder of mortality and human frailness.Deadhouse also chronicles the evolution of forensic medicine, from early rituals performed over corpses found dead to the controversial advent of modern forensic pathology. It explains how pathologists "read" bullet wounds and lacerations, how someone dies from a drug overdose or a motorcycle crash or a drowning, and how investigators uncover the clues that lead to the truth.

    With reported cases of sexual assault and homicide on the rise, the FBI created a specialized team—the “Mindhunters” better known as the Behavioral Science Unit—to track down the country's most dangerous criminals. And yet narrowing down a seemingly infinite list of potential suspects seemed daunting at best and impossible at worst—until Dr. Ann Wolbert Burgess stepped on the scene.In A Killer By Design, Burgess reveals how her pioneering research on sexual assault and trauma caught the attention of the FBI, and steered her right into the middle of a chilling serial murder investigation in Nebraska. Over the course of the next two decades, she helped the budding unit identify, interview, and track down dozens of notoriously violent offenders, including Ed Kemper ("The Co-Ed Killer"), Dennis Rader ("("BTK"), Henry Wallace ("The Taco Bell Strangler"), Jon Barry Simonis ("The Ski-Mask Rapist"), and many others. As one of the first women trailblazers within the FBI’s hallowed halls, Burgess knew many were expecting her to crack under pressure and recoil in horror—but she was determined to protect future victims at any cost. This book pulls us directly into the investigations as she experienced them, interweaving never-before-seen interview transcripts and crime scene drawings alongside her own vivid recollections to provide unprecedented insight into the minds of deranged criminals and the victims they left behind. Along the way, Burgess also paints a revealing portrait of a formidable institution on the brink of a seismic scientific and cultural reckoning—and the men forced to reconsider everything they thought they knew about crime.Haunting, heartfelt, and deeply human, A Killer By Design forces us to confront the age-old question that has long plagued our criminal justice system: “What drives someone to kill, and how can we stop them?”

    In the wake of this tragedy, the community of the small, idyllic liberal arts college struggled to characterize the incident, which was even called "the events of October" in a campus memo. In this engaging and intimate examination of Maggie and Neenef's deaths, author and Kalamazoo College professor Gail Griffin attempts to answer the lingering question of "how could this happen?" to two seemingly normal students on such a close-knit campus. Griffin introduces readers to Maggie and Neenef--a bright and athletic local girl and the quiet Iraqi-American computer student--and retraces their relationship from multiple perspectives, including those of their friends, teachers, and classmates. She examines the tension that built between Maggie and Neenef as his demands for more of her time and emotional support grew, eventually leading to their breakup. After the deaths take place, Griffin presents multiple reactions, including those of Maggie's friends who were waiting for her to return from Neenef's room, the students who heard the shotgun blasts in the hallway of Neenef's dorm, the president who struggled to guide a grieving campus, and the facilities manager in charge of cleaning up the crime scene. Griffin also uses Maggie and Neenef's story to explore larger issues of intimate partner violence, gun accessibility, and depression and suicide on campus as she attempts to understand the lasting importance of their tragic deaths. Griffin's use of source material, including college documents, official police reports, Neenef's suicide note, and an instant message record between perpetrator and victim, puts a very real face on issues of violence against women. Readers interested in true crime, gender studies, and the culture of colleges and universities will appreciate "The Events of October."

    Later that day, he told his co-workers that she had stabbed him and if he were ever to go missing, it was because Knight had killed him. The next day, Price didn’t show up for work. A co-worker was sent to check on him. They found a bloody handprint by the front door and they immediately contacted the police. The local police force was not prepared for the chilling scene they were about to encounter. Price’s body was found in a chair, legs crossed, with a bottle of lemonade under his arm. He’d been decapitated and skinned. The “skin-suit” was hanging from a meat hook in the living room and his head was found in the kitchen, in a pot of vegetables that was still warm. There were two plates on the dining table, each had the name of one of Price's children on it. She was attempting to serve his body parts to his children. Man-Eater is a dramatic and gripping account of the first women in Australia to be given a life sentence without parole and a special addendum ‘never to be released’. Ryan Green’s riveting narrative draws the reader into the real-live horror experienced by the victim and has all the elements of a classic thriller. CAUTION: This book contains descriptive accounts of abuse and violence. If you are especially sensitive to this material, it might be advisable not to read any further

    Now, read the true story of one man's attempt to get inside the mind of the Green River Killer July 15, 1982: a woman's strangled body was found, caught on the pilings of Washington state's Green River. Before long, the "Green River Killer" would be suspected in at least forty-nine more homicides, with no end in sight. Then the authorities received an unbelievable letter from the infamous serial killer Ted Bundy -- then on Florida's death row -- offering to help catch the Green River Killer. But he would only talk to one man: Robert Keppel, the former homicide detective who had helped track Bundy's cross-county killing spree. Now these conversations are revealed, in which Bundy speculates about the motive and methods of the Green River Killer -- and reveals his own twisted secrets as well. Now, as never before, we look into the face of evil...and into the heart of a killer.

    School Library Journal "Best Book of the Year"--1992The Literary Guild, alternate selection--1992Time-Life Digest selection--1992ALA Best Book for Young Adults--1993Library of Congress Selection as a Talking Book for the Blind--1993N.Y. Public Library-- "Books for the Teenage" selection--1993Scholastic Book Club selection -- March, 1994, Feb., 1999 Pacific Northwest Young Readers Award--1994-95Nominated for Nevada Young Readers Award--1993-94Nominated for Tennessee Volunteer State Young Readers Award--94-95Nominated for Iowa Teen Award--1994-95Foreign editions: Germany, Norway, Denmark, Poland, Sweden,

    . . until his sexual manipulations of his young female students were exposed. This gripping insider's account tells of a popular sixth-grade teacher in Illinois who took advantage of his female students in the darkest case of serial sex abuse ever told. 8 pages of photos.