Contains Chandler's essay on the art of detective stories and a collection of 8 classic Chandler mysteries.

    Lovecraft has inspired writers of supernatural fiction, artists, musicians, filmmakers, and gamers. His themes of cosmic indifference, the utter insignificance of humankind, minds invaded by the alien, and the horrors of history—written with a pervasive atmosphere of unexplainable dread—remain not only viable motifs, but are more relevant than ever as we explore the mysteries of a universe in which our planet is infinitesimal and climatic change is overwhelming it. In the early twenty-first century the best supernatural writers no longer imitate Lovecraft, but they are profoundly influenced by the genre and the mythos he created. New Cthulhu: The Recent Weird presents some of the best of this new Lovecraftian fiction—bizarre, subtle, atmospheric, metaphysical, psychological, filled with strange creatures and stranger characters—eldritch, unsettling, evocative, and darkly appealing.

    Howard created more than the greatest action hero of the twentieth century—he also launched a genre that came to be known as sword and sorcery. But Conan wasn’t the first archetypal adventurer to spring from Howard’s fertile imagination. “He was . . . a strange blending of Puritan and Cavalier, with a touch of the ancient philosopher, and more than a touch of the pagan. . . . A hunger in his soul drove him on and on, an urge to right all wrongs, protect all weaker things. . . . Wayward and restless as the wind, he was consistent in only one respect—he was true to his ideals of justice and right. Such was Solomon Kane.”Collected in this volume, lavishly illustrated by award-winning artist Gary Gianni, are all of the stories and poems that make up the thrilling saga of the dour and deadly Puritan, Solomon Kane. Together they constitute a sprawling epic of weird fantasy adventure that stretches from sixteenth-century England to remote African jungles where no white man has set foot. Here are shudder-inducing tales of vengeful ghosts and bloodthirsty demons, of dark sorceries wielded by evil men and women, all opposed by a grim avenger armed with a fanatic’s faith and a warrior’s savage heart. This edition also features exclusive story fragments, a biography of Howard by scholar Rusty Burke, and “In Memoriam,” H. P. Lovecraft’s moving tribute to his friend and fellow literary genius. Skulls in the stars --The right hand of doom --Red shadows --Rattle of bones --The castle of the devil --Death's black riders --The moon of skulls --The one black stain --The blue flame of vengance --The hills of the dead --Hawk of Basti --The return of Sir Richard Grenville --Wings in the night --The footfalls within --The children of Asshur --Solomon Kane's homecoming --Solomon Kane's homecoming (variant).

    Yet all throughout her life, she also wrote short stories: fictions which wrestled with those ideas and preoccupations she couldn't address in essay form. These short fictions are allegories, parables, autobiographical vignettes, each capturing an authentic fragment of life, dramatizing Sontag's private griefs and fears.Stories collects all of Sontag's short fiction for the first time. This astonishingly versatile collection showcases its peerless writer at the height of her powers. For any Sontag fan, it is an unmissable testament to her creative achievements

    #2: Don't pick up hitchhikers, because the traveler you pick up could be raving nutcase.So what if, on some dark, isolated road, Crazy #1 offered a ride to Crazy #2...

    

    Where I come from, the children sing a song:Oh, the motherfucking sharks; Oh, they're gonna come to town.Oh, they're gonna kill the babies; Oh, they're gonna make you drowned in your blood.Oh, the motherfucking sharks; Oh, they're gonna mince the flesh.They're gonna swim up and surround you; Don't you know you'll never pass the test, it's over.Oh, the motherfucking sharks; Oh, they don't care about the gods.And they don't care about the familiesAnd they don't care about the cries or tears they're killers.Motherfucking sharks.Motherfucking sharks.Motherfucking sharks.Motherfucking sharks.

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    P. Lovecraft, The Sea Dreams It Is the Sky examines life in a South American dictatorship. Centered on the journal of a poet-in-exile and his failed attempts at translating a maddening text, it is told by a young woman trying to come to grips with a country that nearly devoured itself.In My Heart Struck Sorrow, a librarian discovers a recording from the Deep South—which may be the musical stylings of the Devil himself.Breathtaking and haunting, A Lush and Seething Hell is a terrifying and exhilarating journey into the darkness, an odyssey into the deepest reaches of ourselves that compels us to confront secrets best left hidden.

    Laced through with the humor, the empathy, and the rare and magical descriptive powers that have led Elizabeth McCracken’s fiction to be hailed as “exquisite” (The New York Times Book Review), “funny and heartbreaking” (The Boston Globe), and “a true marvel” (San Francisco Chronicle), these nine vibrant stories navigate the fragile space between love and loneliness. In “Property,” selected by Geraldine Brooks for The Best American Short Stories, a young scholar, grieving the sudden death of his wife, decides to refurbish the Maine rental house they were to share together by removing his landlord’s possessions. In “Peter Elroy: A Documentary by Ian Casey,” the household of a successful filmmaker is visited years later by his famous first subject, whose trust he betrayed. In “The Lost & Found Department of Greater Boston,” the manager of a grocery store becomes fixated on the famous case of a missing local woman, and on the fate of the teenage son she left behind. And in the unforgettable title story, a family makes a quixotic decision to flee to Paris for a summer, only to find their lives altered in an unimaginable way by their teenage daughter’s risky behavior.   In Elizabeth McCracken’s universe, heartache is always interwoven with strange, charmed moments of joy—an unexpected conversation with small children, the gift of a parrot with a bad French accent—that remind us of the wonder and mystery of being alive. Thunderstruck & Other Stories shows this inimitable writer working at the full height of her powers.

    Tolkien--from which almost all fantasylands have devolved--also took shape and flower from Dunsany's example." --The Encyclopedia of Fantasy Most fantasy enthusiasts consider Lord Dunsany one of the most significant forces in modern fantasy; his influences have been observed in the works of H.P. Lovecraft, L. Sprague de Camp, Fritz Leiber, Jack Vance, and many other modern writers. The Book of Wonder is Dunsany at his peak of his talent. The stories here are a lush tapestry of language, conjuring images of people, places, and things which cannot possibly exist, yet somehow ring true. They are, in short, full of wonder. Together with Dunsany's other major collections, A Dreamer's Tales and Tales of Three Hemispheres, they are a necessary part of any fantasy collection.

    Vaccination and treatment are widely available, not held in reserve for the chosen few. There are still monsters left to fight, but the old ones, the simple ones, trouble us no more.Or so we thought. For with the reduction in danger comes the erosion of memory, as pandemics fade from memory into story into fairy tale. Those old diseases can’t have been so bad, people say, or we wouldn’t be here to talk about them. They don’t matter. They’re never coming back.How wrong we could be.It begins with a fever. By the time the spots appear, it’s too late: Morris’s disease is loose on the world, and the bodies of the dead begin to pile high in the streets. When its terrible side consequences for the survivors become clear, something must be done, or the dying will never stop. For Dr. Isabella Gauley, whose niece was the first confirmed victim, the route forward is neither clear nor strictly ethical, but it may be the only way to save a world already in crisis. It may be the only way to atone for her part in everything that’s happened.She will never be forgiven, not by herself, and not by anyone else. But she can, perhaps, do the right thing.We live in an age of monsters.

    Gabriel Kane goes from a struggling architect to one of the most powerful men in the world; Armonía Solorsano -- a young Hispanic girl who grew up in a dilapidated suburban McMansion-turned-tenement -- invents one of the most important and influential pieces of technology in history; a non-profit organization goes from a charity to a decentralized domestic terrorist group; and the greatest democracy in the world finds itself falling into the ever-tightening grip of a dictator.As five people come together with the shared goal of changing the world, they discover that their approaches are fundamentally and irreconcilably at odds. Their partnership becomes a bitter political and high-tech rivalry from which only one of them can emerge.This novella by Christian Cantrell (about 16,000 words) portrays an intersection of politics and technology which is both extremely relevant, and frighteningly feasible.

    May of these stories are from the pages of Weird Tales and other classic magazines which brought the work of masters like H.P. Lovecraft, Seabury Quinn, Clark Ashton Smith, August Derleth, Robert E. Howard, and many others to the public. Includes an active table of contents.

    Jones, a prodigy of the short story, returns to the form that first won him praise in this new collection of stories, All Aunt Hagar's Children. Here he turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them in the city, people who in Jones's masterful hands emerge as fully human and morally complex. With the legacy of slavery just a stone's throw behind them and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.