But a physician’s incorrect diagnosis will always be a matter of life and death. Dr. Baticulon’s dispatches from the country’s leading public hospital are told in language that requires no further acrobatics. How do you tell a mother that the smiling ten-year-old boy in her arms will not survive the following week? How do you tell a little girl she’ll never be able to go home to play because her parents can’t afford P54,000 for her surgery? How do you live with yourself after breaking a promise to save an eight-year-old boy’s life? Like the trenches of war zones, the operating room is the frontline of life’s most difficult questions. Here are a neurosurgeon’s gripping ruminations on hope and loss."—Lourd De Veyra"Ronnie Baticulon follows in the footsteps of many other physicians for whom the task of understanding and healing humanity did not stop at the clinic or the operating room. They used words and language not only for their patients but also for themselves—a long and distinguished line from Rabelais, Chekhov, and Maugham to Michael Crichton, Richard Selzer, Oliver Sacks, and of course our own Jose Rizal and Arturo Rotor. Dr. Baticulon is a worthy addition to that tradition."—Jose Y. Dalisay Jr.

    Jenny fell out of love from Eric. Eric started a killing spree out of desperation for the love of his life.

    MEETS HOPELESS ROMANTICDrew is a celebrity car racer, a daredevil who lives life on the edge and the last thing he needs is a prissy, nosy neighbor who'd cramp his free-wheeling lifestyle. Yup, Miz Desiree Cruz is a major pain in the a**. She is constantly questioning his way of life and reprimands him like a Nazi general with a sore tooth. He doesn't need a mother who makes him feel like a kid caught with his hand in the cookie jar every frickin' day! Uh-huh, the girl has to go if he still wants to have a social life.The thing is, as much as Drew resents Des' hollier-than-thou attitude, he really digs his bitchy but cute-as-a-button neighbor. Not his usual type though but how he enjoys their heated but intellectually stimulating banters, and guess what, Miz Des actually turns him on big time, too! Now, he has a problem. Yup, huge. He is Mr. Right Now and Des is definitely Ms. Ever After. That is a major reason to hit the opposite direction. BUT he can't help wondering if Miz Des has a soft spot underneath all that high and mighty air. The cave-man in him is really challenged to find out... (WTF, Drew? What are you thinkin'? No! Definitely not!)But ahh... he is really tired of her catty hisses. He'd love to hear Miz Des purr for a change.

    The author's characteristic wit and insight are again evident in this collection of lectures and conference papers written between the years 1993-1998 and delivered in different schools and gatherings in the country and abroad.

    Gonzalez’s characters are discovered rather than explained. They present themselves without comment from the author. Such subtlety and disciplined self-restraint keep Gonzalez’s fiction far from the ordinary “literature of protest” ... Perhaps Gonzalez’s constant attentiveness to the manner of speech, and even to silence, owes much to his culture’s reliance, for unobtrusive communication, on courteous consideration of others... Gonzalez’s craft is perfectly expressive of these Asian aspects of Philippine folkways.- Leonard Casper, Critical Survey of Long Fiction

    Wigley, who gave us Falling Into A Manhole. This memoir starts with the author's getting lost, and ends with his finding home, the sacred space where he finds joy and fulfillment. Between getting lost and finding home, Wigley's quest takes us to all liminal regions--places in the world and places of the heart--that shaped him, making the journey emotional as well. He makes us laugh at his own foibles, weep over his narratives of loss and betrayal, hope that life gets better because his did, and still does. Jack Wigley is not only a gifted raconteur who can keep you turning the pages, but one with a high level of self-awareness who compels you to pause time and again, no matter how much you want to know what happens next, to savor his insights and reflect. Do yourself a favor--read this book.

    Because of this we have no memory of ourselves: we remember only the last deluge, the last seismic upheaval. Two friends are hired by Marcos to rewrite Philippine history. Their mission: to make it appear that Marcos was destined to rule the country in perpetuity. Working from an office called Agency for the Scientific Investigation of the Absurd, they embark on a journey that will take them across a surreal panorama of Philippine politics and history, and in the process question all their morals and beliefs. This landscape includes mythological sultans, mercenaries, the Beatles, messianic Amerasian rock stars, faith healers, spies, torturers, sycophants, social climbers, sugar barons, millenarian vigilantes, generals and communists--the dizzying farrago of lovers and sinners who populate the country's incredible story. By the end of their project--and this breathtaking novel--the reader emerges from a world that is at once familiar and unbelievable. It's what real life might look like if both heaven and hell were crammed into it, and all its creatures were let loose.

    Set against the turbulent history of East Asia in the twentieth century and by turns erotic and tragic, Magdalena vividly depicts three generations of strong Filipino women. Aimee Liu, author of Cloud Moutain Cecilia Manguerra Brainard s novel Magdalena takes its title from a protagonist descended from several generations of equally compelling female characters. . . Brainard uses a nonlinear narrative and multiple points of view to describe the history of the Philippines that roughly corresponds to its contact with the United States from the Spanish American War to the war in Vietnam. The novel brings into focus not only the romantic and social conflicts of different generations of women but also economic and racial divisions in the Philippines . . . Interspersed throughout the novel are archival photographs of places and people, photographs that remind the reader that while the characters are fictional, the backdrop is historical reality. Kathleen Flanagan, Longwood University, World Literature Today With her second novel, Magdalena, Cecilia Brainard adds new portraits to the gallery in Philippine literature. She has always had a strong sense of place. Here, she provides an inner landscape as well. Together, these provide the coordinates for the family secrets that bind the characters as securely as bloodlines. Linda Ty-Casper, author of The Stranded Whale In this novel, Brainard blends a series of multiple perspectives to create a polyphony of voices that enacts Philippine society before and during the Second World War. The narrative is a nuanced vision of the workings of culture, social class, obligation and the Filipino personality. Rocio G. Davis, author of Transcultural Reinventions: Asian American and Asian Canadian Short Story Cycles I have been looking for a good story about the war. N.V.M. Gonzalez, author of The Bread of Salt and Other Stories (upon reading Winning Hearts and Minds, one chapter of Magdalena.) About Brainard s first novel When the Rainbow Goddess Wept The strengthening of the national spirit; the loss of innocence in two generations these themes are explored by the author, who was born in the Philippines, with persuasive conviction and stark realism. (Publishers Weekly) A fast-paced, sensitively written first novel about the psychological damage war wreaks, seen through the eyes of an intelligent, resilient young girl ... Brainard s appealing characters are larger-than-life people who change before our eyes, yet remain utterly convincing. (Kirkus Review) "

    Drawing from anthropology, history, contemporary events, popular culture, and the author’s field experiences and travels, the essays draw connections between nature and culture, self and society, the local and the global, as well as the past and the present in order to arrive at a deeper, fuller, critical, yet hopeful view of a country that is larger than many imagine it to be.Published in 2020.

    People need to be aware that they have to prepare for their personal and their family’s financial future. Achieving financial well-being is not an option. It is an obligation. I hope that in some way, this book will help to fulfill that obligation.”—Francisco Colayco, in the foreword

    Everything about her is so different from the rest of her family. She is big-haired, brown skinned, and clumsy in a family of cream-colored beauties who are all popular and Good At Sports. She closely resembles a father she has never known, and about whom her mother never speaks, and no one wants to tell her why. She turns to books and other things in her quest to find answers, and as a way to cope with her loneliness. When she learns the truth about her father, she must decide whether or not she will let the differences in her life define her forever.A unique coming-of-age story unfolding through dictionary-style chapters, What Things Mean takes a closer look at the things that define a life, and the many ways in which we find meaning.*Grand Prize Winner, Scholastic Asian Book Award 2014

    

    Many new archaeological materials have been recovered since its publication in 1975, requiring changes in the earlier descriptions and interpretations of Philippine prehistoric society and culture." -- www.kabayancentral.com

    Every weeknight between 9 and 11 pm and for 5 hours every Sunday, Neelesh Misra tells us stories set in an imaginary city, Yaad Sheher, and plays us his favorite songs on Big FM. Broadcast from 35 Cities in India, Yaad Sheher with Neelesh Misra takes you back to his childhood. Neelesh connects with his listeners through this imaginary city called “Yaad Sheher”, a city built of memories. Memories that every individual would want to hold on to, even as work-life takes over their existence. Neelesh Misra ka Yaad Sheher Volume 1 & 2 makes an attempt to re-connect you to that world.

    FOG The Yankee sharpshooter turned out to be a lousy judge of character. He had three officers in his sights, a captain and two lieutenants. If he killed the right one, the Union Army’s victory at the Battle of Martin’s Hill would be guaranteed. So he made his choice and killed the Rebel cavalry’s commanding officer, Captain von Hartz. Big mistake. He should have concentrated on the small, insignificant-looking first lieutenant instead. Because the death of Captain von Hertz put Dusty Fog in command of the Texas Light Cavalry’s hard-riding, harder-hitting Company ‘C’. And with Dusty at their head, there was going to be hell to pay for the Bluebellies. ABOUT THE AUTHOR John Thomas Edson was born at Worksop, Nottinghamshire, on February 17 1928, the son of a miner who was killed in an accident when John was nine. He left Shirebrook Selective Central School at 14 to work in a stone quarry and joined the Army four years later. As a sergeant in the Royal Army Veterinary Corps, Edson served in Kenya during the Emergency, on one occasion killing five Mau Mau on patrol. He started writing in Hong Kong, and when he won a large cash prize in a tombola he invested in a typewriter. On coming out of the Army after 12 years with a wife and children to support, Edson learned his craft while running a fish-and-chip shop and working on the production line at a local pet food factory. His efforts paid off when Trail Boss (1961) won second prize in a competition with a promise of publication and an outright payment of £50. The publishers offered £25 more for each subsequent book, and with the addition of earnings from serial-writing for the comic Victor, Edson was able to settle down to professional authorship. When the comic's owners decided that nobody read cowboy stories any more, he was forced to get a job as a postman (the job had the by-product of enabling him to lose six stone in weight from his original 18). Edson's prospects improved when Corgi Books took over his publisher, encouraged him to produce seven books a year and promised him royalties for the first time. In 1974 he made his first visit to the United States, to which he was to return regularly in search of reference books. He declared that he had no desire to live in the Wild West, adding: "I've never even been on a horse. I've seen those things, and they look highly dangerous at both ends and bloody uncomfortable in the middle. My only contact was to shoot them for dog meat." His heroes were often based on his favourite film stars, so that Dusty Fog resembled Audie Murphy, and the Ysabel Kid was an amalgam of Elvis Presley in Flaming Star and Jack Buetel in The Outlaw. Before becoming a recluse in his last years, JT's favourite boast was that Melton Mowbray was famous for three things: "The pie, Stilton cheese and myself but not necessarily in that order."