Reprint.

    Seventeen-year-old Edward Zanni, a feckless Ferris Bueller–type, is Peter Panning his way through a carefree summer of magic and mischief. The fun comes to a halt, however, when Edward’s father remarries and refuses to pay for Edward to study acting at Juilliard.Edward’s truly in a bind. He’s ineligible for scholarships because his father earns too much. He’s unable to contact his mother because she’s somewhere in Peru trying to commune with Incan spirits. And, as a sure sign he’s destined for a life in the arts, Edward’s incapable of holding down a job. So he turns to his loyal (but immoral) misfit friends to help him steal the tuition money from his father, all the while practicing for his high school performance of Grease. Disguising themselves as nuns and priests, they merrily scheme their way through embezzlement, money laundering, identity theft, forgery, and blackmail. But, along the way, Edward also learns the value of friendship, hard work, and how you’re not really a man until you can beat up your father—metaphorically, that is.How I Paid for College is a farcical coming-of-age story that combines the first-person tone of David Sedaris with the byzantine plot twists of Armistead Maupin. It is a novel for anyone who has ever had a dream or a scheme, and it marks the introduction to an original and audacious talent.

    Set in downtown New York City, Whores of Lost Atlantis features Julian Young, a performer and playwright who tells the story of his acting troupe's hilarious struggle to assemble an Off-Broadway production of Julian's play, Whores of Lost Atlantis, in which Julian acts in drag. The novel's unforgettable cast of characters includes Joel, a perfect English gentleman from Indiana; Roxie, an actress/librarian with moxie; Buster, a voluptuous young alcoholic; Camille, the fiery wig designer Julian considers having an affair with; Perry, Julian's best friend, with a weakness for plastic surgery and peroxide; and Kiko, the wonderfully wicked performance artist who tries to sabotage Julian's career. Getting his play produced proves to be a picaresque adventure with plenty of surprises, leaving the reader feverishly turning pages to see if the show can go on.

    There he meets Mitko, a charismatic young hustler, and pays him for sex. He returns to Mitko again and again over the next few months, drawn by hunger and loneliness and risk, and finds himself ensnared in a relationship in which lust leads to mutual predation, and tenderness can transform into violence. As he struggles to reconcile his longing with the anguish it creates, he’s forced to grapple with his own fraught history, the world of his southern childhood where to be queer was to be a pariah. There are unnerving similarities between his past and the foreign country he finds himself in, a country whose geography and griefs he discovers as he learns more of Mitko’s own narrative, his private history of illness, exploitation, and disease.What Belongs to You is a stunning debut novel of desire and its consequences. With lyric intensity and startling eroticism, Garth Greenwell has created an indelible story about the ways in which our pasts and cultures, our scars and shames can shape who we are and determine how we love.

    At least not until he was abandoned by his partner of fifteen years and suddenly thrust into a dating scene with men half his age and no discernible trace of love handles. But this unexpected hole in his life inspires Joel's search for a 1964 edition ofan Esquire-like magazine that contained a swimsuit ad that obsessed and haunted him throughout his youth. Determined to find out what happened to the model shown in the ad, Joel slowly begins to understand what has happened to his own life. Sexy, smart, and deftly observed, Man About Town is a new twist on the idea that the personal is political and a must read for anyone who's ever wondered what happened to that first crush.

    George, the protagonist, is adjusting to life on his own after the sudden death of his partner, determined to persist in the routines of his daily life. An Englishman and a professor living in suburban Southern California, he is an outsider in every way, and his internal reflections and interactions with others reveal a man who loves being alive despite everyday injustices and loneliness. Wry, suddenly manic, constantly funny, surprisingly sad, this novel catches the true textures of life itself."--BOOK JACKET.

    It depicts the adventures of Malone, a beautiful young man searching for love amid New York's emerging gay scene. From Manhattan's Everard Baths and after-hours discos to Fire Island's deserted parks and lavish orgies, Malone looks high and low for meaningful companionship. The person he finds is Sutherland, a campy quintessential queen -- and one of the most memorable literary creations of contemporary fiction. Hilarious, witty, and ultimately heartbreaking, Dancer from the Dance is truthful, provocative, outrageous fiction told in a voice as close to laughter as to tears.

    He has yet to become the literary voice of his generation. And he most definitely has not met Mr. Right. Now, stuck in a dead-end publishing job, and nursing a broken heart, Andrew is resigned to a life of anti-fabulousness...until the night he meets dark, hunky Frank DeBenedetto. With his confident way of taking care of things and his shy demeanor in the bedroom, Frank wins Andrew over. But problems arise when Frank turns out to be the son of the Maria's top boss, and he's engaged to Anna Franco -- daughter of "Crazy Tommy" Franco -- a woman who does not take to catching her fiance in the act of becoming a "made man."Suddenly, Andrew's once-boring life is heating up with enough action to fuel ten novels...if only he can keep his very cute butt intact and his man from ending up on a Most Wanted poster. From a couple of "sensitivity-trained" cops to a persistent FBI agent...from guys with nicknames that all have to do with pain to a Mafia princess whose hair is nearly as big as her mouth...from ex-lovers, drag queens, and suspicious doormen to a cast of other characters as zany as New York itself, "The Night We Met" is a frantic, nonstop, madcap romp through a wild romance no reader will be able to refuse.

    A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cut throat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous—unmistakably the handiwork of Armistead Maupin.

    His five happy years with his lover Russell haven't fundamentally challenged Desmond's conviction that, at best, true love is "an acute form of tolerance." He's sexually restless, and looking forward to his four-month teaching stint in Boston as an attempt to regain some of his own identity and try to complete the biography he's been writing. Jane Cody, a Boston public television producer, is similarly disenchanted with her marriage to a clumsy, kindly professor of English. Lately, Jane has been meeting her ex-husband Dale for drinks and coffee, although she's well aware that he's a jerk. With so much going wrong in her life, it strikes Jane that she and Desmond could collaborate on a series of documentaries, salvaging both of their foundering work lives. A page-turner, not by virtue of its plot, but because of Stephen McCauley's utterly engaging narrative voice, True Enough reprises some of the themes of his earlier novel, The Object of My Affection. It also has the virtues of a good Woody Allen film: Great comic lines and brilliant social observation among a small circle of successful friends. And like so much of Allen's work, the subject is married love: Fidelity and betrayal in their many guises. A funny, well-developed novel with surprising emotional depth. --Regina Marler

    But when he and his best friend, Bob, partake in "awful kid stuff", the experience forms Jim's ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.

    Lionel Frank is a man as desperate to conceal his homosexuality from his ad agency colleagues as he is to indulge it at night. But poor Lionel is playing the straight man in a world where every success takes him one step closer to disaster.

    In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.

    Set in the 1980s against the backdrop of a swiftly gentrifying Manhattan, The Lost Language of Cranes tells the story of twenty-five-year-old Philip, who realizes he must come out to his parents after falling in love for the first time with a man. Philip's parents are facing their own crisis: pressure from developers and the loss of their longtime home. But the real threat to this family is Philip's father's own struggle with his latent homosexuality, realized only in his Sunday afternoon visits to gay porn theaters. Philip's admission to his parents and his father's hidden life provoke changes that forever alter the landscape of their worlds.

     In his electrifying novel, adolescent gay love, violence, and the spirituality of old-time religion are combined through the alchemy of Grimsley's vision into a powerfully suspenseful story of escape and redemption.