Like the boundary between our sun's sphere of influence and interstellar space, from which the book takes its name, the poems in Heliopause locate themselves along the border of the known and unknown, moving with breathtaking assurance from the page to the beyond. Christle finds striking parallels between subjects as varied as the fate of Voyager 1, the uncertain conception of new life, the nature of elegy, and the decaying transmission of information across time. Nimbly engaging with current events and lyric past, Heliopause marks a bold shift and growing vision in Christle's work. An online reader's companion will be available.

    Witty and irreverent, Horseradish is a book with universal appeal, a delightful vehicle to introduce Snicket's uproariously unhappy observations to a crowd not yet familiar with the Baudelaires' misadventures.

    Collected altogether in this volume, these stories form a searing and indelible portrait of American innocence and loss. From the collections Will You Please Be Quiet, Please?, Where I’m Calling From, What We Talk About When We Talk About Love, and A New Path to the Waterfall; including an introduction by Robert Altman. With deadpan humor and enormous tenderness, this is the work of “one of the true contemporary masters” (The New York Review of Books).  From the eBook edition.

    The much-anticipated full-length poetry collection by the critically acclaimed author of Black Cloud, Witch Hunt delves into the terror and beauty that occurs when love, madness, and addiction collide.

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    “But a real cowboy is hard to find these days, even in the West.”In Pam Houston’s “bright, edgy, and ruefully self- aware” (Boston Globe) collection of stories, we meet smart women who are looking for the love of a good man, and men who are wild and hard to pin down. Our heroines are part daredevil, part philosopher, all acute observers of the nuances of modern romance.“[Houston] takes women into grand spaces, both emotional and physical, and isolates them until there’s nothing left to do but sit down and take a hard look at one’s soul” (Los Angeles Times). Cowboys Are My Weakness is an “exhilarating” (Washington Post) and realistic look at men and women— together and apart.

    Rolling Stone magazine has called songwriter Stephin Merritt of the Magnetic Fields the Cole Porter of his generation; O, The Oprah Magazine has hailed cartoonist Roz Chast as the wryest pen since Dorothy Parker's. Together they have crafted a witty and unique book in celebration of two-letter words, focusing on the 101 such words that count in Scrabble. Featuring original four-line poems by Merritt and color illustrations by Chast, 101 Two-Letter Words covers familiar words (go, hi, no, ox) as well as obscure ones (ka, oe, qi, xu). With the dark wit and clever wordplay of Edward Gorey or Shel Silverstein, this book is sure to delight not just Scrabble players and crossword puzzle fanatics but also anyone in thrall to the weirdest corners of the English language."

    But there is a dark and vacuous hole in her heart, and it isn’t just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.

    A native of New Zealand, she is the author of eleven novels, four collections of stories, a volume of poetry, a children's book, and her heartfelt and courageous autobiography -- all published by George Braziller. This fall, we celebrate our thirty-ninth year of publishing Frame's extraordinary writing.

    Ten years earlier, Delia left the husband who turned on her, abandoned her two daughters, one an infant, and fled to California. But Delia is pulled back to Georgia: to a world of convenience stores and biscuit factories, kudzu and deep-rooted Baptism-to make a deal with the man she paid a high price to leave. She brings her third daughter, Cissy, with her. And as the lives of Delia, Cissy, Amanda, and Dede converge, Delia's past uncoils into the present with a ferocity that brings all four women to terms with themselves and with one another.Told in the incantatory and unforgettable voice of one of America's greatest storytellers, Cavedweller is a sweeping novel of the human spirit that maps a world of "lost" and "known" caves, the unexplored recesses of the heart, and the lives of four women at a place where violence, and what redeems it, intersect. Cavedweller is the long-awaited, greatly anticipated second novel from a beloved author with a strong and loyal audience.

    Elisabeth, born in 1984, has her eye on the future. The United Kingdom is in pieces, divided by a historic once-in-a-generation summer.Love is won, love is lost. Hope is hand in hand with hopelessness. The seasons roll round, as ever...

    . .so I could push you out of my loftbed while you were sleeping."Satirical and sharp, downtown New York City performance artist Anita Liberty reinvents self-help as she skewers her ex-boyfriend in this hilarious, hip, and audaciously candid collection of advice, poems, and diary entries. "I thought you were a gifted and tortured artist. I was wrong.About the gifted part.Oh.And the artist part."From romantic bliss to brutal breakup, from heartache to healing, this fierce, funny, and ultimately liberating homage to being "dumped" rips off the stiff upper lip in favor of a red-hot therapy of wit, wisdom, rage, and redemption. And now, a few words from Anita Liberty . . ."COMPROMISE--Lowering my standards.So you can meet them.""You're a bad habit.I want to kick you.Hard."Inclues free postcards to send to that special someone!

    Tatiana Ryckman chronicles the struggles of a long-distance relationship from summer to summer, forming a series of unsent musings to the beloved by the unnamed lover— all while keeping names and gender anonymous. At times funny, this sexy, charged, and deeply felt creation captures what loving from a distance can bring upon all of us.Cover art by Kyle William Butler

     Published when she was only twenty-three and written while she was a student at Brown, Sleepwalking marks the beginning of Meg Wolitzer’s acclaimed career. Filled with her usual wisdom, compassion and insight, Sleepwalking tells the story of the three notorious “death girls,” so called on the Swarthmore campus because they dress in black and are each absorbed in the work and suicide of a different poet: Sylvia Plath, Anne Sexton, and Wolitzer’s creation Lucy Asher, a gifted writer who drowned herself at twenty-four. At night the death girls gather in a candlelit room to read their heroines’ work aloud. But an affair with Julian, an upperclassman, pushes sensitive , struggling Claire Danziger—she of the Lucy Asher obsession-–to consider to what degree her “death girl” identity is really who she is. As she grapples with her feelings for Julian, her own understanding of herself and her past begins to shift uncomfortably and even disturbingly. Finally, Claire takes drastic measures to confront the facts about herself that she has been avoiding for years.

    A house with no walls, a roommate with no boundaries, and a home that seems ever more alive. Jo’s sensitivity, and all her senses, become increasingly heightened and fraught, as the lines between bodies and plants, and dreaming and wakefulness, blur and mesh. This debut novel from critically acclaimed artist and musician Jenny Hval, presents a heady and hyper-sensual portrayal of sexual awakening and queer desire. A complex, poetic and strange novel about bodies, sexuality and the female gender.