While the teenager is unsure of which direction to take in life, he’s aware the road he’s on is a direct route to desolation. Being outed as bisexual in the bluegrass state is alienating, and the events to follow are worse. Still, Blake is driven—by any means necessary—to make something more of himself. Identifying an opening, Blake paves a path and finds His Own Way Out.Publisher Notes:13 Red Media, Ltd, parent company to Helix Studios, is pleased to announce Rise Up.Rise Up is a series of new adult novels that illuminates pivotal moments in the lives of LGBTQ youth. Each novel features a fresh protagonist and his experience navigating the ups and downs of adulthood. While the characters change and the stories vary, common themes—including the struggle for independence, identifying one’s passions, searching for acceptance and for love—are interwoven through the pages of the novels. These stories will open your eyes to worlds of possibilities, both conventional and off-beat, as these men take you on their journeys to self-discovery. Keith Miller, founder of Helix, says “I’ve heard such amazing stories of love and life over the years from our many models and now to see these stories used as a basis for an LGBTQ novel is truly a dream come true.“The novels are written by Taylor Saracen with story line input provided by exclusive Helix models. These novels will be released in print as well as digital platforms. Participating models will share in revenue from novel sales. According to Mitchell, “Helix has really given me great opportunities to grow my career, and I am excited to continue working with such a solid company. I can’t wait to share this story with the world and trust it will touch others as much as it has me.”

    Memoir. HEAVENLY BREAKFAST is Samuel R. Delaney's wise and vivid essay on urban communes and cooperatives in the winter of 'Sixty-seven/'Sixty-eight. It examines their function, structure, permanence, and impermanence as precisely as a sociological study. Because its method is narrative and anecdotal, however, it reads like a passionate memoir--a marvelous document from an extraordinary time. Based on journals he kept at the time, these pages recount his encounters with other communes and experimental living arrangements-some gentle, some brutal; of encounters between those inside and those outside the countercultural life; of idealism and hopes pushing against a resistant reality.

    But within six short years, AIDS would claim his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape.Set in 1986, a year after Rock Hudson’s death shifted the public consciousness of the epidemic and brought the news of AIDS into living rooms and kitchens across America, it is a novel that speaks to the question of what home and family means when we try to forge a life for ourselves in a world that can be harsh and unpredictable. It is written at the far reaches of love and understanding, and zeroes in on the moments where those two forces reach for each other, and sometimes touch.

    It's about girls praying to The Angel of the North. It's about a mermaid born in the river Tyne. It's about Chinese lanterns, teenagers at the beach, and a family who run a sacred farm. ..You pick my arms up and spread them outso we are matching. Our woollen scarvestouch our noses - catch our breath like cloth balloons. We dig our feet into the soiland stamp down into the very deep. Somewhere below, the river sleeps with a lady screeching. She has arms that could carry boulders to the edge of cliffs. We wait for herto throw us down...' (extract from 'angel metal')"This is an arresting collection from a writer fully in command of an unusual and significant voice.” Anna Woodford“These are poems full of wonder and surprise.. Jen Campbell tells us stories about growing up...; reimagining love, childhood and home in strange and magical ways.” Liz Berry“Jen Campbell opens the doors wide and takes you through to her own fierce world where nothing goes unquestioned. A mixture of strong filmic images and rich language mean that the poems always keep their sense of wonder and strength.” Sarah Salway"The writing is luminous, immediate, and (yes) magical. I imagine she fell in love with words early, spinning them into shining nets to save herself from a kind of drowning. She’s a real poet, in other words." - Marcia Menter

    That? She saves for music, whether she's playing guitar or DJing...and everyone dances to her tune. But when the dreams Nina works so hard for start to fall into place, the past she thinks she's left behind returns. As she opens herself - to everything - Nina learns that being punk alone is not enough. She needs to love and be loved, to let go - without losing herself. Angst, sex, love, rock - 'Nuff said.

    His life consists of reading, working and visiting his parents' house to rearrange his piles of "collectibles". He has only one friend, another teacher who has managed to force Sukhin into a friendship by sheer doggedness.While on an errand one afternoon in Chinatown, he encounters a homeless person who recognises him. This chance reunion turns Sukhin's well-planned life upside down, and the pair learns about love and sacrifice over their shared fondness for cake.

    Sledge artfully draws from Bishop's lifelong correspondences and biography to imagine the poet's intensely private world, revealing the literary genius who lived in conflict with herself both as a writer and as a woman.A seemingly idyllic existence in Soares's glass house in the jungle gives way to the truth of Bishop's lifelong battle with alcoholism, as well as her eventual status as one of modernism's most prominent writers. Though connected to many of the most famous cultural and political figures of the era, Soares too is haunted by her own demons. As their secrets unfold, the sensuous landscape of Rio de Janeiro, the rhythms of the samba and the bossa nova, and the political turmoil of 1950s Brazil envelop Bishop in a world she never expected to inhabit. The More I Owe You is a vivid portrait of two brilliant women whose love for one another pushes them to accomplish enduring works of art.

    Advice on conflict resolution and genuine intimacy. The author doesnt forget to include treatments on couple crises, ruptures, and the mourning of heartbreak as a previous step to be prepared to fall in love again.

    A delicate balance of rhythm and line, the haiku has provided countless readers with an appreciation of the changing of the seasons and the miracles of nature. Now, in Gay Haiku, readers can finally appreciate more important things—like the changing of boyfriends and the miracles of shopping.Irresistible and irreverent, this collection of one hundred and ten witty and wicked short poems captures the many dating disasters of first-time author Joel Derfner. In a wonderfully fresh and original voice, Derfner shamelessly mines his personal life to send up such broad-ranging topics as gay pop culture, politics, family, sex, and, of course, home decorating.Gay, straight, or undecided, readers will delight in Derfner’s dry sense of humor and unmistakable charm as he tackles the big questions of life.

    But these unpretentious vignettes are laced with compassion, as she learns to balance the sting of death with the tender strangeness of life.

    It is an exploration of intimacy, identity, and the courage it takes to be who you really are.

    This makes life difficult for Matt as he maneuvers the marriage question with his lover and how best to "come out" to his traditional Chinese parents.This story is also included in Some of the Best From Tor.com, 2013 Edition: A Tor.Com Original

    Cocteau never formally acknowledged the book, except in so far as he allowed it to appear in the 'authorized' bibliography drawn up in connection with his

    Little does Kevin know that kappas—the river demons of Japanese folklore—desire nothing more than the souls of other humans. Set between Singapore and Japan, Kappa Quartet is split into eight discrete sections, tracing the rippling effects of this chance encounter across a host of other characters, connected and bound to one another in ways both strange and serendipitous. Together they ask one another: what does it mean to be in possession of something nobody has seen before?

    . . . "Social Disease" . . . is really about the three major issues of our time: sex, hair, and the telephone" (Paul Rudnick, "New York Magazine").