'Whatever Happened to Interracial Love' by the late African-American filmmaker Kathleen Collins, captures the atmosphere of the Civil Rights movement in New York and the dangerous risks taken by its activists. In an iconic essay 'Africa's Future Has No Place for Stupid Black Men' young Nigerian writer Pwaangulongii Daoud delivers a passionate elegy for his friend C-Boy, a gay activist in homophobic Nigeria. And Claire Hajaj describes a perilous journey from Raqqa to Allepo to Beirut, for a refugee from Islamic State. Suzanne Brogger describes the pain of being stalked; Emma Cline depicts a taut sibling relationship; Steven Dunn on a violent childhood; and Gwendoline Riley on first love. Also in this issue: FICTION Patrick Flanery, Victor Lodato; POETRY Vahni Capildeo, Melissa Lee-Houghton, Sylvia Legris and Hoa Nguyen; PHOTOGRAPHY Jacob Aue Sobol with an introduction by Joanna Kavenna"

    The Truth About Celia is a profound meditation on grief and loss and how we carry on in its aftermath.

    But when people are pushed—by a coworker’s taunt, a face-to-face encounter with a woman in free fall from a bridge—cracks appear, revealing alienation, casual cruelty, madness, and above all a simultaneous hunger for and fear of the unknown.Daniel Orozco leads the reader through the hidden lives and moral philosophies of bridge painters, men housebound by obesity, office temps, and warehouse workers. He reveals the secret pleasures of late-night supermarket trips for cookie binges, exceptional data entry, and an exiled dictator’s occasional piss on the U.S. embassy. A love affair blooms between two officers in the impartially worded pages of a police blotter; a new employee’s first-day office tour includes descriptions of other workers’ most private thoughts and actions; during an earthquake, the consciousness of the entire state of California shakes free for examination.Orientation introduces a writer at the height of his powers, whose work surely invites us to reassess the landscape of American fiction.Orientation is a Kirkus Reviews Best of 2011 Short Story Collections title.

    But a few quick tasks became a long lunch-and now things could go too far with a man who isn't what he seems....The Killer's Wife (with Max DiLallo): Four girls have gone missing. Detective McGrath knows the only way to find them is to get close to the suspect's wife...maybe too closeWe. Are. Not. Alone (with Tim Arnold): The first message from space. It will change the world. It's first contact. Undeniable proof of alien life. Disgraced Air Force scientist Robert Barnett found it. Now he's the target of a desperate nationwide manhunt-and Earth's future hangs in the balance.

    Like the flaming projectiles his protagonists often launch into the sky, these stories crackle with energy and violence and a furious beauty. Benjamin Percy is a force. -- Anthony Doerr

    In “On the Good, Red Road,” a group of four hard men trying to reach a remote 19th Century mining town become stranded in an early blizzard and resort to drastic, terrifying measures, to stay alive.*Note: This story is collected with others in the eBook, FOUR LIVE ROUNDS, which also contains a Foreword by J.A. Konrath and introductions to each story by Blake Crouch.

    Now he has written a novel that envelops the rich emotional terrain of his beloved Montana in a mystery that is both unexpected and unforgettable. After a nighttime accident at the bottom of Sprull Hill in Bentrock, Sheriff Jack Nevelsen is compelled to try and protect a part of his hometown that even a hero would have trouble saving -- its innocence. For most everyone in the community would agree that June Moss, the quiet girl who had just graduated from high school, and Leo Bauer, the principal of Bentrock Elementary and a married man like Jack, had no business heading out of town together. As Jack sets out to unravel the mystery of their deaths, he begins to create a story to shield his town, a lie that will reverberate throughout an entire community, and into the shadows of his own heart.

    One of a series of illustrated, easy-to-read adaptations of classic titles designed to support the literacy requirements at Key Stage 2 and the English curriculum at Key Stage 3.

    Unable to resume his normal life, he flies south to North Carolina to visit his aged father, a widowed Episcopal priest who is cared for by live-in nurse Audrey Thornton and her grown son, Marcus. During his stay -- with help from his cantankerous father, Audrey, Marcus, and an alluring old flame named Gwyn -- Mabry is compelled to explore his tormented relationship with his father and a world he fondly remembers but has long since abandoned. Back in New York a week later, Mabry faces his old life, which lies in ruins before his eyes. There, he must once again confront change and uncertainty -- and a daunting disease that may prove fatal. In an elegantly crafted and profoundly moving novel, Reynolds Price follows one man's wrenching journey to come to terms with two familiar worlds that have been radically altered.

    In this new edition, the original topics have been brought up to date, added to and elaborated upon: Abbreviations, for example, now includes an essential array of chat room acronyms; Fashion boasts a complete list of British Hairdressers of the Year; and Music features a comprehensive listing of every Top Ten single of the last 40 years.

    Lovers, spouses, siblings, hairdresser and client, mother and baby, teacher and pupil, girl and fox—these are the characters who animate Kathy Page's stunning new collection. While undergoing medical tests, tending the garden, starving themselves, touring museums, travelling, considering suicide, and falling pregnant, they drive each other towards moments where the true shapes of their lives are glimpsed. With humour, tenderness, and occasionally ruthless observation, Page offers us a sense of who they—and we—might become.United by her characters' primal desire for intimacy, these stories reflect our yearning for meaningful connection. In doing so, The Two of Us strengthens Kathy Page's reputation as one of the most powerful writers at work today.

    It includes Lord Arthur Savile's Crime, The Canterville Ghost, The Sphinx Without a Secret and The Model Millionaire.Written between 1887 and 1891, at the height of his creative powers, these stories confirm Oscar Wilde’s reputation as a master storyteller in their sense of fun, quick intelligence and witty dissection of Victorian society. They also reveal his compassion for the poor and downtrodden who were so readily ignored by that age.

    While cruising the Indian Ocean, her yacht is hijacked by Somalian pirates and her nineteen-year-old daughter, Cayla, kidnapped. The pirates demand a crippling twenty-billion-dollar ransom for her release, and complicated political and diplomatic sensitivities render the major powers incapable of intervening.With growing evidence of the horrific torture to which Cayla is being subjected, Hazel calls on Hector Cross to help her rescue her daughter. Hector is the man behind Cross Bow Security, the company contracted to Bannock Oil Corporation to provide all their protection. He is a formidable fighting man. Between them, Hazel and Hector are determined to take the law into their own hands.

    Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family’s entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it?In the gothic tradition of Flannery O’Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre’s literary masters.

    Fotheringay were of a severe but confused description. So far, he could see it was a case of pure willing with him. The nature of his experiences so far disinclined him for any further experiments, at least until he had reconsidered them. But he lifted a sheet of paper, and turned a glass of water pink and then green, and he created a snail, which he miraculously annihilated, and got himself a miraculous new tooth-brush."