Italo Calvino once said about her, “I don’t know another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don’t show us.” Thus Were Their Faces collects a wide range of Ocampo’s best short fiction and novella-length stories from her whole writing life. Stories about creepy doubles, a marble statue of a winged horse that speaks to a girl, a house of sugar that is the site of an eerie possession, children who lock their perverse mothers in a room and burn it, a lapdog who records the dreams of an old woman.Jorge Luis Borges wrote that the cruelty of Ocampo’s stories was the result of her nobility of soul, a judgment as paradoxical as much of her own writing. For her whole life Ocampo avoided the public eye, though since her death in 1993 her reputation has only continued to grow, like a magical forest. Dark, gothic, fantastic, and grotesque, these haunting stories are among the world’s finest.

    Fans of Folk Horror, as well as those unfamiliar with it, will find horrors galore in these stories. Themes of rural isolation and insularity, paranoia, mindless and monstrous ritual, as well as arcane ceremonies clashing against modern preoccupations run through these stories. Nosetouch Press is proud to bring The Fiends in the Furrows: An Anthology of Folk Horror to horror enthusiasts everywhere. FEATURING: Coy Hall | “Sire of the Hatchet” Sam Hicks | “Back Along the Old Track” Lindsay King-Miller | “The Fruit” Steve Toase | “The Jaws of Ouroboros” Eric J. Guignard | “The First Order of Whaleyville’s Divine Basilisk Handlers” Romey Petite | “Pumpkin, Dear” Stephanie Ellis | “The Way of the Mother” Zachary Von Houser | “Leave the Night” S.T. Gibson | “Revival”

    Included are two original stories, several rarities and out of print tales, as well as a few "best of the year" inclusions. Stephen Graham Jones is a master storyteller. What does happen after the people lights have gone off? Crack the spine and find out. With an introduction by Joe R. Lansdale.Stephen Graham Jones is the author of fifteen novels and five collections, and has some two hundred stories published. Stephen's been an NEA Fellow and has won the Texas Institute of Letters Award for Fiction and the Independent Publishers Award for Multicultural fiction. He's forty-two, married with a couple of kids, and lives in Boulder, Colorado.WINNER, Short Story Collection, THIS IS HORRORNOMINATED, Short Story Collection, BRAM STOKER AWARDSNOMINATED, Short Story Collection, SHIRLEY JACKSON AWARDS

    For fans of Moira Young’s Dust Lands series, La Femme Nikita, and the movie Hanna.Meadow Woodson, a fifteen-year-old girl who has been trained by her father to fight, to kill, and to survive in any situation, lives with her family on a houseboat in Florida. The state is controlled by The Murder Complex, an organization that tracks the population with precision.The plot starts to thicken when Meadow meets Zephyr James, who is—although he doesn’t know it—one of the MC’s programmed assassins. Is their meeting a coincidence? Destiny? Or part of a terrifying strategy? And will Zephyr keep Meadow from discovering the haunting truth about her family?Action-packed, blood-soaked, and chilling, this is a dark and compelling debut novel by Lindsay Cummings.

    . . A bored London housewife discovers a secret erotic club . . . A shy, bookish girl develops an unlikely friendship with the schoolyard bully and her wild, horsey family . . . After fighting with her boyfriend, a woman goes for a night walk on a remote tropical beach with dark, unexpected consequences.Sarah Hall has been hailed as "one of the most significant and exciting of Britain's young novelists" (The Guardian). Now, in this collection of seven pieces of short fiction, published in England to phenomenal praise, she is at her best: seven pieces of uniquely talented prose telling stories as wholly absorbing as they are ambitious and accessible.

    She has been dubbed “one of our most important writers,” (Junot Diaz), with “an imagination that most of us would kill for” (Los Angeles Times), and her work has been called “stunning,” (New York Times) “rich in voice, humor, and dazzling imagery” (Kirkus), and “simply triumphant” (Dorothy Allison).Falling in Love with Hominids presents over a dozen years of Hopkinson’s new, uncollected fiction, much of which has been unavailable in print. Her singular, vivid tales, which mix the modern with Afro-Caribbean folklore, are occupied by creatures unpredictable and strange: chickens that breathe fire, adults who eat children, and spirits that haunt shopping malls.

    Some of Howard’s best-known characters–Solomon Kane, Bran Mak Morn, and sailor Steve Costigan among them–roam the forbidding locales of the author’s fevered imagination, from the swamps and bayous of the Deep South to the fiend-haunted woods outside Paris to remote jungles in Africa.The collection includes Howard’s masterpiece “Pigeons from Hell,” which Stephen King calls “one of the finest horror stories of [the twentieth] century,” a tale of two travelers who stumble upon the ruins of a Southern plantation–and into the maw of its fatal secret. In “Black Canaan” even the best warrior has little chance of taking down the evil voodoo man with unholy powers–and none at all against his wily mistress, the diabolical High Priestess of Damballah. In these and other lavishly illustrated classics, such as the revenge nightmare “Worms of the Earth” and “The Cairn on the Headland,” Howard spins tales of unrelenting terror, the legacy of one of the world’s great masters of the macabre.

    Buildings breathe, cars attack, angels patrol, and hyper-intelligent pets rebel.With unbridled invention and breakneck adventure, Hannu Rajaniemi is on the cutting-edge of science fiction. His post-apocalyptic, post-cyberpunk, and post-human tales are full of exhilarating energy and unpredictable optimism.How will human nature react when the only limit to desire is creativity? When the distinction between humans and gods is as small as nanomachines—or as large as the universe? Whether the next big step in technology is 3D printing, genetic alteration, or unlimited space travel, Rajaniemi writes about what happens after.

    Ranging from the Caribbean to Vietnam to the American Midwest and spanning decades of tumultuous history, these books are both unforgettable narratives and indelible portraits of people in extremis, struggling to survive in a world marked by grief, loss, pain, trauma, and homicidal madness. The four stories gathered here are offshoots of that larger fictional universe. Each one stands entirely on its own. Together, they shine a revelatory light on the mysteries and hidden corners of the novels that inspired them."Blue Rose" recounts a defining moment in the childhood of Koko's Harry Beevers, the moment when the ten-year-old Harry discovers his capacity for violence and brutality. "The Juniper Tree" describes, with almost unbearable clarity, a lonely young boy's encounter with adult betrayal, and with the darker aspects of human sexuality. "The Ghost Village" takes us to the phantasmagoric landscape of Vietnam, where the barriers between the living and the dead begin to dissolve, to mesmerizing effect. "Bunny is Good Bread" is arguably Straub's single most harrowing story. With relentless attention to detail, it anatomizes the creation of a human monster through abuse, cruelty, and neglect.These disturbing, beautifully written stories have a moral weight and emotional resonance that only the finest fiction achieves. They are the clear product of a master storyteller at the very top of his game. No one who reads them is likely to forget them, or come away unchanged.

    Two stowaways find themselves on a ship for the dead. An ancient predator stalks the wrong victim. Here are thirteen tales of death, murder, and revenge from the fertile and febrile imagination of master storyteller David Lubar—his first story collection for the teen audience.Running out of air --Split decision --Apparent motives --Feelings --Every drop --Patterns of fear --Free seas --Blood magic --A cart full of junk --Morph --Whoodoo --The ex box --Evil twin

    Assembling an array of talent, this collection includes contributions from visionaries Michael Moorcock and China Miéville, modern icon Clive Barker, and audacious new talents Hal Duncan, Jeffrey Ford, and Sarah Monette. An essential snapshot of a vibrant movement in popular fiction, this anthology also features critical writings from authors, theorists, and international editors as well as witty selections from online debates.ContentsIntroduction: The New Weird: “It’s Alice?” by Jeff VanderMeer“The Gutter Sees the Light That Never Shines” by Alistair Rennie“Watson’s Boy” by Brian Evenson“Cornflowers Beside the Unuttered” by Cat Rambo“Jack” by China Miéville“In the Hills, the Cities” by Clive Barker“Forfend the Heaven’s Rending” by Conrad Williams“Locust-Mind” by Daniel Abraham“Tracking Phantoms” by Darja Malcolm-Clarke“Constable Chalch and the Ten Thousand Heroes” by Felix Gilman“The Lizard of Ooze” by Jay Lake“Festival Lives: Preamble: An Essay” by Jeff VanderMeer and Ann VanderMeer“At Reparata” by Jeffrey Ford“Immolation” by Jeffrey Thomas“The Art of Dying” by Darja Malcolm-Clarke“Whose Words You Wear” by K. J. Bishop“The Neglected Garden” by Kathy Koja“Letters from Tainaron” by Leena Krohn“The Luck in the Head” by M. John Harrison“Crossing Cambodia” by Michael Moorcock“Death in a Dirty Dhorti” by Paul Di Filippo“All God’s Chillun Got Wings” by Sarah Monette“The Braining of Mother Lamprey” by Simon D. Ings“The Ride of the Gabbleratchet” by Steph Swainston“A Soft Voice Whispers Nothing” by Thomas Ligotti“European Editor Perspectives on the New Weird: An Essay” by Martin Šust, Michael Haulica, Hannes Riffel, Jukka Halme, Konrad Walewski“The New Weird: I Think We’re the Scene” by Michael Cisco“New Weird Discussions: The Creation of a Term” by various authors

    In a Kabbalistic tale of transformation, the executor of an old friend’s will is almost duped into housing his soul. In a tale of time travel between 2015 and 1975, a tragedy sparked by an angel falling onto a pizza shop is reenacted—and the event is barely, but fatally, altered. The cornerstone of the collection is a postscript to the harrowing novel of the haunting of the Romantic poets, The Stress of Her Regard. Once Byron and Shelley break free of the succubus that claimed them, their associate, Trelawny, forges an alliance with Greek rebels to reestablish the deadly connection between man and the nephilim. Fans of Powers’s renowned secret histories will delight as he deftly weaves an array of fantastical creatures into richly layered narratives of the past.

    But we weren’t witches. We were five Chicanas living in San Antonio, Texas, one year out of high school.” One hot summer night, best friends Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. It’s all fun and games at first, but their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, shy, modest Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes begins to suspect it’s something else—something far more ancient and powerful. As Father Moreno's obsession with Fernanda grows, Lourdes enlists the help of her “bruja Craft crew” and a professor, Dr. Camacho, to understand what is happening to her friend in this unholy tale of possession-gone-right.

    Dragons and hateful spirits haunt the flooded city of New Orleans in the aftermath of Hurricane Katrina. In a parallel universe, a utopian society watches our world, trying to learn from our mistakes. A black mother in the Jim Crow south must figure out how to save her daughter from a fey offering impossible promises. And in the Hugo award-nominated short story “The City Born Great,” a young street kid fights to give birth to an old metropolis’s soul.

    99 words. 100% horror!