When factory worker Pinquean Smallcreep, who has slotted a certain type of slot into a certain type of pulley for many years, packs his sandwiches and sets out on a journey to investigate what it is he is producing, his discoveries become increasingly more bizarre and disturbing.

    This 3-D phenomenon, which fascinated a nation for 40 years, is now yours to share. This book, the fruit of half a lifetime's study by three impassioned authors, brings every one of the published Diableries into the 21st century for the very first time. Some of them are so rare that at the time of writing there is no known complete collection of the originals of these masterpieces. But this book enables all but two of the 182 scenes to be enjoyed just as their creators intended, in magnificent 3-D, using the high-quality patented OWL stereoscopic viewer supplied.

    Each seduction ends in death--each victim, murdered in bed. Detective Jack Cordesman has vowed to unravel the demented mystery, to enter the heart of a maniac's temptation...where desire demands the ultimate price. PASSION FOR EVIL The stranger beckons--the man of her dreams...or of her worst nightmares. Veronica Polk longs for love, but it isn't love that awaits in the strange, moonlit manse. Something evil broods, leading her blindly into a mire of erotic obsessions and savage desires. An unspeakable secret awaits--ancient, unholy--that thirsts for her spirit and hungers for her flesh... INCUBI They'll love you...to death.

    Mystery, the marvellous, a city transmuted by love, Sanglot's pursuit of the siren Louise Lame, such are the essential ingredients of this the last masterpiece of early Surrealism to remain untranslated into English. It was originally published in 1924 to immediate and lasting acclaim - except from the public authorities who immediately censored whole sections (here restored). Impossible to describe a novel of such virtuosity and bravura, and one which consistently refuses to behave as one expects, characters appear and vanish according to whim or desire, they walk underwater, nonchalantly accept astounding coincidences. It's a hymn to the erotic, an adventure story darkly illumined by the shades of Sade, Lautreamont and Jack the Ripper, a dream both violent and tender, an obsession, in fact the perfect embodiment of the Surrealist spirit: at once joyful, despairing, and effortlessly scandalous.

    But on July 23, 1982, a spectacular explosion on the set of Twilight Zone: The Movie knocked a helicopter out of the sky and into the path of two small children and veteran actor Vic Morrow, crushing one child and decapitating Morrow and the other youngster.How could this tragedy occur? Was anyone to blame? Outrageous Conduct reveals the facts behind the accident, when skilled movie-makers exceeded the bounds of safety; the anxiety, when Hollywood closed ranks to protect its own; and the raucous and very public trial, when countercharges of "outrageous conduct" flew between the attorney and the furious film director, John Landis.Here are the intimate stories of the people behind the headlines: Landis, the driven young director of Animal House and other hits; Steven Spielberg, the superstar co-producer; Deputy District Attorney Lea D'Agostino, who accused Landis of manslaughter, but would have preferred a charge of murder; Vic Morrow, the fading star who would risk everything to salvage his career; and Renee Chen, six, and Myca Lee [sic], seven, whose parents had emigrated to the United States in search of a better life only to lose their children in a "make-believe" war. Here too are the opinions of top Hollywood professionals, forced to choose sides in a legal battle that tore the movie world apart.Outrageous Conduct probes the boundaries between art and safety, daring and responsibility. Like Indecent Exposure and Final Cut, it exposes the excesses and hubris of the world's most glamorous and seductive profession.STEPHEN FARBER was the film critic for New West magazine. He has also written for The New York Times, Esquire, and Film Comment.MARC GREEN was the film critic for Books and Arts and has written for California Magazine. He and Stephen Farber have reported on the Hollywood scene for almost twenty years and are the authors of Hollywood Dynasties.

    But those headlines do not even begin to tell one of the most compelling and fascinating stories of our time. A maverick from an early age, the strikingly attractive and eccentric heiress thumbed her nose at society, all the while forging an incredible life as a renegade with an appetite for adventure, a weakness for pleasure, and a penchant for privacy. Duke and her lifelong rival Barbara Hutton--with whom she would have to compete for the love of several men, most notably international playboy Porfirio Rubirosa-were dubbed "the Gold Dust Twins." Her father, James B. Duke, namesake of Duke University and one of the richest men in the country, was a rough-edged businessman whose greatest love was for his only daughter. Denied affection from her mother, a glamorous socialite concerned mainly with public appearances, Doris Duke led a sheltered adolescence, seeking friendship with those ignored by high society. Later, as her marriage to the politically ambitious son of a prominent grande dame of society crumbled, her concern with secrecy would develop nearly obsessive dimensions. Duke maintained dictatorial control over her four extravagant homes across the country, and she gained a reputation for excess as well as seeming pettiness. Her phenomenal wealth enabled her to withdraw from the world, even to distance herself from the university that bears her family name, and ignore its responsibilities. Recently she adopted a thirty-five-year-old former Hare Krishna who was a confidante also of Imelda Marcos. Here is revealed for the first time Doris Duke's fascination with those who embraced the spotlight she always shunned, especially Imelda Marcos, who found an ardent and fin

    They find themselves in an area made to look like a town--it contains a stocked store, a hotel, a inoperable car & plastic coffins, each containing a passenger from an international flight, each apparently snatched out of midair, since there's no flight wreckage & all seem alive & unharmed. The people slowly gather in the hotel & find themselves able to understand one another, even tho they don't all speak the same language. None of them has an idea what they're doing in this new place & there isn't anything for miles around their little settlement except a seemingly endless expanse of grass. After weeks of waiting for rescue that never arrives, a few of them explore & discover this mysterious land is also populated by a group of what appear to be medieval people & a group of what seems to be cavemen. That accounts for the human population on the island. The only other creatures around are sinister metal spiders. This story is as much mystery as it is sf, because these people must figure out how they got to this place, & why they were chosen. But they also have to survive.--Kaduzy (edited)

    They've got homes on Long Island and a dream: to pull off the perfect heist. Tom and Joe also have badges, uniforms and guns, just like the rest of the New York City police force! These two shining examples of New York's Finest don't care what they steal or how, as long as it comes out to 2 million dollars. But they get involved with the Mob and find out that robbing Wall Street can be very dangerous

    Blessed with unnatural long life, his power brings with it a gruesome side effect - one shared by his nemesis, the formidable Doc Caliban, Man of Bronze and Champion of Justice. But these two titans have more in common than they could ever have imagined. Who are the dark manipulators of their destiny?A brand-new edition of the controversial novel.

    Although he is best known today for his scripts for television and film, including several classic episodes of The Twilight Zone, Beaumont is being rediscovered as a master of weird tales, and this, his first published collection, contains some of his best. Ranging in tone from the chilling Gothic horror of "Miss Gentilbelle," where an insane mother dresses her son up as a girl and slaughters his pets, to deliciously dark humor in tales like "Open House" and "The Infernal Bouillabaisse," where murderers' plans go disastrously awry, these seventeen stories demonstrate Beaumont's remarkable talent and versatility. This new edition of The Hunger and Other Stories, the first in more than fifty years, includes a new introduction by Dr. Bernice M. Murphy, who argues for reevaluation of Beaumont alongside the other greats of the genre, including Shirley Jackson, Ray Bradbury, and Richard Matheson.Contents:Miss Gentilbelle • (1957) The Vanishing American • (1955)A Point of Honor • (1955) Fair Lady • (1957) Free Dirt • (1955) Open House • (1957)The Train • (1957) The Dark Music • (1956) The Customers • (1957)Last Night in the Rain • (1956)The Crooked Man • (1955) Nursery Rhyme • (1957) The Murderers • (1955) The Hunger • (1955) Tears of the Madonna • (1957) The Infernal Bouillabaisse • (1957)Black Country • (1954)

    Exposed to the persuasive energies of a sensuous high priestess, the men of science are forced to question seriously their superstitious belief that they can chart, understand, and control the workings of the human mind.

    Mankiewicz and Orson Welles --Notes on the shooting script / prepared by Gary Carey --RKO cutting continuity of the Orson Welles production, Citizen Kane.

    I Would Have Saved Them If I Could was his second collection of short stories, originally published in 1975."Leonard Michaels's stories stand alongside those of his best Jewish contemporaries - Grace Paley and Philip Roth." - Mona Simpson, The New York Times Book Review"Leonard Michaels was an original... with a concise, pungent and pyrotechnic style that tolerated no flab." - Phillip Lopate, The Nation"As good as any writer you're likely to run across." - Alex Abramovich, Bookforum

    (1964)Casablanca (1967)

    This is a paperback edition of a volume first published by Jonathan Cape in 1983. Clive James' earlier volumes of TV criticism include Visions Before Midnight (1977 & 1981) and The Crystal Bucket (1983). They have been published in a single volume with a new introduction and index as Clive James on Television (1991).