Two old friends, however, rescue him. They applaud his phony diploma as perfect in “a world where everything is false” and they draw him into their hedonistic rounds as gentlemen of leisure. Life, they explain, “while essentially pointless is extremely interesting.”  The small city may seem tedious, but there are women to seduce, powerful men to tease, and also strange events: rich notables are disappearing.Eyeing the machinations of our three pleasure seekers and nervous about the missing rich men, the authorities soon see—in complex schemes to bed young girls—signs of political conspiracies. The three young men, although mistaken for terrorists, enjoy freedom, wit, and romance. After all, though “not every man is capable of appreciating what is around him,” the conspirators in pleasure certainly do.

    The culmination of his years at this particular intellectual pursuit, Ancient Egypt: The Light of the World is Massey's crown jewel. In this, the most philosophical (in both tone and concept) of his Egyptological works, Massey, ever the intrepid escort, leads a tour through thousands of years of sociological, cultural, and spiritual development, all the while pointing, with dazzling reason and persuasive prose, to a distant, common, Egyptian origin. British author GERALD MASSEY (1828-1907) published works of poetry, spiritualism, Shakespearean criticism, and theology, but his best-known works are in the realm of Egyptology, including A Book of the Beginnings and The Natural Genesis.

    But was he a real person, and if so, when did he live?

    Sandpiper is a collection of stories which provide insight into Egyptian and Western life and the links between them, looking at relationships within and across continents.People from many places - England, Alexandria, Istanbul - pass through defining crises in their relations with others. Most of them are women, and most find themselves in countries other than their own, where language, culture and prescribed emotions such as 'love' create confusion. New understandings are registered in intensely recalled moments and sensations.

    Looking back to the glamorous Egypt of the pashas and King Faruk, Serageldin moves forward to the police state of the colonels who seized power in 1952 and the disastrous consequences of Nasser's sequestration policies.Through well-chosen portraits and telling descriptions of the era's fashions and furnishings, Serageldin conveys detailed social and cultural information. She offers a glimpse of the beach at Agami in the 1960s and conveys the change in mood through the Sadat years. Serageldin's fictional treatment of recent Egyptian history includes key events leading to the rise of Islamic fundamentalism, such as the assassination of writer Yussef Siba'yi and the harassment of theologian Nasr Abu Zayd.Serageldin's heroine goes into exile in Europe and the United States but returns to Egypt in an attempt to reconcile her past and present. Charting fresh territory for the American reader, this semi-autobiographical novel is one of the most sensitive and accessible documents of historical change in Egyptian life. The book will appeal to a general audience and will be particularly useful to students interested in the social customs of the upper class in Egypt in the Nasser and Sadat years.

    He was a seasoned infantryman and senior Army NCO with a burning desire to deploy to Afghanistan and join the fight against Taliban and Al Qaeda forces bent on keeping American influence out of the Middle East. Like many Americans Chad felt personally stricken by the attacks on 9/11 and he yearned to take part in his Nation's retaliation for the atrocities planned within the sanctity of Afghanistan's borders. When the opportunity arose to deploy as a Combat Advisor to an Afghan Infantry Battalion he seized the opportunity and headed to Fort Riley, Kansas to attend U.S. Army Combat Advisor School. After months of intensive training in Afghan customs, culture and language in addition to tactical training on the direction of close air support and artillery Rickard was dropped into a hotbed of action in Afghanistan's Khost Province. In Khost, former home to one of Osama Bin Laden's largest terror training camps, Rickard's team went toe to toe with Haqqani Taliban on numerous occasions, often leaving a staggering body count in their wake. In Mayhem 337, Rickard powerfully recounts his experiences during a nine month period of intense combat deep in the mountains of Eastern Afghanistan. His graphic account guides you through intense combat from the streets of Khost City, to deadly mountain warfare while based at an austere combat outpost. He vividly describes the sights and sounds of battle as well as the heartbreaking aftermath of fallen comrades. From IED laden roads to air assault missions and hostage standoffs, Rickard's story leaves nothing to the imagination. His riveting memoir brings recognition and honor to the Embedded Transition Team legacy that is but a footnote in U.S. military history.

    Discovering that the queen is missing, the scribe ties the queen’s disappearance to a mysterious Medjay warrior, Suti travels the length of the Two Lands in search of the missing queen and her escort, Lord Imhotep. After braving the treacherous cataract at the far reaches of the river Iteru, Suti falls prey to the corrupt governor of Ta-Seti and a murderous giant. Beaten and tortured, the young scribe escapes to continue his search for the queen. When at last he discovers the truth, Suti realizes that he possesses a secret that could end the reign of the world’s most powerful leader.

    David Lamb, who spent years as a correspondent in Cairo, explores the Arabs’ religious, political, and cultural views, noting the differences and key similarities between the many segments of the Arab world. He explains Arab attitudes and actions toward the West, including the growth of terrorism, and situates current events in a larger historical backdrop that goes back more than a thousand years.Now thoroughly revised and updated, The Arabs takes the story up to 2001. Lamb analyzes the developments that led to the attacks on the World Trade Center and the Pentagon, and helps the reader to understand how things got to that point. A veteran journalist, Lamb combines his extensive experience in covering international politics with his deeply informed insider’s knowledge to provide an intimate portrait of the Arab world today.

    Characters contemplate the meaning of home, love, despair, family, and friendship against the backdrop of brutality. From Cairo to the Gaza Strip, from Benghazi to Budapest, religious men have their faith challenged, and people under the duress of war or traumatic personal memories deal with the feelings that emerge. Often they seem to suppress these feelings . . . but, no, not quite.  Set in countries the author has reported from or lived in, these stories are all told from different perspectives, but always with the individual at the center: the mother, the soldier, the martyr, the religious man, the journalist, and so on. They form a kaleidoscope of miniworlds, of moments, of decisions that together put a face, an emotion, a thought behind humans who confront war and conflict. Although they are fiction, they could have all happened exactly as they are told. Each story leaves a powerful visual image, an unforgettable image you conjure up again and again.  Jászberényi is able to do all this so convincingly, in part, because he himself is not a "helicopter journalist" but rather lives in a residential Cairo neighborhood. He is, moreover, from a corner of Eastern Europe where cynicism almost equates with survival, and yet his writing evinces not only wry humor but great sensitivity and a profound sense of beauty. He speaks Arabic (in addition to English and his native Hungarian) and immerses himself in the society he reports on. But, in doing so, he still remains a reporter, and as such the stories are approached with the clinical, observant eye of an outsider. Whether addressing the contradictions of international humanitarian work or the moral dilemmas faced by those who seek to improve the health and lives of women and girls, he does so in a singularly provocative and yet intelligent manner.

    Often based on common fantasies of Middle-Eastern women, this obsession nevertheless produced wonderfully evocative images.Buonaventura also documents the impact the genre had on fashion, theatre and film at the turn of the century, and explores present and future trends in Arabic dance.Wendy Buonaventura is an established dancer and choreographer who pioneered the development of Arabic dance as a theatre art in the West. She performs and lectures internationally and has written and presented programmes for the BBC. She is the author of Beauty and the East and I Put a Spell on You, both published by Saqi Books. Her website is www.buonaventura.com.

    Her new life is strange and confusing and sometimes frightening. Amanda can barely understand Arabic and the treatment of the women of the family seems wrong to a girl raised in Wales. To add to her problems, Mohammed proves to be verbally and physically abusive - especially once they have their own flat away from the protection of the wider family. Somehow Amanda must escape, but not without her children.

    Youssef Rakha’s provocative, brutally intelligent novel of growth and change begins with a suicide and ends with a doomed revolution, forcefully capturing thirty years in the life of a living, breathing, daring, burning, and culturally incestuous Cairo.

     And the Australian government does not pay ransoms.After more than a year of stalled negotiations, Nigel's family takes matters into their own hands.  They go against government advice, scarifying their livelihoods, their houses and personal lives to bring the hostages home.  Meanwhile, the kidnappers are losing patience.  Brutalised, shackled, not knowing when or how the situation will end, Nigel faces the fight of his life.This is a story about what it takes to survive, and how far a family will go for freedom, whatever the price.

    Travelling on public buses, visiting with families, hanging out in shops and cafes, he brings out for all of us what made ordinary people erupt, what happened to them during those days and now, what their hopes, fears and dreams are, how they see us in the West, how each country is different but how they see themselves as part of a joint Arab culture, before Islamists. Johnny West's long experience in the area enables him to set all this in context, while never losing the vividness of a travel book or the characters of a novel. This is not a political treatise but a journey of discovery - of people, of places, of life under extraordinary circumstances - which this book allows us to share and makes one feels as if one had been there.

    Egypt’s 2011 revolt was no exception. The military’s abandonment of Mubarak—a turning point for the revolt—confounded many observers, who assumed that the leader and the generals stood or fell together. The officers, it was thought, ruled from behind the scenes and simply swapped the figures in the spotlight to preserve the status quo.In a challenge to this conventional view, Hazem Kandil presents the revolution as the latest episode in an ongoing power struggle between the three components of Egypt’s authoritarian regime: the military, the security services, and the political apparatus. A detailed study of the interactions within this invidious triangle over six decades of war, conspiracy, and sociopolitical transformation, Soldiers, Spies, and Statesmen is the first systematic analysis of how Egypt metamorphosed from a military into a police state—and what that means for the future of its revolution.