These were the animals on the sick list with which Oliver Graham-Jones was presented on his first day as veterinary officer of London Zoo. It was 1950, and the care of wild animals in zoos was in its infancy. Previously sick animals had been placed in the care of their keepers, kept from public view, and if they didn't respond to traditional medications allowed to pass quietly away. But Oliver was to change all this. A pioneer of many of the techniques now used by vets around the world, he was instrumental in building the first animal hospital, and in moving London Zoo away from its Victorian past into the high-tech world of modern veterinary medicine. In Zoo Tails, he tells us about some of the animals he cared for: what it felt like when he was faced with an escaped bear or an injured elephant; and what he did when called upon to perform a colostomy on a python, or when he was asked to fit one of the ravens in the Tower of London with a wooden leg. If a dangerous animal escaped or required urgent medical attention, Oliver Graham-Jones was always on hand, ready for any eventuality. Frequently describing himself as quaking with fear, he

    The book takes readers directly into the Alaskan bush, and shares the intense challenges of a majestic wilderness that pushes a man to his limits.

    In an unexpectedly zany adventure that took the author the equivalent of 3.3 times around the world, the result is a tale of theft, wartime atrocities, insane millionaires, intrigue in the Middle East, and skinny dipping.The Labrador Duck is often mentioned in the same breath as the Passenger Pigeon, the Dodo, and the Great Auk—great species that once roamed the planet. The Labrador Duck became extinct somewhere around 1875. It is the most enigmatic bird in North America, partially because it bred so far north that no record exists of its breeding, and partially because it became extinct almsot before we noted it was in decline. The Curse of the Labrador Duck chronicles Chilton's adventures while attempting to examine every stuffed specimen of the species, do genetic analysis of every Labrador Duck egg, and visit every North American site where the duck was shot.When Chilton began his investigation, there were thought to be about fifty specimens scattered amongst the museums of Europe, North America, and the Middle East. However, as his study advanced, it was clear that some specimens had been lost to war and theft, and others were secreted away in far-flung collections overseen by miserly curators. After travelling the equivalent of more than three times around the world, Chilton was able to examine what amounted to fifty-five specimens in total, although one turned out to be a forgery and several others had been tampered with by unscrupulous taxidermists. Regrettably, genetic analysis showed that none of the eggs attributed to the Labrador Duck were genuine, even those that had escaped the bombing of Dresden. On the positive side, the author earned numerous hangovers, swam naked in a glacier-fed stream, dined with Russian gangsters, and was able to narrowly avoid arrest in New York City.

    It is a book of wilderness adventure, it is an education in the ingenuities of wilderness housekeeping, filled with practical details about making do, building and rebuilding, gardening for fun and for food, even advice about getting away from getting-away-from-it-all.

    A ton of secrets, one postcard at a time.

    The warm, wry, and patient voice of a veterinarian father tells the heartfelt story of his young New England family enduring a moving trial of loyalty, hope, and faith after they are confronted with an unthinkable crisis.

    It's a distinction he's long been building, through a directing career that includes such cinematic landmarks as "The Terminator," "Aliens," "The Abyss," and the highest grossing movie of all time, "Titanic." The Futurist is the first in-depth look at every aspect of this audacious creative genius--culminating in an exclusive behind-the-scenes glimpse of the making of "Avatar," the movie that promises to utterly transform the way motion pictures are created and perceived. As decisive a break with the past as the transition from silents to talkies, "Avatar" pushes 3-D, live action, and photo-realistic CGI to a new level. It rips through the emotional barrier of the screen to transport the audience to a fabulous new virtual world. With cooperation from the often reclusive Cameron, author Rebecca Keegan has crafted a singularly revealing portrait of the director's life and work. We meet the young truck driver who sees "Star Wars" and resolves to make his own space blockbuster--starting by building a futuristic cityscape with cardboard and X-Acto knives. We observe the neophyte director deciding over lunch with Arnold Schwarzenegger that the ex-body builder turned actor is wrong in every way for the Terminator role as written, but perfect regardless. After the success of "The Terminator," Cameron refines his special-effects wizardry with a big-time Hollywood budget in the creation of the relentlessly exciting "Aliens." He builds an immense underwater set for "The Abyss" in the massive containment vessel of an abandoned nuclear power plant--where he pushes his scuba-equipped cast to and sometimes past their physical and emotional breaking points (including a white rat that Cameron saved from drowning by performing CPR). And on the set of "Titanic," the director struggles to stay in charge when someone maliciously spikes craft services' mussel chowder with a massive dose of PCP, rendering most of the cast and crew temporarily psychotic. Now, after his movies have earned over $3 billion at the box office, James Cameron is astounding the world with the most expensive, innovative, and ambitious movie of his career. For decades the moviemaker has been ready to tell the "Avatar" story but was forced to hold off his ambitions until technology caught up with his vision. Going beyond the technical ingenuity and narrative power that Cameron has long demonstrated, "Avatar" shatters old cinematic paradigms and ushers in a new era of storytelling. The Futurist is the story of the man who finally brought movies into the twenty-first century.

    From the firedrakes of Mercury to the ice-crawlers of Pluto, he'd slain them all. But his trophy-room lacked one item; and now Riordan swore he'd bag the forbidden game that roamed the red deserts . . . a Martian!The night whispered the message. Over the many miles of loneliness it was borne, carried on the wind, rustled by the half-sentient lichens and the dwarfed trees, murmured from one to another of the little creatures that huddled under crags, in caves, by shadowy dunes. In no words, but in a dim pulsing of dread which echoed through Kreega's brain, the warning ran --"They are hunting again. They are hunting me."

    In this revised edition, Merlin D. Tuttle, founder and science director of Bat Conservation International in Austin, Texas, offers bat aficionados the most up-to-date bat facts, including a wealth of new information on attracting bats and building bat houses and a totally revamped key to the identification of common North American species.

    In this title, he relates the daring exploits of going up against North America's most cunning creatures, describing men disastrously getting caught in the traps they set, wolves overcoming one dog only to succumb to the pack, and horses escaping the wrath of the great grizzly.

    Passing his days covertly watching birds, he was unaware that he, too, was being watched. Peter Conder, also a passionate ornithologist, had noticed Buxton gazing skywards. He approached him and, with two other prisoners, they founded a secret birdwatching society.This is the untold story of an obsessive quest behind barbed wire. Through their shared love of birds, the four PoWs overcame hunger, hardship, fear and stultifying boredom. Their quest would draw in not only their fellow prisoners, but also some of the German guards, at great risk to them all.Derek Niemann draws on original diaries, letters and drawings, to show how Conder, Barrett, Waterston and Buxton were forged by their wartime experience into the giants of postwar wildlife conservation. Their legacy lives on.

    You read it as a small child, or even as a adult, and never forget the images it conjures up, of a wonderful Englishman who lives in the mysterious forests of faraway Burma and of the kind native people who teach him about their lovely country. But most of all, you never forget the elephants! For this is a story about those magnificent creatures. Though he was officially known as Lt. Colonel J.H. Williams, the author was known to the world at large as “Elephant Bill”. That is because he spent 25 years living with the elephants in the mountains and forests of Burma. There he trained them to haul teak logs out of the isolated jungles.Yet this is also a story of great courage because when the Second World War struck, it also came to Burma. The Japanese Imperial Army planned to confiscate the Burmese elephants, drafting them to make the bridges and railways they needed to invade India. When he learned of these plans to put his beloved animals to a war-like purpose, Elephant Bill knew what had to be done. The mighty kings of the jungle had to be evacuated to safety.Personal story of Colonel Williams' adventures in Burma. A bit tedious but quite interesting to read about his involvement with working elephants.

    Sloat's Hotel Almighty is a book-length erasure of Misery by Stephen King, a reimagining of the novel's themes of constraint and possibility in elliptical, enigmatic poems. Here, "joy would crawl over broken glass, if that was the way." Here, sleep is “a circle whose diameter might be small," a circle "pitifully small," a "wrecked and empty hypothetical circle." Paired with Sloat's stunning mixed-media collage, each poem is a miniature canvas, a brief associative profile of the psyche―its foibles, obsessions, and delights.