Invoking both the personal and the civic self, they chart uncertain new beginnings in a shattered nation. What emerges is both a poignant meditation on a daughter's relationship with her mother and a citizen's relationship to her country. from "Frontier" . . . At times, I felt sick, intoxicatedby BPA and mercury.At other times I fasted and the starsstumbled clear from the vault.Up there, the universe stands around drunk.I hope the Lord is kind to us,for we engrave our every mistake . . .

    From punk to mod to New Romantic, and eventually to acclaimed poet, Simon Armitage writes about a life where music and poetry have been core.

    With all the heartbreaking earnestness of a Wilco song, these eighteen stories by Chad Simpson roam the small-town playgrounds, blue-collar neighborhoods, and rural highways of Illinois, Indiana, and Kentucky to find people who’ve lost someone or something they love and have not yet found ways to move forward. Simpson’s remarkable voice masterfully moves between male and female and adolescent and adult characters. He embraces their helplessness and shares their sad, strange, and sometimes creepy slices of life with grace, humor, and mounds of empathy. In “Peloma,” a steelworker grapples with his preteen daughter’s feeble suicide attempts while the aftermath of his wife’s death and the politics of factory life vie to hem him in.  The narrator of “Fostering” struggles to determine the ramifications of his foster child’s past now that he and his wife are expecting their first biological child. In just two pages, “Let x” negotiates the yearnings and regrets of childhood through mathematical variables and the summertime interactions of two fifth-graders. Poignant, fresh, and convincing, these are stories of women who smell of hairspray and beer and of landscapers who worry about their livers, of flooded basements and loud trucks, of bad exes and horrible jobs, of people who remain loyal to sports teams that always lose. Displaced by circumstances both in and out of their control, the characters who populate Tell Everyone I Said Hi are lost in their own surroundings, thwarted by misguided aspirations and long-buried disappointments, but fully open to the possibility that they will again find their way.

    Jen already has two college-age daughters by two different (probably) musicians, and it's her second time around the class mom block with five-year-old Max--this time with a husband and father by her side. Though her best friend and PTA President sees her as the-wisest-candidate for the job (or oldest), not all of the other parents agree.From recording parents' response times to her emails about helping in the classroom, to requesting contributions of-special-brownies for curriculum night, not all of Jen's methods win approval from the other moms. Throw in an old flame from Jen's past, a hyper-sensitive -allergy mom,-a surprisingly sexy kindergarten teacher, and an impossible-to-please Real Housewife-wannabe, causing problems at every turn, and the job really becomes much more than she signed up for.

     Ethan Blackwood. Cold. Heartless. Rich. A man with an inexhaustible bank account and zero conscience. He’s my fiancé and my nightmare. I’m stuck with him. Until my lover from five years ago, Graham Hawthorne, returns with a shocking claim: We’re married. Graham stole my attention with a half-cocked smirk and his stunning looks. He’s every bit the gorgeous Viking, minus the sweetness. He wants me back. For good. But Ethan refuses to let me go. Instead he’s declaring war, the winner taking all. I’m supposed to choose. My lover or my captor? Heaven or Hell? I thought I could handle their bitter battle over me...until I discovered their decades-long secret that’ll destroy us all. Author's note: This is dark, steamy enemies-to-lovers romance between a possessive billionaire and a former lover, who is engaged to his rival. Full-length standalone. If you love over the top bad boys, you'll love this book!

    More than sixty years later, Anthony Piers, the official artist of the New British South Polar Expedition, finally unveils the sobering conditions of their perilous journey: raging wind, bitter cold, fierce hunger, absolute darkness-and murder. The first two decades of the twentieth century were known as the "heroic era" of Antarctic exploration. In 1911, Roald Amundsen reached the South Pole. Weeks later, doomed British explorer Robert Falcon Scott arrived-and then perished in a blizzard. And in 1914, Ernest Shackleton embarked on his infamous voyage to Antarctica. Set during this epic period of adventure and discovery, Victim of the Aurora re-creates a thrilling time in an unforgiving place and is a brilliantly plotted tale of psychological suspense.

    Taking its title from the series of Andy Warhol paintings by the same name, Goldsmith recasts the mundane as the iconic, creating a series of prose poems that encapsulate seven pivotal moments in recent American history: the John F. Kennedy, Robert F. Kennedy, and John Lennon assassinations, the space shuttle Challenger disaster, the Columbine shootings, 9/11, and the death of Michael Jackson. While we've become accustomed to watching endless reruns of these tragic spectacles—often to the point of cliché—once rendered in text, they become unfamiliar, and revealing new dimensions emerge. Impartial reportage is revealed to be laced with subjectivity, bias, mystery, second-guessing, and, in many cases, white-knuckled fear. Part nostalgia, part myth, these words render pivotal moments in American history through the communal lens of media.

    He references his own contributions to the canon of popular music, and he provides fascinating insider portraits of the industry and its protagonists. But above all, he questions our ideas of music and our attitude to sound, introducing us throughout this provocative and superbly written book to his current work, The17.

    Introducing Ashley Keller, career girl turned stay-at-home mom who's trying to navigate the world of Pinterest-perfect, Facebook-fantastic and Instagram-impressive mommies but failing miserably. When Ashley gets the opportunity to participate in the Motherhood Better boot camp run by the mommy-blog-empire maven she idolizes, she jumps at the chance to become the perfect mom she's always wanted to be. But will she fly high or flop? With her razor-sharp wit and knack for finding the funny in everything, Bunmi Laditan creates a character as flawed and lovable as Bridget Jones or Becky Bloomwood while hilariously lambasting the societal pressures placed upon every new mother. At its heart, Ashley's story reminds moms that there's no way to be perfect, but many ways to be great.

    

    Only, not in the conventional sense. It all began when Jane missed her period. Whether it was the clouds in the sky or a major case of pregnancy envy (this year's concern), Jane doesn't know. She only knows that she told her best male friend, and began to believe it. Until she got her period and realized she never was. Pregnant.But that brief glimpse into the other world -- the world of smiling faces and courteous men -- was just too beautiful not to be a part of . . .and so Jane told a little white lie to her live-in boyfriend, and crossed the line. With the help of a pink Magic Marker she closed the gap that separated her from the positively perfect pregos.Enter Jane's world, one of deception and success, Mr. Wrong and Mr. Right, Nutrition Police and tilted uteruses, baby showers and celebrity obstetricians. As Jane spins closer to her due date, she's got a lot of soul-searching to do -- not to mention an appointment with reality . . .

    He’s a smart, interesting, quirky jazz musician...albeit with a wife suffering from depression, and a rebellious teenaged daughter. They find his contentedness more and more irritating. And yet This just can’t help it—life makes him happy. And the mounting tension that results is beautifully set off by Schertenleib’s lyrical prose, the smoky setting of Amsterdam, and the dialogue that’ s as edgy as that of a noir movie. And thus a book that seems at first a writerly experiment becomes a gradually intensifying tale of a simple bit of human hope holding on against great odds, to an inspiring and shocking ending.The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.

    As the mysterious Diner X, her pseudonym for a restaurant review column, she thrives on blending in. But before you can say "medical malpractice," she wakes up from a routine procedure to find that her chart got switched with someone else's, and now her A cup runneth over.Suddenly, unassuming Molly is turning heads wherever she goes. The man she's been pining for since high school is sitting up and taking notice, a very handsome stranger has captured her attention, and her lifelong dream of publishing a cookbook is about to come true. But Molly feels like an imposter. Will some advice from a very strange place help her figure out how to navigate her new, full-figured world?Molly realizes her revamped shape might change her life. She just doesn't anticipate quite how much . . .

    

    Kenney covers it all, from newborns, toddlers, and sleep deprivation, to the terrible twos, terrible tweens, and terrible teens. A parent's love is unconditional, but sometimes that button can't help but be pushed. Between back to school shopping, summer vacations that never end, the awkwardness of puberty, the inevitable post-college moving back in, and more, a parent's job is never done, whether they like it or not.