He was a tireless advocate of the technology of recording, an artist who looked forward to a time when mere musicians would be rendered obsolete. He was a notorious -- and, some thought, a deliberate -- eccentric, who muffled himself in scarves and gloves, liberally dosed himself with pills, and once sued Steinway & Sons because one of its employees had shaken his hand too roughly. He lived in hermetic solitude and liked to call himself "the last Puritan," but those who watched Glenn Gould play piano saw an eroticism so intense it was almost embarrassing.Drawing on extensive interviews and on archival materials that were previously inaccessible. Otto Friedrich has written a biography of exemplary depth and stylishness. Ranging over Gould's brief but spectacular public career and his prodigious exploits as teacher, author, and lecturer, his public opinions and his intensely private life. Glenn Gould; A Life and Variations does justice to a multifaceted and perverse genius.

    *Includes some of Martin's most colorful quotes. *Includes a Bibliography for further reading. "If people want to think I get drunk and stay out all night, let 'em. That's how I got here, you know." - Dean Martin A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, readers can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known. Like Frank Sinatra, Dean Martin is an American legend for his longevity and success across a garden variety of different platforms. Martin began as a nightclub singer, performed in a comedy act, starred in films, recorded hit albums, and capped his career by serving as a television host. In fact, there may be no star who was better able to transcend the different avenues of entertainment. Martin's success was made all the more amazing by the fact that he never had to change his personality or persona to find success in his different endeavors. From the beginning, Martin's public persona remained largely unchanged. He grew more famous and wealthy, but he always remained the smooth-talking Italian with the easy charm and the cool veneer. As Jerry Lewis noted in his memoirs about Martin, "Dean had this uncanny way of making everything bad look like it wasn't all that bad." If anything, Martin suggested that no matter the circumstances, people can always face their situation with leisurely charm. Martin's versatility is unprecedented even today, an era in which stars routinely alternate between film and musical careers. Martin was able to simultaneously work across different media at the same time; even after rising to fame as a singer, he continued to perform with Jerry Lewis and star in films. But after his film career took off, he continued to perform the crooning style of music that had made him famous and had long since been outdated. While other actors were forced to drastically alter their persona to keep up with the times, Martin's ability to fuse suave glamour with an everyday ordinariness ensured he didn't need to transform anything. Martin's life and career are often compared to his close friend and contemporary Frank Sinatra, and for good reason. Both came from proud Italian families, both were cohorts in the famed Rat Pack in the 1960s, and they each maintained success even late in their careers. However, Sinatra's career was filled with far more ups and downs than Martin, and his public image experienced highs and lows along with it. It's also somewhat ironic that it was Martin who Anglicized his name but remained a bigger Italian icon than Sinatra. They each began their careers as Italian crooners, but Martin maintained his style while Sinatra adopted a brasher, more "All-American" singing method. Martin never strayed far from his humble background, even as he became one of America's biggest stars. American Legends: The Life of Dean Martin profiles the life and career of one of America's most famous performers. Along with pictures of important people, places, and events, you will learn about Dean Martin like you never have before, in no time at all.

    With her father wanted by the FBI for killing anyone who tried to leave his cult--a radical branch of Mormonism--Anna and her siblings were constantly on the run with the other sister-wives. Often starving and always desperate, the children lived in terror. Even though there were dozens of them together, Anna always felt alone.She escaped when she was thirteen . . . but the nightmare was far from over. A shocking true story of murder, fear, and betrayal, The Polygamist's Daughter is also the heart-cry of a fatherless girl and her search for love, faith, and a safe place to call home.

    . . the myth of Ayn Rand gives way to a full-sized portrait in contrasting colors, appealing and appalling, potent and paradoxical. . . . it takes a special kind of nerve to write such a book."--Norman Cousins, author of Head First and The Healing HeartAyn Rand's Atlas Shrugged is one of the most influential books of the twentieth century-its popular impact ranked second only to the Bible in a major poll. Millions know Rand as one of this century's great thinkers, writers, and philosophers, yet much about the private Ayn Rand remains shrouded in mystery.Who was Ayn Rand?My Years with Ayn Rand charts the course of the clandestine, tempestuous relationship between the enigmatic author of Atlas Shrugged and The Fountainhead and Nathaniel Branden-her young disciple and future pioneer of the self-esteem movement. In this book, discover the real Ayn Rand through the eyes of the man who became her soul mate and shared her passions and philosophical ideals.Their tragic and tumultuous love story began with a letter written by Branden as an admiring teenage fan and Anded, more than twenty years later, with accusations of betrayal and bitter recriminations. My Years with Ayn Rand paints an unforgettable portrait of Ayn Rand-whose ideas, even today, can generate a maelstrom of controversy.

    Shapland recognizes herself in the letters’ language―but does not see Carson as history has portrayed her.And so, Shapland is compelled to undertake a recovery of the full narrative and language of Carson's life: She wades through the therapy transcripts; she stays at Carson’s childhood home, where she lounges in her bathtub and eats delivery pizza; she relives Carson’s days at her beloved Yaddo. As Shapland reckons with the expanding and collapsing distance between her and Carson, she see the way Carson’s story has become a way to articulate something about herself. The results articulate something entirely new not only about this one remarkable, walleyed life, but about the way we tell queer love stories.In genre-defying vignettes, Jenn Shapland interweaves her own story with Carson McCullers’s to create a vital new portrait of one of America’s most beloved writers, and shows us how the writers we love and the stories we tell about ourselves make us who we are. In genre-defying vignettes, Jenn Shapland interweaves her own story with Carson McCullers’s to create a vital new portrait of one of America’s most beloved writers, and shows us how the writers we love and the stories we tell about ourselves make us who we are.

    

    Immaculée Ilibagiza, a young university student, miraculously survived the savage killing spree that left most of her family, friends, and a million of her fellow citizens dead. Immaculée’s remarkable story of survival was documented in her first book, Left to Tell: Discovering God Amidst the Rwandan Holocaust.In Led By Faith, Immaculée takes us with her as her remarkable journey continues. Through her simple and eloquent voice, we experience her hardships and heartache as she struggles to survive and to find meaning and purpose in the aftermath of the holocaust. It is the story of a naïve and vulnerable young woman, orphaned and alone, navigating through a bleak and dangerously hostile world with only an abiding faith in God to guide and protect her. Immaculée fends off sinister new predators, seeks out and comforts scores of children orphaned by the genocide, and searches for love and companionship in a land where hatred still flourishes. Then, fearing again for her safety as Rwanda’s war-crime trials begin, Immaculée flees to America to begin a new chapter of her life as a refugee and immigrant—a stranger in a strange land.With the same courage and faith in God that led her through the darkness of genocide, Immaculée discovers a new life that was beyond her wildest dreams as a small girl in a tiny village in one of Africa’s poorest countries.It is in the United States, her adopted country, where Immaculée can finally look back at all that has happened to her and truly understand why God spared her life . . . so that she would be left to tell her story to the world.

    Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money?   Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world.   Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else.   The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms.The No. 1 New York Times bestseller. Best nonfiction books of the year at Goodreads, Amazon.com, and Barnes & Noble. One of the New York Times critic Janet Maslin's 10 favorite books of 2013.

    This childhood triptych comes to life in The Clancys of Queens, an electric, one-of-a-kind memoir.     From scheming and gambling with her force-of-nature grandmother, to brawling with eleven-year-old girls on the concrete recess battle yard of MS 172, to hours lounging on Adirondack chairs beside an immaculate croquet lawn, to holding court beside Joey O’Dirt, Goiter Eddy, and Roger the Dodger at her Dad’s local bar, Tara leapfrogs across these varied spheres, delivering stories from each world with originality, grit, and outrageous humor. But The Clancys of Queens is not merely an authentic coming-of-age tale or a rowdy barstool biography. Chock-full of characters who escape the popular imaginings of this city, it offers a bold portrait of real people, people whose stories are largely absent from our shelves. Most crucially, it captures—in inimitable prose—the rarely-heard voices of New York’s working-class women.  With a light touch but a hard hit, The Clancys of Queens blends savvy and wit to take us on an unforgettable strata-hopping adventure.

    Outsider - spanning through his relationship with his mother, his unorthodox education, and early years as an art dealer - is often scandalous and consistently fascinating.

    Before being declared a national treasure by President Ronald Reagan, Williams would chart eighteen gold and three platinum albums, headline at Caesars Palace in Las Vegas for more than twenty years, and host an enormously popular weekly television variety show whose Christmas specials still occupy a tender spot in every baby boomer’s heart. Williams knew everybody who was anybody during his seven remarkable decades in show business (including Judy Garland, John Huston, Jack Lemmon, John Lennon, Elton John, Frank Sinatra, Elvis, and Barbra Streisand, among others) and was a close friend of Bobby Kennedy for many years, and he shares memories of them all in Moon River and Me. His millions of fans guarantee a huge audience for the autobiography of the plush baritone who— at the age of eighty-one—still draws thousands of fans to his Moon River Theater in Branson, Missouri.

    James Morris distinguished himself in the British military, became a successful and physically daring reporter, climbed mountains, crossed deserts, and established a reputation as a historian of the British empire. He was happily married, with several children. To all appearances, he was not only a man, but a man’s man.Except that appearances, as James Morris had known from early childhood, can be deeply misleading. James Morris had known all his conscious life that at heart he was a woman. Conundrum , one of the earliest books to discuss transsexuality with honesty and without prurience, tells the story of James Morris’s hidden life and how he decided to bring it into the open, as he resolved first on a hormone treatment and, second, on risky experimental surgery that would turn him into the woman that he truly was.

    Just 30 years old on September 20, 1973, Jim was revered by an adoring audience for his gentle melodies and everyman demeanor. Now, for the first time, this memoir reveals the man behind the denim jackets and signature mustache, a hard-working, wry charmer who was also beset with exhaustion at the sheer magnitude of his own success. I Got a Name, told with full access to everyone who knew and loved Jim Croce, is at once a revealing portrait of a great artist and a moving love story.

    But there was no 'big house' here - Toni did not grow up in a large homestead. She lived in a shack that had no electricity and no running water. The oppressive climate of the Territory - either wet or dry - tested everyone. Fish were known to rain from the sky and sometimes good men drank too much and drowned trying to cross swollen rivers.Toni grew up with the Aboriginal people who lived and worked on the station, and got into scrapes with her ever-increasing number of siblings. She loved where she grew up - she was happy on the land with her friends and family, observing the many characters who made up the community on Killarney. When she was sent to boarding school all she wanted to do was go back to the land she loved, despite the fact that her parents' marriage was struggling as Bill Tapp succumbed to drink and June Tapp refused to go under with him.Toni's love of the natural world and of people alike has resulted in a tender portrait of a life that many people would consider tough. She brings vividly to the page a story seldom seen: a Territory childhood, with all its colour, characters and contradictions.

    And their life together would be blessed: five healthy sons, financial security, and a home filled with joy. Despite the typical ups and downs, they had a storybook life.Then, in 1998, Ann was diagnosed with multiple sclerosis. She couldn't believe it was real; there were no therapies or treatments to help her. Mitt told her that day that they would tackle the diagnosis as a team: They were in it together. "As long as it isn't fatal, we're fine. If you have to be in a wheelchair, I'll be right there to push it," he told her. And Ann thought, "But I'll be the one in the wheelchair." A caregiver and helper her whole life, she'd crossed a terrible invisible line. She wouldn't be able to care for her family anymore. She was the patient. Ann and Mitt would face the most frightening and humbling experience of their lives.From reflections on her early life, her marriage, and her diagnosis and recovery, the sources of her faith, and the stories of others who overcame adversity and inspired her to keep going, In This Together is a brave and deeply honest portrait of a family facing an unexpected blow, often in the most public of circumstances."A lot of people talk about a transformation that happens when life throws you a curve ball, and the big one in my life was my MS diagnosis. With all the blessings I've had, MS has been my greatest teacher: It has taught me about faith, compassion, and serving others. I've met many people along the way who've shared advice and demonstrated enormous resilience in the face of challenges; their stories gave me strength. In sharing my story, I want to give others hope as I've been given hope on this journey."