Drama. Elisa Gabbert's L'HEURE BLEUE, OR THE JUDY POEMS, goes inside the mind of Judy, one of three characters in Wallace Shawn's The Designated Mourner, a play about the dissolution of a marriage in the midst of political revolution. In these poems, Gabbert imagines a back story and an emotional life for Judy beyond and outside the play. Written in a voice that is at once intellectual and unselfconscious, these poems create a character study of a many-layered woman reflected in solitude, while engaging with larger questions of memory, identity, desire, surveillance, and fear.

    In the title poem, Bly addresses the "donkey"—possibly poetry itself—that has carried him through a writing life of more than six decades.from "Talking into the Ear of a Donkey"      "What has happened to the spring,"      I cry, "and our legs that were so joyful      In the bobblings of April?" "Oh, never mind      About all that," the donkey      Says. "Just take hold of my mane, so you      Can lift your lips closer to my hairy ears."

    One of the most challenging poets writing today, Graham is no easy read, but the rewards are well worth the effort. While thematically present, her concern is not exclusively the demise of natural resources and depletion of species, but the philosophical and perceptual difficulty in capturing and depicting a physical world that may be lost, or one that we humans have limited sight of and into. As she notes in "The Taken-Down God": "We wish to not be erased from the / picture. We wish to picture the erasure. The human earth and its appearance. / The human and its disappearance."With a style that is fragmented and somewhat whirling--language dips and darts and asides are taken--Graham stays on point and presents an honest intellect at work, fumbling for an accurate understanding (or description) of the natural world, self-conscious about the limitations of language and perception.

    When Max Ritvo was diagnosed with cancer at age sixteen, he became the chief war correspondent for his body. The poems of Four Reincarnations are dispatches from chemotherapy beds and hospitals and the loneliest spaces in the home. They are relentlessly embodied, communicating pain, violence, and loss. And yet they are also erotically, electrically attuned to possibility and desire, to “everything living / that won’t come with me / into this sunny afternoon.” Ritvo explores the prospect of death with singular sensitivity, but he is also a poet of life and of love—a cool-eyed assessor of mortality and a fervent champion for his body and its pleasures. Ritvo writes to his wife, ex­-lovers, therapists, fathers, and one mother. He finds something to love and something to lose in everything: Listerine PocketPak breath strips, Indian mythology, wool hats. In these poems—from the humans that animate him to the inanimate hospital machines that remind him of death—it’s Ritvo’s vulnerable, aching pitch of intimacy that establishes him as one of our finest young poets.

    By turns sassy and serious, the poems can seem to sprint in two directions at once, managing to make the reader laugh at the same time they are struck by the emotional strength of the work. "Charming, inviting, beguiling and delightful poems in the language of someone who seems alive speaking refreshing riddles to herself." SHEILA HETI"Uptalk is a book of transcribed whale songs. Some scientists gave a whale a microphone and she took it home and stayed up all night under the covers talking to herself about faces and word-parts. I am delighted that Kimmy took it upon herself to transcribe this unique document of marine biology, and my heart goes out to the brilliant, charming whale author, wherever she may be." SARA WOODS

    Her poems take us to the flip side of human consciousness, where anything can happen at any time. Tinged with surrealism, her work makes visionary leaps from the quotidian to sudden, surprising epiphanies.

    Although they knew each other for just a few short years and spent a great deal of that time due to Keats' worsening illness, which forced him to live abroad, Keats wrote again and again about Fanny--his very last poem is called simply "To Fanny"--and wrote love letters to her constantly. She, in turn, would wear the ring he had given her until her death.This remarkable volume contains the love poems and correspondence composed by Keats in the heat of his passion, and is a dazzling display of a talent cruelly cut short.

    . . a Christmas Eve to Remember: The Wise Virgin by Jo BeverleyIt was quite daring of Edmund de Grave to rescue Lady Nicolette de Montelan before her father found out she was pregnant with an enemy family's child. Unfortunately, he kidnapped the wrong woman when Nicolette's cousin, Joan, took Nicolettes place as the Blessed Virgin in the Christmas re-enactment—a last minute change that seemed fitting given her "condition".Now, Lady Joan finds herself trapped in a cave on Christmas Eve with the great Edmund de Grave and neither are very happy about it. He's fuming because his plan was spoiled and worrying about his brother, now in enemy hands. She's perturbed that a man she thought a hero is the type to get a lady "with child" outside of marriage.There's a battle brewing as the fires of ancient hatreds are stoked and the true spirit of Christmas is about to be tested.From the Publisher: Fans of Jo Beverley will recognize this story as one of her early works previously published as part of an anthology. Readers with a passion for history will enjoy the author's penchant for detail and accuracy. Fans of Elizabeth Chadwick, Bernard Cornwell and Philippa Gregory as well as Tamara Leigh and Suzan Tisdale will delight in this medieval romance.

    In a dazzling narrative constellation, Beach’s characters contend with the strange and terrible and beautiful in life, and no outcome is certain. Begun as a series of Facebook status updates, 420 Characters marks a new turn in an acclaimed artist and illustrator’s career, and features original collages by the author.

    The discovery of a list her younger self put together outlining what she wanted to achieve by the age of 30 turns Sarah’s world upside down. Suddenly her seemingly happy life and career look lackluster and Sarah sets off on a journey to transform her life. On her quest to achieve perfection one month at a time – a happy marriage, partnership in a law firm and being able to fit in a size six purple suede miniskirt – Sarah learns to challenge society’s ideals of achievement. Filled with harsh reality, humor, and romance, Next Year I’ll Be Perfect explores what true happiness and success is all about.

    He no longer fits into high society and wants nothing more to escape and hide the depth of his pain and trauma from the world.Miss Josephine Brewer is an outcast of society due to the scandalous nature of her birth. The illegitimate daughter of a gentleman and his mistress, she stands between two worlds—neither of which she completely belongs to.During a week-long house party, the two will succumb to a powerful attraction. Will Maxwell’s plans for a solitary life and Josephine’s unsuitability make any sort of future impossible for them—or will their burgeoning love prove strong enough to overcome it all?Previously published as Mistletoe Kisses in the Once Upon a Christmas Wedding anthology. Newly released with added chapters!

    The fourth collection of poetry from this former automotive die designer delivers more of the cunning brilliance that has become Hicok's hallmark.

    From his own observations, recorded over the years in his diaries, to famous sayings by celebrated writers, poets and philosophers, this is a delightful compilation of thoughts on love, friendship and family. Told with the heartwarming simplicity that characterizes Ruskin Bond, this book, much like a good friend, is one you can turn to at any time, for comfort and company.

    

    This bruising collection of poems puts a blade and a microscope to nostalgia, tradition, race, apology, and sexuality, in order to find beauty in a flawed world. His work has been described as an astounding testament to the power and necessity of confession.