Her story "Pleiades" was called "a masterpiece" by Dave Eggers. Sachdeva has a talent for creating moving and poignant scenes, following her highly imaginative plots to their logical ends, and depicting how one small miracle can affect everyone in its wake.The world by night --Glass-lung --Logging lake --Killer of kings --All the names for God --Robert Greenman and the mermaid --Anything you might want --Manus --Pleiades

    Vanna, raised as an eloi but secretly intelligent, needs money to help her doll-like sister, who has disappeared. Vanna forms a friendship with a man named Jare, and they become involved in buying and selling a stimulant known to the Health Authority to be extremely dangerous: chili peppers. Then Jare comes across a strange religious cult in possession of the Core of the Sun, a chili so hot that it is rumored to cause hallucinations. Does this chili have effects that justify its prohibition? How did Finland turn into the North Korea of Europe? And will Vanna succeed in her quest to find her sister, or will her growing need to satisfy her chili addiction destroy her?Johanna Sinisalo’s tautly told story of fight and flight is also a feisty, between-the-lines social polemic—a witty, inventive, and fiendishly engaging read.

    A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Amelia Gray’s curio cabinet expands in Gutshot, where isolation and coupling are pushed to their dark and outrageous edges. These singular stories live and breathe on their own, pulsating with energy and humanness and a glorious sense of humor. Hers are stories that you will read and reread—raw gems that burrow into your brain, reminders of just how strange and beautiful our world is. These collected stories come to us like a vivisected body, the whole that is all the more elegant and breathtaking for exploring its most grotesque and intimate lightless viscera.

    In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out of hair, with unsettling results. In “Wild,” a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good," three generations of women are haunted by the ghosts of war, while in "Light," a father struggles to protect and empower the daughter he loves. And in the title story, in a world ravaged by flood and riven by class, experts have discovered how to "fix the equation of a person" - with rippling, unforeseen repercussions. Evocative, playful, subversive, and incredibly human, What It Means When a Man Falls from the Sky heralds the arrival of a prodigious talent with a remarkable career ahead of her.

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    The table of contents has been slightly modified: "Phalaenopsis" has been replaced by "Her Mother's Ghosts," which first appeared in 2004 in The Rose and Twelve Petals and Other Stories, released by Small Beer Press."The Rose in Twelve Petals""Professor Berkowitz Stands on the Threshold""The Rapid Advance of Sorrow""Lily, With Clouds""Miss Emily Gray""In the Forest of Forgetting""Sleeping with Bears""Letters from Budapest""The Wings of Meister Wilhelm""Conrad""A Statement in the Case""Death Comes for Ervina""The Belt""Her Mother's Ghosts""Pip and the Fairies""Lessons with Miss Gray"

    In “Books and Roses” one special key opens a library, a garden, and clues to at least two lovers’ fates. In “Is Your Blood as Red as This?” an unlikely key opens the heart of a student at a puppeteering school. “‘Sorry’ Doesn’t Sweeten Her Tea” involves a “house of locks,” where doors can be closed only with a key—with surprising, unobservable developments. And in “If a Book Is Locked There’s Probably a Good Reason for That Don't You Think,” a key keeps a mystical diary locked (for good reason).  Oyeyemi’s tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation?

    Moreau to Dr. Doom, readers have long been fascinated by insane plans for world domination and the madmen who devise them. Typically, we see these villains through the eyes of good guys. This anthology, however, explores the world of mad scientists and evil geniuses—from their own wonderfully twisted point of view. An all-star roster of bestselling authors—including Diana Gabaldon, Daniel Wilson, Austin Grossman, Naomi Novik, and Seanan McGuire ... twenty-two great storytellers, all told—have produced a fabulous assortment of stories, guaranteed to provide readers with hour after hour of high-octane entertainment born of the most megalomaniacal mayhem imaginable. Everybody loves villains. They’re bad; they always stir the pot; they’re much more fun than the good guys, even if we want to see the good guys win. Their fiendish schemes, maniacal laughter, and limitless ambition are legendary, but what lies behind those crazy eyes and wicked grins? How—and why—do they commit these nefarious deeds? And why are they so set on taking over the world? If you've ever asked yourself any of these questions, you’re in luck: It’s finally time for the madmen’s side of the story.Between each chapter falls a single-page essay by the editor, by way of introduction to the story ahead; they have titles of their own, but all contain spoilers, so are not listed here (they can be found on the Internet Science Fiction Database if desired). All individual works in this anthology are in short story form, with the exception of Diana Gabaldon's 80-page Outlander novella, and unless otherwise noted, were first published within. CONTENTS Foreword - Chris Claremont, The Mad Scientist's Guide to World Domination: Original Short Fiction for the Modern Evil Genius (p9)01 - Austin Grossman, Professor Incognito Apologizes: An Itemized List (p16)02 - Harry Turtledove, Father of the Groom (p28)03 - Seanan McGuire, Laughter at the Academy: A Field Study in the Genesis of Schizotypal Creative Genius Personality Disorder (SCGPD) (p38)04 - David D. Levine, Letter to the Editor (p52)05 - Jeremiah Tolbert, Instead of a Loving Heart (2004, p59)06 - Daniel H. Wilson, The Executor (p68)07 - Heather Lindsley, The Angel of Death Has a Business Plan (p83)08 - Dave Wolverton (as David Farland), Homo Perfectus (p96)09 - L.A. Banks, Ancient Equations (p108)10 - Alan Dean Foster, Rural Singularity (p123)11 - Genevieve Valentine, Captain Justice Saves the Day (p133)12 - Theodora Goss, The Mad Scientist's Daughter (2010, p142)13 - Diana Gabaldon, The Space Between (2012 Outlander novella, p161)14 - Carrie Vaughn, Harry and Marlowe Meet the Founder of the Aetherian Revolution (p245)15 - Laird Barron, Blood and Stardust (p261)16 - L.E. Modesitt Jr., A More Perfect Union (p276)17 - Naomi Novik, Rocks Fall (p289)18 - Mary Robinette Kowal, We Interrupt This Broadcast (Lady Astronaut short story, p298)19 - Marjorie M. Liu, The Last Dignity of Man (p306)20 - Jeffrey Ford, The Pittsburgh Technology (p328)21 - Grady Hendrix, Mofongo Knows (p341)22 - Ben H. Winters, The Food Taster's Boy (p357)

    Welcome to a world where humans live side-by-side with monsters, from vampires both nostalgic and bumbling, to an eight-legged alien who makes tea. Here you'll find mercurial forms that burrow into warm fat, spectral boy toys, a Maori force of nature, a landform that claims lives, and an architect of hell on earth. Through these, and a few monsters that defy categorization, some of today's top young-adult authors explore ambition and sacrifice, loneliness and rage, love requited and avenged, and the boundless potential for connection, even across extreme borders.Moriabe's Children / Paolo Bacigalupi --Old souls / Cassandra Clare --Ten rules for being an intergalactic smuggler (the successful kind) / Holly Black --Quick hill / M.T. Anderson --The diabolist / Nathan Ballingrud --This whole demoning thing / Patrick Ness --Wings in the morning / Sarah Rees Brennan --Left foot, right / Nalo Hopkinson --The Mercurials / G. Carl Purcell --Kitty Capulet and the invention of underwater photography / Dylan Horrocks --Son of abyss / Nik Houser --A small wild magic / Kathleen Jennings --The new boyfriend / Kelly Link --The woods hide in plain sight / Joshua Lewis --Mothers, lock up your daughters because they are terrifying / Alice Sola Kim

    Contents:The Infinite Assassin (1991)The Hundred Light-Year Diary (1992)Eugene (1990)The Caress (1990)Blood Sisters (1991)Axiomatic (1990)The Safe-Deposit Box (1990)Seeing (1995)A Kidnapping (1995)Learning to Be Me (1990)The Moat (1991)The Walk (1992)The Cutie (1989)Into Darkness (1992)Appropriate Love (1991)The Moral Virologist (1990)Closer (1992)Unstable Orbits in the Space of Lies (1992)

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    She is promised a nicely furnished apartment inside the Unit, where she will make new friends, enjoy the state of the art recreation facilities, and live the few remaining days of her life in comfort with people who are just like her. Here, women over the age of fifty and men over sixty-single, childless, and without jobs in progressive industries--are sequestered for their final few years; they are considered outsiders.In the Unit they are expected to contribute themselves for drug and psychological testing, and ultimately donate their organs, little by little, until the final donation. Despite the ruthless nature of this practice, the ethos of this near-future society and the Unit is to take care of others, and Dorrit finds herself living under very pleasant conditions: well-housed, well-fed, and well-attended. She is resigned to her fate and discovers her days there to be rather consoling and peaceful.But when she meets a man inside the Unit and falls in love, the extraordinary becomes a reality and life suddenly turns unbearable. Dorrit is faced with compliance or escape, and...well, then what?

    The collection offers a haunting montage that works its magic subtly on the reader's subconscious. As Karen Joy Fowler, Author of The Jane Austen Book Club says, ''This lovely collection will take you, like a magic carpet, to some strange and wonderful places.'' The eminent novelist and critic Ursula K. Le Guin writes: ''From the exotic, baroque complexities of 'At the Huts of Ajala' to the stark, folktale purity of 'The Beads of Ku,' these fourteen superbly written stories will weave around you a ring of dark, dark magic.'' Matt Ruff, author of Set This House In Order and Bad Monkeys calls Filter House ''A traveling story-bazaar, offering treasures and curios from diverse lands of wonder.'' Tobias Buckell, author of Crystal Rain and Ragamuffin, says ''Nisi Shawl uses the tools of future and fable, usually used to explore the other, the future, and the mysterious, to magically reveal what and who we all are here and today.'' Karen Joy Fowler declares, ''Sometimes enigmatic, often surprising, always marvelous. This lovely collection will take you, like a magic carpet, to some strange and wonderful places.'' And Eileen Gunn, author of Stable Strategies, concurs that these are ''Remarkably involving stories that pull you along a path of wonder, word by word, in worlds where everything is a bit different.''

    In her deft hands, “relationships and mundane activities take on mythic qualities” (The Wall Street Journal).In this collection, Bender’s unique talents sparkle brilliantly in stories about people searching for connection through love, sex, and family—while navigating the often painful realities of their lives. A traumatic event unfolds when a girl with flowing hair of golden wheat appears in an apple orchard, where a group of people await her. A woman plays out a prostitution fantasy with her husband and finds she cannot go back to her old sex life. An ugly woman marries an ogre and struggles to decide if she should stay with him after he mistakenly eats their children. Two sisters travel deep into Malaysia, where one learns the art of mending tigers who have been ripped to shreds.In these deeply resonant stories—evocative, funny, beautiful, and sad—we see ourselves reflected as if in a funhouse mirror. Aimee Bender has once again proven herself to be among the most imaginative, exciting, and intelligent writers of our time.

    Concerns about society, gender and imperialism dovetail irresistibly with flights of speculative wonder. And with a kitchen sink in the corner of even her wildest stories, Suzuki reminds us that while society may be limitless, relationships remain impossible