The grandson of Thomas H, Huxley (Darwin's famous defender), he was born in England and educated at Eton and Oxford. He traveled widely in his youth and lived in Italy for a while in the 1920s. He began his literary career with poetry and critical essays, then turned to novels. Having been born just too late to participate in World War I, he was able, in his early works, such as CROME YELLOW (1921), ANTIC HAY (1923), THOSE BARREN LEAVES (1925), and POINT COUNTER POINT (1928), to perfectly capture a sense of purposeless aftermath which resonated strongly in British society at the time. A satirical strain already evident manifested itself spectacularly in BRAVE NEW WORLD (1932), after which much of his work began to show a fantastic or speculative cast, including AFTER MANY A SUMMER DIES THE SWAN (about immortality, 1939), TIMES MUST HAVE A STOP (1944), and APE AND ESSENCE (a dystopia, 1948). ISLAND, his last work, published in 1962, is a utopia. Late in life he developed an increasing disdain for Western society and an interest in Eastern mysticism and in the possibilities of psychedelic drugs, which he described in THE DOORS OF PERCEPTION (1954). MORTAL COILS is a short-story collection from Huxley's early period, including one of his most popular stories, "The Gioconda Smile."

    He was a man on the move, a man who traveled light: and in the end he rode, with all of his possessions, on a rented horse into the Mexican desert to join Pancho Villa -- never to return.Can Such Things Be?Once William Randolph Hearst -- Bierce's employer, who was bragging about his own endless collections of statuary, art, books, tapestries, and, of course real estate like Hearst Castle -- once William Randolph Hearst asked Bierce what he collected. Bierce responded, smugly: "I collect words. And ideas. Like you, I also store them. But in the reservoir of my mind. I can take them out and display them at a moment's notice. Eminently portable, Mr. Hearst. And I don't find it necessary to show them all at the same time." Such things can be. (jacketless library hardcover)

    An O Henry twist at the end of the story, foils Soapy's new plans.

    Two sisters quarrel over an inheritance and a new baby; a child awake in the night explores the familiar rooms of her home, strange in the dark; a housekeeper caring for a helpless old man uncovers secrets from his past. The first steps into a turning point and a new life are made so easily and carelessly: the stories focus in on crucial moments of transition, often imperceptible to the protagonists. A girl accepts a lift in a car with some older boys, or a young woman reads the diaries she comes across when she’s housesitting. Small acts have large consequences, and some of them reverberate across decades; things fantasised in private can reach out to affect other people, for better and worse. An older woman recovering from serious illness speaks to a lonely young man on a train; an old friend brings bad news to a dinner party; a schoolteacher in the throes of a painful affair in 1914 has mixed feelings about her pupils’ suffragette craze. The real things that happen to people, the accidents that befall them, are every bit as mysterious as their longings and their dreams.Bad Dreams shows yet again that Tessa Hadley is a master of her art, one of the very finest writers at work in Britain today.

    Winner of the Frank O'Connor International Short Story Award, two O. Henry prizes, and a finalist for the PEN/Faulkner Award, Rash brilliantly illuminates the tensions between the traditional and the modern, the old and the new south, tenderness and violence, man and nature. Though his focus is regional, the themes of Rash's work are universal, striking an emotional chord that resonates deep within each of our lives.Something Rich and Strange showcases this acclaimed master's artistry and craftsmanship in thirty-two stories culled from previously published collections and two available for the first time in book form: "Outlaws" and "Shiloh." Each work of short fiction demonstrates Rash's dazzling ability to evoke the heart and soul of this land and its people—men and women inexorably tethered to the geography that defines and shapes them. Filled with suspense and myth, hope and heartbreak, and told in language that flows like "shimmering, liquid poetry" (Atlanta Journal-Constitution), Something Rich and Strange is an iconic work from an American literary virtuoso.

    This gorgeous full-color illustrated book version was born of a unique collaboration between writer Neil Gaiman and artist Eddie Campbell, who brought to vivid life the characters and landscape of Gaiman's story. In August 2010, The Truth is a Cave in the Black Mountains was performed in the concert hall of the Sydney Opera House to a sold-out crowd—Gaiman read his tale live as Campbell's magnificent artwork was presented, scene-by-scene, on large screens. Narrative and art were accompanied by live music composed and performed especially for the story by the FourPlay String Quartet.

    Filled with the "sacred hunger" to expand its empire and its profits, England entered full into the slave trade and spread the trade throughout its colonies. In this Booker Prize-winning work, Barry Unsworth follows the failing fortunes of William Kemp, a merchant pinning his last chance to a slave ship; his son who needs a fortune because he is in love with an upper-class woman; and his nephew who sails on the ship as its doctor because he has lost all he has loved. The voyage meets its demise when disease spreads among the slaves and the captain's drastic response provokes a mutiny. Joining together, the sailors and the slaves set up a secret, utopian society in the wilderness of Florida, only to await the vengeance of the single-minded, young Kemp.

    Scott's source, which he acknowledged in the 'Magnum Opus' edition of Chronicles of the Canongate (1831), was George Constable (1719 - 1803), a friend of his father and the model for Jonathan Oldbuck in The Antiquary. It has not been established to date whether Constable's anecdote refers to a historically verifiable case.

    A telegraph operator finds an unexpected companion in the middle of the Amazon. A doctor is beset by seizures, in which he is possessed by a second, perhaps better, version of himself. And in Regency London, a bare-knuckle fighter prepares to face his most fearsome opponent, while a young mother seeks a miraculous cure for her ailing son.At times funny and irreverent, always moving and deeply urgent, these stories---among them a National Magazine Award and a Pushcart Prize winner---cap a fifteen-year project. From the Nile's depths to the highest reaches of the atmosphere, from volcano-racked islands to an asylum on the outskirts of Rio de Janeiro, these are tales of ecstasy, epiphany, and what the New York Times Magazine called the "struggle for survival...hand to hand, word to word," by "one of the finest prose stylists in American fiction."