In 1547 Lymond is returning to his native Scotland, which is threatened by an English invasion. Accused of treason, Lymond leads a band of outlaws in a desperate race to redeem his reputation and save his land.

    Except, as Peter and Helen Radley know but their children have yet to find out, the Radleys happen to be a family of abstaining vampires. When one night Clara finds herself driven to commit a bloodthirsty act, her parents decide to explain a few things.

    The narrator is smitten by Chloe on a Paris-London flight, and by the time they've reached the luggage carousel, he knows he is in love. He loves her chestnut hair and pale nape and watery green eyes, the way she drives a car and eats Chinese food, the gap that makes her teeth Kantian and not Platonic, her views on Heidegger's Being and Time - although he hates her taste in shoes. On Love plots the course of their affair from the initial delirium of infatuation to the depths of suicidal despair, through the (Groucho) "Marxist" stage of coming to terms with being loved by the unattainable beloved, through a fit of anhedonia, defined in medical texts as a disease resulting from the terror brought on by the threat of utter happiness, and finally through the nausea induced and terrorist tactics employed when the beloved begins, inexplicably, to drift away. Alain de Botton is simultaneously hilarious and intellectually astute, shifting with ease among such seminal romantic texts as The Divine Comedy, Madame Bovary, and The Bleeding Heart, a self-help book for those who love too much. He is schematically flawless, funny, funky, and totally engaging. Filled with profound observations and useful diagrams, On Love displays and examines for all of us the pain and exhilaration of love, asking, "Can we not be forgiven if we believe ourselves fated to stumble one day upon the man or woman of our dreams? Can we not be excused a certain superstitious faith in a creature who will prove the solution to our relentless yearnings?"

    He's not one to pass up a drink - or too many - and he prides himself on being stylishly dressed for whatever occasion may present itself, no matter how debauched. Don't miss this brilliant mixture of comedy, crime, and suspense.

    There may be numerous typos or missing text. There are no illustrations or indexes. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.

    . . wishing he looked more like Hugh Grant. Scarlett loves the movies. But does she love sensible fiancé David just as much? With a big white wedding on the horizon, Scarlett really should have decided by now . . . When she has the chance to house-sit in Notting Hill - the setting of one of her favourite movies - Scarlett jumps at the chance. But living life like a movie is trickier than it seems, especially when her new neighbour Sean is so irritating. And so irritatingly handsome, too. Scarlett soon finds herself starring in a romantic comedy of her very own: but who will end up as the leading man?

    Conversely very practical and matter-of-fact, June is a respected and uncompromising author of violent and sexually explicit Radical Feminist fiction. In their late thirties, with a precocious teenage son, they are a talented, thoroughly contemporary London couple.In spite of conflicting perspectives and a deep-rooted loathing of each other's work, for seventeen years they've managed to live with their differences happily, but recently their arguments are coming to a head. Even as her latest collection of lurid short stories fast becomes an unlikely bestseller, if June isn't crabby she's glum, and she's never in the mood to have sex any more.When James begins to suspect that she's having an affair, his whole world is threatened with mid-life collapse. Over three successive Augusts, and distracted by scandals and colourful deaths, he drifts in unlikely directions while he tries to decide whether June can be trusted or his marriage has finally fallen apart.

    . . but this hill will be standing still to confound you." So curses Morty Donovan when Copper John Brodrick builds his mine at Hungry Hill.The Brodricks of Clonmere gain great wealth by harnessing the power of Hungry Hill and extracting the treasure it holds. The Donovans, the original owners of Clonmere Castle, resent the Brodricks' success, and consider the great house and its surrounding land theirs by rights. For generations the feud between the families has simmered, always threatening to break into violence . . .

    Fortunately, poison is the very superfood of the satirist. Patty Friedmann, the reigning queen of black comedy, hits one out of the park with her family straight out of Tolstoy--unhappy in its own way, a uniquely twisted Southern way. Meet the Baileys. Born and bred in a working class New Orleans neighborhood, Zib and Wilson think the thick cloud of cigarette smoke enveloping their mother is what probably killed their father. Certainly the toxicity of Jerusha’s dark, cynical attitudes has driven her children far from the nest. Wilson has escaped to Chicago, married a woman who hates him, converted to Judaism, and become a decorated professor of Organic Evolution. Zib, almost forty, has made it only as far as the Florida Panhandle, where she's an assistant manager at the local Winn-Dixie, doomed to fending off a sleazy boss given to late night phone calls. Only one person, as isolated as she is, shows Jerusha any affection: Dustin Puglia, chubby, wise, and fearless, a ten-year-old living next door with a poisonous mother of his own. Although Wilson and Zib have forged independent lives away from their mother—as well as each other—their father's death brings them back together for a darkly droll, yet heart-wrenching round of domestic insanity. Does it remind you of AUGUST: OSAGE COUNTY? Or THE ROYAL TENENBAUMS? Patty Friedmann got there first! And she’s just as funny and observant as the authors of those splendid screenplays. Who Will Like It: Fans of off-beat dark comedies like AUGUST: OSAGE COUNTY, THE ROYAL TENENBAUMS, family dramas with a lot more humor than THE CORRECTIONS, the incomparable CONFEDERACY OF DUNCES, and another mistress of the twisted, Flannery O’Connor. Not to mention Patty Friedmann's other books: TOO JEWISH #1 TOO JEWISH: THE NEXT GENERATION (formerly The Exact Image of Mother) PICK-UP LINE (formerly Side Effects) ELEANOR RUSHING A LITTLE BIT RUINED ODDS “Secondhand Smoke does not seek life in fancy words and clever euphemisms. It tingles because it’s raw and true … The way [Friedmann] carves a sentence gives you the sense that she’s always known how to do it.” –Critique Magazine

    Since moving to the Liverpudlian seaside after her husband's career change, her life consists of the following: long walks on the beach (with the dog), early nights (with the kids) and Netflix (no chill). Bored and lonely, when Emma is cordially invited to the exclusive cool school-mums' book club, she thinks her luck may finally be about to change. But she soon finds the women of the club aren't quite what they seem - and after an unfortunate incident involving red wine and a white carpet, she finds herself unceremoniously kicked out. The answer? Start her own book club - for bad mothers who just want to drink wine and share stories. But will this town let two book clubs exist? Or is there only room for one queen of the school gates...? Perfect for fans of Big Little Lies and Why Mummy Drinks.

    Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the twentieth century as seen through the eyes of an English girl determined to learn about her family and its secrets.

    All books included in this collection feature a hyperlinked table of contents and footnotes. The collection is complimented by an author biography. Table of Contents T. S. Eliot BiographyList of Works in Alphabetical OrderPoetryPrufrock and Other Observations:The Love Song of J. Alfred Prufrock Portrait of a Lady Preludes Rhapsody on a Windy NightMorning at the Window The Boston Evening Transcript Aunt Helen Cousin Nancy Mr. Apollinax Hysteria Conversation Galante La Figlia Che PiangePoems:GerontionBurbank with a Baedeker: Bleistein with a CigarSweeney ErectA Cooking EggLe DirecteurMelange Adultere De ToutLune De MielThe HippopotamusDans Le RestaurantWhispers of ImmortalityMr. Eliot's Sunday Morning ServiceSweeney Among the NightingalesThe Waste LandShort StoryEeldrop and AppleplexEssayEzra Pound: His Metric and Poetry

    Winters is back with an all-new collaborator, legendary Russian novelist Leo Tolstoy, and the result is Android Karenina an enhanced edition of the classic love story set in a dystopian world of robots, cyborgs, and interstellar space travel.As in the original novel, our story follows two relationships: the tragic adulterous romance of Anna Karenina and Count Alexei Vronsky, and the much more hopeful marriage of Konstantin Levin and Kitty Shcherbatskaya.These four, yearning for true love, live in a steampunk-inspired 19th century of mechanical butlers, extraterrestrial-worshiping cults, and airborne debutante balls. Their passions alone would be enough to consume them-but when a secret cabal of radical scientific revolutionaries launches an attack on Russian high society's high-tech lifestyle, our heroes must fight back with all their courage, all their gadgets, and all the power of a sleek new cyborg model like nothing the world has ever seen."Filled with the same blend of romance, drama, and fantasy that made the first two Quirk Classics New York Times best sellers, Android Karenina brings this celebrated series into the exciting world of science fiction.

    Her friends know it, her parents know it—even Laura acknowledges she lives either with her head in the clouds or buried in a romance novel. It’s proved harmless enough, even if it hasn’t delivered her a real-life dashing hero yet. But when her latest relationship ends in a disaster that costs her friendships, her job, and nearly her sanity, Laura swears off men and hopeless romantic fantasies for good. With her life in tatters around her, Laura agrees to go on vacation with her parents. After a few days of visiting craft shops and touring the stately homes of England, Laura is ready to tear her hair out. And then, while visiting grand Chartley Hall, she crosses paths with Nick, the sexy, rugged estate manager. She finds she shares more than a sense of humor with him—in fact, she starts to think she could fall for him. But is Nick all he seems? Or has Laura got it wrong again? Will she open her heart only to have it broken again?

    Is there really room for something as unpredictable as love? Oliver Clock has everything arranged just so. A steady job running the family funeral parlour. A fridge stocked with ready meals. A drawer full of colour-coded socks. A plan (of sorts) to stay trim enough for a standard-sized coffin. And in florist Marie, he’s even found the love of his life—not that she’s aware of it.When a terrible tragedy takes Marie out of his life but leaves him with her private journal, he discovers too late that she secretly loved him back. Faced now with an empty love life, a family funeral business in trouble, a fast-approaching fortieth birthday and a notebook of resolutions he’s never achieved, Oliver resolves to open himself up to love—and all the mess that comes along with it.But, with a habit of burying his feelings, can he learn to embrace his lovability and find the woman who will make him feel whole?