Lee, he was a meteor shining from a clouded sky; and to Braxton Bragg, he was an officer ever alive to a success. He was Patrick Ronayne Cleburne, one of the greatest of all Confederate field commanders.An Irishman by birth, Cleburne emigrated to the United States in 1849 at the age of 21. He achieved only modest success in the peacetime South, but rose rapidly in the wartime army to become the Confederacy's finest division commander. He was admired by peers and subordinates alike for his leadership, loyalty, honesty, and fearlessness in the face of enemy fire. The valor of his command was so inspirational that his unit alone was allowed to carry its own distinctive battle flag.In Stonewall of the West, Craig Symonds offers the first full-scale critical biography of this compelling figure. He explores all the sources of Cleburne's commitment to the Southern cause, his growth as a combat leader from Shiloh to Chickamauga, and his emergence as one of the Confederacy's most effective field commanders at Missionary Ridge, Ringgold Gap, and Pickett's Mill. In addition, Symonds unravels the mystery of Spring Hill and recounts Cleburne's dramatic and untimely death (at the age of 36) at Franklin, Tennessee, where he charged the enemy line on foot after having two horses shot from under him.Symonds also explores Cleburne's role in the complicated personal politics of the Army of Tennessee, as well as his astonishing proposal that the decimated Confederate ranks be filled by ending slavery and arming blacks against the Union.Symonds' definitive and immensely readable narrative casts new light on Cleburne, on the Army of Tennessee, and on the Civil War in the West. It finally and firmly establishes Cleburne's rightful place in the pantheon of Southern military heroes.

    In 2011, Glenn Beck released a "modern translation" of the Federalist Papers and a new biography of George Washington. In the same year, Rick Perry, the governor of Texas, published a book in which he argued that the Founding Fathers intended the individual states to be more powerful than the federal government. Each of these books, and many others published over the past few years, presents the Founding Fathers as a group of wise, philosophically indistinguishable statesmen who spoke about timeless issues with a unified voice. In the place of rigorous history, the authors substitute out-of-context proof texts; in the place of real analysis of the remarkable individuals who created America, they offer us a collective mythology of the founding era. This book examines dozens of books, articles, speeches, and radio broadcasts by such figures as Glenn Beck, Mark Levin, Sean Hannity, Larry Schweikart, and David Barton to expose the deep historical flaws in their use of America's founding history. In contrast to their misleading method of citing proof texts to serve a narrow agenda, Austin allows the Founding Fathers to speak for themselves, situating all quotations in the proper historical context. What emerges is a true historical picture of men who often disagreed with one another on such crucial issues as federal power, judicial review, and the separation of church and state. As Austin shows, the real legacy of the Founding Fathers to us is a political process: a system of disagreement, debate, and compromise that has kept democracy vibrant in America for more than two hundred years.

    Beyond his constant stylistic adaptations, Springsteen developed over the decades from expressing the voice of a guy from working-class New Jersey to writing about the larger issues facing the country, including war, class disparity, and prejudice. Marc Dolan draws on a range of new and little-known sources—including hundreds of unreleased studio recordings and bootlegs of live performances—making this an indispensable reference for avid Springsteen fans as well as those interested in learning the stories behind his music. Combining political analysis, music history, and colorful storytelling, Bruce Springsteen and the Promise of Rock ’n’ Roll reveals how a gifted, ambitious community college dropout achieved superstardom—and spent decades refining what he wanted his music to say.

    If A Stranger Approaches You reminds us that intersection of the bizarre and the quotidian is always at play. Memorial statues and raggedy dolls seem to come to life, a man listens to the electric menace of suburban power lines while he struggles with his failed marriage, and the little boy and his dog knocking on the door might be Death in disguise. Surreal and darkly comic, these are stories that know the unexpected graces and random collisions that drive and haunt us. As one of her narrators remarks, "What a thing, this life."

    The first section, Folly tells the story of Alice, a young American editor, and her relationship with the famous and much older writer Ezra Blazer. A tender and exquisite account of an unexpected romance that takes place in New York during the early years of the Iraq War, Folly also suggests an aspiring novelist’s coming-of-age. By contrast, Madness is narrated by Amar, an Iraqi-American man who, on his way to visit his brother in Kurdistan, is detained by immigration officers and spends the last weekend of 2008 in a holding room in Heathrow. These two seemingly disparate stories gain resonance as their perspectives interact and overlap, with yet new implications for their relationship revealed in an unexpected coda.A stunning debut from a rising literary star, Asymmetry is an urgent, important, and truly original work that will captivate any reader while also posing arresting questions about the very nature of fiction itself.

    As bold as her signature color Alice Blue, the gum-chewing, cigarette-smoking, poker-playing First Daughter discovers that the only way for a woman to stand out in Washington is to make waves--oceans of them. With the canny sophistication of the savviest politician on the Hill, Alice uses her celebrity to her advantage, testing the limits of her power and the seductive thrill of political entanglements.But Washington, DC is rife with heartaches and betrayals, and when Alice falls hard for a smooth-talking congressman it will take everything this rebel has to emerge triumphant and claim her place as an American icon. As Alice soldiers through the devastation of two world wars and brazens out a cutting feud with her famous Roosevelt cousins, it's no wonder everyone in the capital refers to her as the Other Washington Monument--and Alice intends to outlast them all.

    Alas, her husband, Fletcher, a self-employed high-end cabinetmaker, now spurns the “toxic” dishes that he’d savored through their courtship, and devotes hours each day to manic cycling. Then, when Pandora picks up her older brother Edison at the airport, she doesn’t recognize him. In the years since they’ve seen one another, the once slim, hip New York jazz pianist has gained hundreds of pounds. What happened? After Edison has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: It’s him or me.Rich with Shriver’s distinctive wit and ferocious energy, Big Brother is about fat: an issue both social and excruciatingly personal. It asks just how much sacrifice we'll make to save single members of our families, and whether it's ever possible to save loved ones from themselves.

    Moving from post-World War I America through the early 1950s, Some Luck gives us an intimate look at this family's triumphs and tragedies, zooming in on the realities of farm life, while casting-as the children grow up and scatter to New York, California, and everywhere in between-a panoramic eye on the monumental changes that marked the first half of the twentieth century. Rich with humor and wisdom, twists and surprises, Some Luck takes us through deeply emotional cycles of births and deaths, passions, and betrayals, displaying Smiley's dazzling virtuosity, compassion, and understanding of human nature and the nature of history, never discounting the role of fate and chance. This potent conjuring of many lives across generations is a stunning tour de force.

    In the cafés on College Hill, the wised-up kids are inhaling Derrida and listening to the Talking Heads. But Madeleine Hanna, dutiful English major, is writing her senior thesis on Jane Austen and George Eliot, purveyors of the marriage plot that lies at the heart of the greatest English novels. As Madeleine tries to understand why "it became laughable to read writers like Cheever and Updike, who wrote about the suburbia Madeleine and most of her friends had grown up in, in favor of reading the Marquis de Sade, who wrote about deflowering virgins in eighteenth century France," real life, in the form of two very different guys, intervenes. Leonard Bankhead - charismatic loner, college Darwinist, and lost Portland boy - suddenly turns up in a semiotics seminar, and soon Madeleine finds herself in a highly charged erotic and intellectual relationship with him. At the same time, her old "friend" Mitchell Grammaticus - who's been reading Christian mysticism and generally acting strange - resurfaces, obsessed with the idea that Madeleine is destined to be his mate. Over the next year, as the members of the triangle in this amazing, spellbinding novel graduate from college and enter the real world, events force them to reevaluate everything they learned in school. Leonard and Madeleine move to a biology laboratory on Cape Cod, but can't escape the secret responsible for Leonard's seemingly inexhaustible energy and plunging moods. And Mitchell, traveling around the world to get Madeleine out of his mind, finds himself face-to-face with ultimate questions about the meaning of life, the existence of God, and the true nature of love. Are the great love stories of the nineteenth century dead? Or can there be a new story, written for today and alive to the realities of feminism, sexual freedom, prenups, and divorce? With devastating wit and an abiding understanding of and affection for his characters, Jeffrey Eugenides revives the motivating energies of the Novel, while creating a story so contemporary and fresh that it reads like the intimate journal of our own lives.

    It’s also a love story that is in no way fictional. A fan letter to the author from a woman named Kim starts a correspondence which details research she’s conducting in one-horse towns throughout Arkansas.In the years of rural decline many of these towns dwindled to church, post office, general store, gas station, and a few rundown houses—but every house has a porch, every porch a rocker, and every rocker an old man or woman with a story.Kim and Don agree to collaborate on a book—this one—creating a unique and enchanting work about towns that will never again be their old selves and towns that never fulfilled the brave dreams of their founders. And at the end of the adventure the author and Kim meet, having learned something of expectation and hope—and love. With photos and maps.

    Includes "There's a certain slant of light," "Because I could not stop for death," "It was not death for I stood up."

    But Charlie wasn't lighting fires alone: he had an accomplice, his girlfriend Tonya Bundick. Through her depiction of the dangerous shift that happened in their passionate relationship, Hesse brilliantly brings to life the once-thriving coastal community and its distressed inhabitants, who had already been decimated by a punishing economy before they were terrified by a string of fires they could not explain. Incorporating this drama into the long-overlooked history of arson in the United States, American Fire re-creates the anguished nights that this quiet county spent lit up in flames, mesmerizingly evoking a microcosm of rural America - a land half gutted before the fires even began.

    In such classics as "The Beekeeper's Daughter," "The Disquieting Muses," "I Want, I Want," and "Full Fathom Five," she writes about sows and skeletons, fathers and suicides, about the noisy imperatives of life and the chilly hunger for death. Graceful in their craftsmanship, wonderfully original in their imagery, and presenting layer after layer of meaning, the forty poems in The Colossus are early artifacts of genius that still possess the power to move, delight, and shock.

    It became his training, his life’s work. But when his wife, Marie, inherits her father’s failing farm, Roscoe has to give up his livelihood, with great cost to his sense of self, his marriage, and his family. Realizing he might lose them all if he doesn’t do something, he begins to use his skills as an electrician to siphon energy from the state, ushering in a period of bounty and happiness. Even the love of Marie and their child seem back within Roscoe’s grasp.Then a young man working for the state power company stumbles on Roscoe’s illegal lines and is electrocuted, and everything changes: Roscoe is arrested; the farm once more starts to deteriorate; and Marie abandons her husband, leaving him to face his twenty-year sentence alone. Now an unmoored Roscoe must carve out a place at Kilby Prison. Climbing the ranks of the incarcerated from dairy hand to librarian to “dog boy,” an inmate who helps the guards track down escapees, he is ultimately forced to ask himself once more if his work is just that, or if the price of his crimes—for him and his family—is greater than he ever let himself believe.

    It chronicles the playwright at the age of eighteen during the early 1930s when he worked at an auto parts warehouse in New York to save enough money to attend college. This scholarly edition with extensive commentary and notes is ideal for students.