She eloped at the age of nineteen, took up writing against her husband's wishes, and after his death became a protegee of Ambrose Bierce, whose influence can be seen here in those stories, The Dead and the Countess, Death and the Woman and The Striding Place, which have an overtly supernatural element. The Striding Place was rejected by one editor as 'far too gruesome', but was in Atherton's view 'the best short story I ever wrote'. Elsewhere, The Greatest Good of the Greatest Number, The Tragedy of a Snob, and A Monarch of a Small Survey the psychological takes precedence over the supernatural. And in The Bell in the Fog (reminiscent of The Turn of the Screw, and dedicated to Henry James) the supernatural and psychological combine to brilliant effect: an angelic child bears a striking resemblance to an old portrait. Is she a reincarnation of her ancestor? And will she turn out as unangelic in adulthood as that distant ancestor turned out before her?

    Here is the lineup:AT CHRIGHTON ABBEY, by Mary Elizabeth BraddonTHE HAUNTED MILL, by Jerome K. JeromeTHE GHOST CLUB, by John Kendrick BangsTHE SHADOWS OF THE DEAD, by Louis BeckeTHE ROOM IN THE TOWER, by E. F. BensonTHE HAUNTED AND THE HAUNTERS, by Lord Edward Bulwer-LyttonTHE MIDDLE BEDROOM, by H. de Vere StacpooleTHE DRUMMER GHOST, by John William DeForestMISS JÉROMETTE AND THE CLERGYMAN, by Wilkie CollinsTHE SPECTRE BRIDE, by William Harrison AinsworthTHE TAPESTRIED CHAMBER; or, The Lady in the Square, by Sir Walter ScottTHE OLD NURSE’S STORY, by Elizabeth GaskellTHE JUDGE’S HOUSE, by Bram StokerAT THE END OF THE PASSAGE, by Rudyard KiplingTHE WITHERED ARM, by Thomas HardyJOHN CHARRINGTON’S WEDDING, by Edith NesbitTHE MAN OF SCIENCE, by Jerome K. JeromeWHAT DID MISS DARRINGTON SEE? by Emma B. CobbA GHOST STORY, by Mark TwainTHE SOUL OF ROSE DÉDÉ, by M.E.M. DavisTHE HOUSE OF THE NIGHTMARE, by Edward Lucas WhiteREALITY OR DELUSION? by Mrs Henry WoodFISHER’S GHOST, by John LangTHROUGH THE IVORY GATE, by Mary Raymond Shipman AndrewsTHE COLD EMBRACE, by Mary Elizabeth BraddonAnd don't forget to check out all the other volumes in the "Megapack" series! Search on "Wildside Megapack" in your favorite ebook store to see the complete list...covering adventure stories, military, fantasy, ghost stories, westerns, mysteries, and much more!

    Each story contains the common elements of the gothic tale--a warped sense of time, a claustrophobic setting, a link to archaic modes of thought, and the impression of a descent into disintegration. Yet taken together, they reveal the progression of the genre from stories of feudal villains amid crumbling ruins to a greater level of sophistication in which writers brought the gothic tale out of its medieval setting, and placed it in the contemporary world. Bringing together the work of such writers as Eudora Welty, Thomas Hardy, Edgar Allan Poe, William Faulkner, Arthur Conan Doyle, Joyce Carol Oates, and Jorge Luis Borges, The Oxford Book of Gothic Tales presents a wide array of the sinister and unsettling for all lovers of ghost stories, fantasy, and horror.

    With twelve grisly stories of coming-of-age terror, carnival cruelty and fairground frights, this collection brings together the best and most exciting talents in the horror community. Roll up! with the following stories:"Mirrors" by Robin Grieve"Candy Apple Smiles" by Christopher Robertson"The Cyclone Sisters' Travelling Circus" by Angela Sylvaine"Anna and Abby" by L. Pine"The Prop" by Nikki R. Leigh"The Viperess of Las Cruces" by C.W. Blackwell"The Golden Tickets" by Roxie Voorhees"Dance With Us" by Kelly Brocklehurst"No Strings" by Jamie Stewart"Family Outing" by Briana Morgan"Mirrored" by Dave Musson"Smile at All the Good Times We Had" by Spencer HamiltonWith a foreword from the editors.

    Collected in this chilling volume are some of the famous Japanese mystery writer Edogawa Rampo's best stories—bizarre and blood-curdling expeditions into the fantastic, the perverse, and the strange, in a marvelous homage to Rampo's literary 'mentor', Edgar Allan Poe.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    Moms and dads making long commutes. Teenagers headed to the beach. Bands on their way to the next gig. Truckers pulling long hauls. Families driving cross country to visit their kin.But there are others, too. The desperate and the lost. The cruel and the criminal.Theirs is a world of roadside honky-tonks, truck stops, motels, and the empty miles between destinations. The unseen spaces.And there are even stranger things. Places that aren’t on any map. Wayfaring terrors and haunted legends about which seasoned and road-weary travelers only whisper.But those are just stories. Aren’t they?Find out for yourself as you get behind the wheel with some of today’s finest authors of the dark and horrific as they bring you these harrowing tales from the road.Tales that could only be spawned by the endless miles of America’s lost highways.So go ahead and hop in. Let’s take a ride.Line-up: Introduction by Brian Keene doungjai gam & Ed Kurtz — “Crossroads of Opportunity” Matt Hayward — “Where the Wild Winds Blow” Joe R. Lansdale — “Not from Detroit” Kristi DeMeester — “A Life That is Not Mine” Robert Ford — “Mr. Hugsy” Lisa Kröger — “Swamp Dog” Orrin Grey — “No Exit” Michael Bailey — “The Long White Line” Kelli Owen — “Jim’s Meats” Bracken MacLeod — “Back Seat” Jess Landry — “The Heart Stops at the End of Laurel Lane” Jonathan Janz — “Titan, Tyger” Nick Kolakowski — “Your Pound of Flesh” Richard Thomas — “Requital” Damien Angelica Walters — “That Pilgrims’ Hands Do Touch” Cullen Bunn — “Outrunning the End” Christopher Buehlman — “Motel Nine” Rachel Autumn Deering — “Dew Upon the Wing” Josh Malerman — “Room 4 at the Haymaker” Rio Youers — “The Widow” Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depths. Interview with the editor:So what makes Lost Highways: Dark Fictions From the Road so special?Lost Highways comes at the theme of road stories with the desire to push the boundaries of what that theme means. Because of that, it collects authors of diverse levels of experience and notoriety in the worlds of horror and dark fiction. This brings together voices like Joe R. Lansdale, Cullen Bunn, Josh Malerman, Damien Angelica Walters, Rio Youers, Bracken MacLeod, Rachel Autumn Deering, Matt Hayward, doungjai gam with Ed Kurtz, and Kristi DeMeester. All of these unique voices bring a fresh and often unexpected take on the theme.What made you think of this theme for the anthology?Road trips can be fun but they can also be long and boring.

    Included are two original stories, several rarities and out of print tales, as well as a few "best of the year" inclusions. Stephen Graham Jones is a master storyteller. What does happen after the people lights have gone off? Crack the spine and find out. With an introduction by Joe R. Lansdale.Stephen Graham Jones is the author of fifteen novels and five collections, and has some two hundred stories published. Stephen's been an NEA Fellow and has won the Texas Institute of Letters Award for Fiction and the Independent Publishers Award for Multicultural fiction. He's forty-two, married with a couple of kids, and lives in Boulder, Colorado.WINNER, Short Story Collection, THIS IS HORRORNOMINATED, Short Story Collection, BRAM STOKER AWARDSNOMINATED, Short Story Collection, SHIRLEY JACKSON AWARDS

    The Dark takes a look at the tormented and unquiet dead; the darkness in us, the living; and the sometimes tenuous boundary between the two.

    The pale and secretive Lavinia wanders through the woods, Asenath is a precocious teenager with an attitude, and the Ancient Egyptian pharaoh Nitocris has found a new body in distant America. And do you have time to hear a word from our beloved mother Shub-Niggurath?Defiant, destructive, terrifying, and harrowing, the women in She Walks in Shadows are monsters and mothers, heroes and devourers. Observe them in all their glory. Iä! Iä!TABLE OF CONTENTS“Bitter Perfume” Laura Blackwell“Violet is the Color of Your Energy” Nadia Bulkin“Body to Body to Body” Selena Chambers“Magna Mater” Arinn Dembo“De Deabus Minoribus Exterioris Theomagicae” Jilly Dreadful“Hairwork” Gemma Files“The Head of T’la-yub” Nelly Geraldine García-Rosas (translated by Silvia Moreno-Garcia)“Bring the Moon to Me” Amelia Gorman“Chosen” Lyndsey Holder“Eight Seconds” Pandora Hope“Cthulhu of the Dead Sea” Inkeri Kontro“Turn out the Lights” Penelope Love“The Adventurer’s Wife” Premee Mohamed“Notes Found in a Decommissioned Asylum, December 1961″ Sharon Mock“The Eye of Juno” Eugenie Mora“Ammutseba Rising” Ann K. Schwader“Cypress God” Rodopi Sisamis“Lavinia’s Wood” Angela Slatter“The Opera Singer” Priya Sridhar“Provenance” Benjanun Sriduangkaew“The Thing in The Cheerleading Squad” Molly Tanzer“Lockbox” E. Catherine Tobler“When She Quickens” Mary Turzillo“Shub-Niggurath’s Witnesses” Valerie Valdes“Queen of a New America” Wendy N. Wagner

    A version of the story was published in the magazine Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was taken from the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan.

    A giggling crowd of masked watchers. A reassembling corpse. What could be behind you, just waiting for you to turn around? Behind You is an illustration series, a comic with no panels, where each piece is essentially a separate story. Each tale is one image and one piece of text; an unsuspecting victim with someone, or something, behind them. Entries range from the amusingly weird to the genuinely unsettling. Inspired by spooky films, books, myths, and internet tall tales, Behind You is full of scary set-ups but leaves lots of blanks for the reader to fill in with their own narrative. Includes an Introduction by New York Times Best-Seller Joe Hill.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    They subtly merge the world of reason with the realm of the uncanny and exemplify the period's fascination with the strange and the grotesque. They were also the inspiration for Mizoguchi Kenji's brilliant 1953 film Ugetsu.The title Ugetsu monogatari (literally "rain-moon tales") alludes to the belief that mysterious beings appear on cloudy, rainy nights and in mornings with a lingering moon. In "Shiramine," the vengeful ghost of the former emperor Sutoku reassumes the role of king; in "The Chrysanthemum Vow," a faithful revenant fulfills a promise; "The Kibitsu Cauldron" tells a tale of spirit possession; and in "The Carp of My Dreams," a man straddles the boundaries between human and animal and between the waking world and the world of dreams. The remaining stories feature demons, fiends, goblins, strange dreams, and other manifestations beyond all logic and common sense.The eerie beauty of this masterpiece owes to Akinari's masterful combination of words and phrases from Japanese classics with creatures from Chinese and Japanese fiction and lore. Along with The Tale of Genji and The Tales of the Heike, Tales of Moonlight and Rain has become a timeless work of great significance. This new translation, by a noted translator and scholar, skillfully maintains the allure and complexity of Akinari's original prose.

    This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and sexual menace played on the stretched nerves of the new mass readerships. This anthology collects together some of the most famous examples of the Gothic tale in the 1890s, with stories by Arthur Conan Doyle, Vernon Lee, Henry James and Arthur Machen, as well as some lesser known yet superbly chilling tales from the era. The introduction explores the many reasons for the Gothic revival, and how it spoke to the anxieties of the moment.