She has three dynamic daughters, a loving marriage, and a rewarding career. But she feels a sense of unease. Then an old housemate reappears, sending Jo back to a distant past when she lived in a communal house in Cambridge, Massachusetts. Drawn deeper into her memories of that fateful summer in 1968, Jo begins to obsess about the person she once was. As she is pulled farther from her present life, her husband, and her world, Jo struggles against becoming enveloped by her past and its dark secret.

    After escaping the Texas brothel where she'd been a virtual prisoner, Lucinda Carter heads for Middle Bayou to meet her lover, who has a plan to make them both rich, chasing rumors of a pirate's buried treasure. Meanwhile Nate Cannon, a young Texas policeman with a pure heart and a strong sense of justice, is on the hunt for a ruthless killer named McGill who has claimed the lives of men, women, and even children across the frontier. Who--if anyone--will survive when their paths finally cross? As Lucinda and Nate's stories converge, guns are drawn, debts are paid, and Kathleen Kent delivers an unforgettable portrait of a woman who will stop at nothing to make a new life for herself.

    Imprisoned by walls of their own construction, here are three people, each in midlife, in midcrisis, forced to make choices--after the rules have changed. Elizabeth, with her controlled sensuality, her suppressed rage, is married to the wrong man. She has just lost her latest lover to suicide. Nate, her gentle, indecisive husband, is planning to leave her for Lesje, a perennial innocent who prefers dinosaurs to men. Hanging over them all is the ghost of Elizabeth's dead lover...and the dizzying threat of three lives careening inevitably toward the same climax.

    Wall Street speculators, the Manhattan downtown club scene, Russian gangsters, immigrant neighborhoods - all the elements in the urban turf of this finely crafted contemporary crime novel wed danger with excitement and possibility. They're the rewards that Monty Brogan, who stands at the center of the moral glare in this tale, has already lost, just as he's lost his Corvette, and the "sway" that opened the doors of exclusive night spots and guaranteed him courtside seats at Madison Square Garden. Tomorrow Monty's traveling by bus, to the federal prison in Otisville, for seven years. He's afraid, and all he'd ever really wanted when he grew up was to be a fireman. With the pulse of the city in its prose, this debut novel follows Monty through the twenty-four hours of his last day out. At the same time, it illuminates the worlds, and souls, of his two best friends: Frank Slattery, an edgy bond trader who gambles daily with financial ruin, and Jakob Elinsky, an English teacher who clings to illusions as he compromises his ideals. Friends since their high school days, the three of them nostalgically share a past, but warily they confront a future that can no longer accommodate their adolescent dreams. They meet. They drink, and talk, go clubbing, dance, drink, and remember. What neither Slattery nor Jakob know, however, is that Monty has a plan. It's a shocker.Originally published: New York: Carroll & Graf Pub., 2000.

    Secure in the love of her beautiful mother, she is unaware that her father, Jack, is caught up in a web of secrets. When a very local murder intersects with global forces, Jack must decide where his loyalties lie, and Madeleine will be forced to learn a lesson about the ambiguity of human morality -- one she will only begin to understand when she carries her quest for the truth, and the killer, into adulthood twenty years later.

    But the neighbours are becoming concerned. Eileen Jameson and the boys haven't been seen for quite some time...When a gruesome discovery points the finger, quite literally, at the Professor's house, Inspector Max Carruthers and Detective Sergeant Lucas Matthews come knocking at the door. It's a day they will never forget ...

    In that instant, the lives of those who live and work there are changed forever. Skip Cuddy, the caretaker, finds a baby girl asleep in that box and decides he wants to keep the child . . . while Lydia Blessing, the matriarch of the estate, for her own reasons, agrees to help him. "Blessings" explores how the secrets of the past affect decisions and lives in the present; what makes a person or a life legitimate or illegitimate and who decides; and the unique resources people find in themselves and in a community. This is a powerful novel of love, redemption, and personal change by the Pulitzer Prize-winning writer about whom "The Washington Post Book World" said, "Quindlen knows that all the things we ever will be can be found in some forgotten fragment of family."

    As in her acclaimed novels The Siege and A Spell of Winter, world-class storyteller Helen Dunmore shows us with subtlety and humor precisely who her characters are and why we should care for them. In each taut, agile tale, they grow to surprise, concern, and move us as they negotiate situations that are often both mundane and bizarre: a cafeteria cook confronts her Polish pen pal in a meeting that is unexpectedly intense; a divorced mother gains insight from a parking meter; a boastful writer is put in his place in spectacular fashion; and in a chilling future, conception is ruthlessly controlled by the government. In several stories a soulful, curious woman named Ulli takes up residence in the reader's imagination -- stumbling across a strangely magnetic collector of religious icons, contemplating a youthful pregnancy, and remembering a troubled lover. In Ice Cream, Dunmore reveals both her poet's ear for the concise and piercing potentialities of language and the novelist's ambition of scope, proving her status as "a master of the shorter form" (The Sunday Telegraph). "Spellbinding ... She captures a moment in time and leaves us reeling at the echoes." -- Michael McLoughlin, The Irish News "Cool, elegant, and beautifully controlled, the stories collected in Ice Cream display Dunmore's virtuosity of language." -- Pamela Norris, The Independent on Sunday "All the senses are vibrantly alive in these stories." -- Katie Owen, The Sunday Telegraph

    A mapper of the highest mountain peaks realizes his true obsession. A young woman afire with scientific curiosity must come to terms with a romantic fantasy. Brothers and sisters, torn apart at an early age, are beset by dreams of reunion. Throughout, Barrett's most characteristic theme—the happenings in that borderland between science and desire—unfolds in the diverse lives of unforgettable human beings. Although each richly layered tale stands independently, readers of Ship Fever (National Book Award winner) and Barrett's extraordinary novel The Voyage of the Narwhal, will discover subtle links both among these new stories and to characters in the earlier works.

    Here, Vollmann's gritty style perfectly serves his examination of sex, violence, and corruption.

    Knut Hamsun published only three collections of short stories during his lifetime and abandoned the form entirely after 1906. Most of these stories are translated into English for the first time ans this is the first publication for them outside Norway. Providing a fascinating commentary on the novels Hamsun was writing at the time and with forebodings of his much later work these stories are indispensable.

    But Leland is also one of Carissa's patients, and he is beginning to realize that he has fallen in love with her. As love and legal obligations collide, Leland comes face-to-face with an ethical dilemma of enormous proportions.  Graceful, intelligent, and suspenseful, The Law of Similars is a powerful examination of the links between hope and hubris, love and deception.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    But when a raid on a radical safe house goes horribly wrong, Jack finds himself without support from his own government.

    As the gathered family settle in to their first Christmas together for some years, the grown siblings - Rodney, Johnny and Gwen - are surprised when they are invited to each put stickers on the furniture and items they wish to inherit from their parents.Disputed Land is narrated by Leonard and Rosemary's thirteen-year-old grandson, Theo, who observes how from these innocent beginnings age-old fissures open up in the relationships of those around him. Looking back at this Christmas gathering from his own middle-age - a narrator at once nostalgic and naïve - Theo Cannon remembers his imperious grandmother Rosemary, alpha-male uncle Johnny, abominable twin cousins Xan and Baz; he recalls his love for his grandfather Leonard and the burgeoning feelings for his cousin Holly. And he asks himself the question: if a single family cannot solve the problem of what it bequeaths to future generations, then what chance does a whole society have of leaving the world intact?