She becomes gradually more obsessed with the case, never imagining how close she herself is to danger. Includes an extract from Karin Slaughter’s gripping new novel, Pretty Girls.

    Here is a collection of his short fiction, with dozens of tales spanning his career and ranging from the moving to the macabre, the humorous to the haunting. From the penetrating 'Memories of Youghal' to the bittersweet 'Bodily Secrets' and the elegiac 'Two More Gallants', here are masterpieces of insight, depth, drama and humanity, acutely rendered by a modern master.'A textbook for anyone who ever wanted to write a story, and a treasure for anyone who loves to read them' Madison Smartt Bell'Extraordinary... Mr. Trevor's sheer intensity of entry into the lives of his people...proceeds to uncover new layers of yearning and pain, new angles of vision and credible thought' The New York Times Book Review

    “With its tale of provincial life, gimlet-eyed spinsters, and thwarted love…it feels almost like a Miss Marple mystery written by Colm Tóibín” (New York Times).The remote Irish village of Duneen has known little drama, and yet its inhabitants are troubled: Sergeant P.J. Collins hasn’t always been this overweight; Brid Riordan, a mother of two, hasn’t always been an alcoholic; and elegant Evelyn Ross hasn’t always felt that her life was a total waste.So when human remains—suspected to be those of Tommy Burke, a former lover of both Brid and Evelyn—are discovered on an old farm, the village’s dark past begins to unravel. As a frustrated P.J. struggles to solve a genuine case for the first time in his professional life, he unearths a community’s worth of anger and resentments, secrets and regrets.Darkly comic, at times profoundly sad, and “especially inviting because of its tongue-in-cheek wit” (Kirkus Reviews), Holding is a masterful debut. Graham Norton employs his acerbic humor to breathe life into a host of lovable characters, and explore—with searing honesty—the complexities and contradictions that make us human.

    Among the witnesses are the only two cops in the city not on the take, but within moments one is murdered and his partner, Sonchai Jitpleecheep—a devout Buddhist and the son of a Thai bar girl and a long-gone Vietnam War G.I.—is hell-bent on wreaking revenge. On a vigilante mission to capture his partner’s murderer, Sonchai is begrudgingly paired with a beautiful FBI agent named Jones and captures her heart in the process. In a city fueled by illicit drugs and infinite corruption, prostitution and priceless art, Sonchai’s quest for vengeance takes him into a world much more sinister than he could have ever imagined.

    Within hours Lang is butting heads with a Buddha statue, matching wits with evil billionaires, and putting his life (among other things) in the hands of a bevy of femmes fatales, whilst trying to save a beautiful lady ...and prevent an international bloodbath to boot.

    But when he’s sent to investigate the disappearance of Lionel Maudling, the owner of a grand country house whose heir may be accused for his death, he encounters a home that will lead him to nightmares he could have never imagined. Maudling’s estate houses countless books of every sort—histories, dramas, scientific treatises. But none seems to offer Soter any hint to Maudling’s whereabouts, until he’s led to an arcane London bookseller where the reclusive scholar made his last purchase. What Soter finds at the end of a twisted maze of clues is a book like no other, with a legacy that will put everything he knows in danger…An inventive horror novella from internationally bestselling author John Connolly, this is a story of madness, of obsession, and of books’ power to change the world.

    Few know these characters—and their creators—better than Sarah Weinman. One of today’s preeminent authorities on crime fiction, Weinman asks: Where would bestselling authors like Gillian Flynn, Sue Grafton, or Tana French be without the women writers who came before them? In Troubled Daughters, Twisted Wives, Weinman brings together fourteen hair-raising tales by women who—from the 1940s through the mid-1970s—took a scalpel to contemporary society and sliced away to reveal its dark essence. Lovers of crime fiction from any era will welcome this deliciously dark tribute to a largely forgotten generation of women writers.

    The hardscrabble streets of Oakland offer crime aplenty...Thompson and Muller have taken such pains to choose stories highlighting Oakland's diversity and history that the result is a volume rich in local culture as well as crime."-- Kirkus Reviews "The legendarily tough California city of Oakland finally gets an entry in the Akashic noir series."-- Publishers Weekly Brand-new stories by: Nick Petrulakis, Kim Addonizio, Keenan Norris, Keri Miki-Lani Schroeder, Katie Gilmartin, Dorothy Lazard, Harry Louis Williams II, Carolyn Alexander, Phil Canalin, Judy Juanita, Jamie DeWolf, Nayomi Munaweera, Mahmud Rahman, Tom McElravey, Joe Loya, and Eddie Muller.In the wake of San Francisco Noir, Los Angeles Noir, and Orange County Noir—all popular volumes in the Akashic Noir Series—comes the latest California installment, Oakland Noir. Masterfully curated by Jerry Thompson and Eddie Muller (the "Czar of Noir"), this volume will shock, titillate, provoke, and entertain. The diverse cast of talented contributors will not disappoint.From the introduction:Jerry Thompson: Discovering the wang-dang-doodle jams of the Pointer Sisters shifted my entire focus. Stunning black women were scatting and bebopping all the way into my soul. I think what we’ve put together in Oakland Noir is a volume where this city is a character in every story. He’s a slick brother strutting over a bacon-grease bass line and tambourine duet. She’s a white chick with a bucket of hot muffins heading to farmer and flea markets, to sell crafts and get hooked up with some fine kat with dreadlocks and a criminal record. And it’s in the faces of young fearless muthafuckers pounding keyboards and snapping fingers, lips, Snapchats, and Facebook timelines. It’s the core of not only Black Lives Matter but all lives matter. We are the children of fantasy and of the funk . . .Eddie Muller: These days, writers and readers aren’t denying the darker parts of our existence as much as they used to, especially in crime fiction. Some writers just do it for fun, because it’s become the fashionable way to get published. You know, “gritty violence” and all that bullshit. The genuine darkness in noir stories comes from two places—the cruelty of the world’s innate indifference, and the cruelty that people foster within themselves. If you’re not seriously dealing with one, the other, or both, then you’re not really writing noir.

    I had my reasons. But I went."So admits Michael Forsythe, an illegal immigrant escaping the Troubles in Belfast. But young Michael is strong and fearless and clever -- just the fellow to be tapped by Darkey, a crime boss, to join a gang of Irish thugs struggling against the rising Dominican powers in Harlem and the Bronx. The time is pre-Giuliani New York, when crack rules the city, squatters live furtively in ruined buildings, and hundreds are murdered each month. Michael and his lads tumble through the streets, shaking down victims, drinking hard, and fighting for turf, block by bloody block.Dodgy and observant, not to mention handy with a pistol, Michael is soon anointed by Darkey as his rising star. Meanwhile Michael has very inadvisably seduced Darkey's girl, Bridget -- saucy, fickle, and irresistible. Michael worries that he's being followed, that his affair with Bridget will be revealed. He's right to be anxious; when Darkey discovers the affair, he plans a very hard fall for young Michael, a gambit devilish in its guile, murderous in its intent.But Darkey fails to account for Michael's toughness and ingenuity or the possibility that he might wreak terrible vengeance upon those who would betray him.A natural storyteller with a gift for dialogue, McKinty introduces to readers a stunning new noir voice, dark and stylish, mythic and violent -- complete with an Irish lilt.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    When morning broke Nessa Crowley's lifeless body lay in the garden, her last breath silenced by the music and the thunder.The killer couldn't have escaped Inisrun, but no one was charged with the murder. The mystery that surrounded the death of Nessa remained hidden. But the islanders knew who to blame for the crime that changed them forever.Ten years later a documentary crew arrives, there to lift the lid off the Kinsellas' carefully constructed lives, determined to find evidence that will prove Henry's guilt and Keelin's complicity in the murder of beautiful Nessa.In this bold, brilliant, disturbing new novel Louise O'Neill shows that deadly secrets are devastating to those who hold them close.

    A first thriller co-written by Melissa Hill and her husband Kevin.The story is set in Dublin and features forensic investigator Reilly Steel who has moved from the US to Dublin to be close to her father.But what should have been a quiet period filled with training and Irish forensics team turns sinister and violent when body after body is found of people killed in what appears to be a twisted game.

    The tales range from the deadly serious to the absurdly hilarious. Also included is a new, never-before-published novella that takes place after the cliff-hanger ending of the new April 2010 hardcover, Changes.Contains:+ "Restoration of Faith"+ "Vignette"+ "Something Borrowed" -- from My Big Fat Supernatural Wedding + "It's My Birthday Too" -- from Many Bloody Returns + "Heorot" -- from My Big Fat Supernatural Honeymoon + "Day Off" -- from Blood Lite + "Backup" -- novelette from Thomas' point of view, originally published by Subterranean Press+ "The Warrior" -- novelette from Mean Streets + "Last Call" -- from Strange Brew + "Love Hurts" -- from Songs of Love and Death + Aftermath -- all-new novella from Murphy's point of view, set forty-five minutes after the end of Changes

    Drawn from youth and older age, and spanning most of the twentieth century, this newly translated selection provides a thrilling showcase of the great Finnish writer’s prose, scattered with insights and home truths. It has been selected and is introduced by Ali Smith, and there are afterwords by Philip Pullman, Esther Freud and Frank Cottrell Boyce.The Winter Book features thirteen stories from Tove Jansson’s first book for adults, The Sculptor’s Daughter (1968) along with seven of her most cherished later stories (from 1971 to 1996), translated into English and published here for the first time.

    Solitary and haunted, he prefers to be invisible. He doesn't allow himself friends or lovers and makes a living rescuing young girls from the deadly clutches of the sex trade. But when a high-ranking New York politician hires him to extricate his teenage daughter from a Manhattan brothel, Joe uncovers a web of corruption that even he may not be able to unravel. When the men on his trail take the only person left in the world who matters to him, he forsakes his pledge to do no harm. If anyone can kill his way to the truth, it's Joe...Novelist, essayist, creator of the beloved TV series Bored to Death and Blunt Talk, Jonathan Ames is celebrated not only for his comic sensibilities and devotion to the absurd but for his lurid attraction to inner demons. In this shocking and suspenseful thriller, the author goes darker than noir, with an ass-kicking and psychologically tormented guardian angel who rescues others but refuses to save himself.