. . 1600: a new century dawns. War with Spain has dragged on for fifteen years, the conflict in Ireland for six. Unease stalks England in the dying years of Elizabeth I’s reign, and Elizabethan intelligencer Martin Marbeck is bored. Then a message from his spymaster, Sir Robert Cecil arrives: the existence of a spy has been discovered, code-named Morera, and Marbeck must uncover the true identity of this traitor quickly, before rumours of the young King Philip III forming a new Armada prove themselves to be true.

    . .The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. He does not suffer fools gladly. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London’s most popular satirical cartoonist, A.J. Quill, skewers them both. But then the clergyman is found slain in a church—his face burned by chemicals, his throat slashed ear to ear—and Wrexford finds himself the chief suspect.

    It would not be too difficult to imagine someone stood there and watched. I thought of Madeleine Hexham.... I glanced around me. It was likely that I'd been given my predecessor's room and that it was here she had planned her flight into the arms of her mysterious lover." When Lizzie Martin arrives in London in 1864 to become a lady's companion, her first impressions are disturbing. She's barely out of the station when her cab encounters a wagon carrying the remains of a young woman recently dead. At her new home, Lizzie learns that her predecessor, Madeleine Hexham, disappeared without a word of warning. Despite rumors of immoral behavior surrounding the girl's departure, Lizzie is soon persuaded that there's a deeper mystery here. Her suspicions are tragically confirmed when Inspector Benjamin Ross delivers shocking tidings. Lizzie is determined to unravel the truth about the lost Miss Hexham. As, too, is Ben Ross: a man who cares about justice, whatever the class of victim. But they must tread carefully, as a cornered killer is the most dangerous of all...

    New and revised edition. Anna Kronberg lives in Victorian London’s worst rookery, offering medical treatment to prostitutes, vagrants, and criminals. To her, plugging holes and mopping up blood is normal. Stitching the slashed face of a young prostitute is not. Witnesses refuse to talk. The police can’t be bothered with yet another injured whore. But whispers are spreading about a man who pays well for a few harmless knife marks. No one dares reveal the man’s identity. Only Garret O’Hare - a thief Anna barely knows - reluctantly agrees to help her investigate the assault. But when the injured girl disappears, a veil of silence descends upon the slum. And Anna learns that she is no longer the hunter, but the hunted. Warning: medical procedures, poverty, and prostitution are depicted without apology. For fans of Caleb Carr, Louise Penny, and Anne Perry.

    The girl protests her innocence, and Amberley believes her;at least until he gets drawn into the mystery and the clues incriminating Shirley Brown begin to add up.In an English country house murder mystery with a twist, it's the butler who's the victim, every clue complicates the puzzle, and the bumbling police are well meaning but completely baffled. Fortunately, in ferreting out a desperate killer, amateur sleuth Amberley is as brilliant as he is arrogant, but this time he's not sure he wants to know the truth...

    Or so it seems to intelligence officer Hugo Hawksworth, wounded on a secret mission and now reluctantly assuming an altogether less perilous role at Selchester. The Castle’s faded grandeur hides a web of secrets and scandals—the Earl has been missing for seven years, lost without a trace since the night he left his guests and walked out into a blizzard. When a skeleton is uncovered beneath the flagstones of the Old Chapel, the police produce a suspect and declare the case closed.Hugo is not convinced. With the help of the spirited Freya Wryton, the Earl’s niece, he is drawn back into active service, and the ancient town of Selchester is dragged into the intrigues and conspiracies of the Cold War era. With a touch of Downton Abbey, a whisper of Agatha Christie and a nod to Le Carré, A Man of Some Repute is the first book in this delightfully classic and witty murder mystery series.

    Miss Scrimshaw’s Academy for Girls is a cover for an all-female investigative unit called The Agency, and at seventeen, Mary is about to put her training to the test. Assuming the guise of a lady’s companion, she must infiltrate a rich merchant’s home in hopes of tracing his missing cargo ships. But the household is full of dangerous deceptions, and there is no one to trust — or is there? Packed with action and suspense, banter and romance, and evoking the gritty backstreets of Victorian London, this breezy mystery debuts a daring young detective who lives by her wits while uncovering secrets — including those of her own past.

    Based on actual events, Just Deceits tells the story of the Trial of the Century – the 18th Century – as the remarkable defense team of wily Patrick Henry and ambitious John Marshall battled each other, their clients, family intrigue, the prosecution, and the truth itself, trying to save their clients from the gallows. In its ribald portrayal of a young legal system already driven more by spectacle than evidence, Just Deceits calls into question the feasibility — and even the desirability — of uncovering “the whole truth.” Ultimately, in the secrets revealed and the relationships celebrated, Just Deceits is as much a story of a trial of love as the trial in the courtroom.

    Mischievous socialite Anna Blanc could match wits with Sherlock Holmes, but in her world women are not allowed to hunt criminals. Determined to break free of the era's rigid social roles, she buys off the chaperone assigned by her domineering father and, using an alias, takes a job as a police matron with the Los Angeles Police Department. There she discovers a string of brothel murders, which the cops are covering up. Seizing her one chance to solve a crime, she takes on the investigation herself. If the police find out, she'll get fired; if her father finds out, he'll disown her; and if her fiancé finds out, he'll cancel the wedding.Anna must choose--either hunt the villain and risk losing her father, fiancé, and wealth, or abandon her dream and leave the killer on the loose.

    His arrival in Deva (more commonly known as Chester, England) does little to improve his mood, and after a straight thirty six hour shift at the army hospital, he succumbs to a moment of weakness and rescues an injured slave girl, Tilla, from the hands of her abusive owner. Now he has a new problem: a slave who won't talk and can't cook, and drags trouble in her wake. Before he knows it, Ruso is caught in the middle of an investigation into the deaths of prostitutes working out of the local bar. A few years earlier, after he rescued Emperor Trajan from an earthquake in Antioch, Ruso seemed headed for glory: now he's living among heathens in a vermin-infested bachelor pad and must summon all his forensic knowledge to find a killer who may be after him next. Who are the true barbarians, the conquered or the conquerors? It's up to Ruso—certainly the most likeable sleuth to come out of the Roman Empire—to discover the truth. With a gift for comic timing and historic detail, Ruth Downie has conjured an ancient world as raucous and real as our own. Published in the UK as Medicus (Ruso) and the Disappearing Dancing Girls.

    She intends to renovate the ruinous house into a hotel, but the shocking discovery of human remains brings her ambitious restoration plans to an abrupt halt before they even begin. Few physical clues are left to identify the body, but one thing is certain: this person did not die a natural death.Hungry for answers, Hetty discovers that Muirlan was once the refuge of her distant relative Theo Blake, the acclaimed painter and naturalist who brought his new bride, Beatrice, there in 1910. Yet ancient gossip and a handful of leads reveal that their marriage was far from perfect; Beatrice eventually vanished from the island, never to return, and Theo withdrew from society, his paintings becoming increasingly dark and disturbing.What happened between them has remained a mystery, but as Hetty listens to the locals and studies the masterful paintings produced by Theo during his short-lived marriage, she uncovers secrets that still reverberate through the small island community—and will lead her to the identity of the long-hidden body.

    As the trial unfolds, May tells her version of events. In 1887, at the tender age of eighteen, May ventures to Chicago in hopes of earning enough money to support her family. Circumstances force her to take up residence at the city’s most infamous bordello, but May soon learns to employ her considerable feminine wiles to extract not only sidelong looks but also large sums of money from the men she encounters.  Insinuating herself into Chicago’s high society, May lands a well-to-do fiancé—until, that is, a Pinkerton Agency detective named Reed Doherty intervenes and summarily foils the engagement.  Unflappable May quickly rebounds, elevating seduction and social climbing to an art form as she travels the world, eventually marrying a wealthy Dutch Baron. Unfortunately, Reed Doherty is never far behind and continues to track May in a delicious cat-and-mouse game as the newly-minted Baroness’s misadventures take her from San Francisco to Shanghai to London and points in between. The Pinkerton Agency really did dub May the “Most Dangerous Woman,” branding her a crafty blackmailer and ruthless seductress.  To many, though, she was the most glamorous woman to grace high society. Was the real May Dugas a cold-hearted swindler or simply a resourceful provider for her poor family? As the narrative bounces back and forth between the trial taking place in 1917 and May’s devious but undeniably entertaining path to the courtroom—hoodwinking and waltzing her way through the gilded age and into the twentieth century—we're left to ponder her guilt as we move closer to finding out what fate ultimately has in store for our irresistible adventuress.

    It came from Lancashire. John Bexwith, my steward at Appleton Manor, is dead."Susanna frowned, surprised that this news should have affected her husband so strongly. "The man was quite elderly," she said hesitantly, "was he not?""Your memory is excellent," Robert told her, absently tucking an unruly lock of dark brown hair back up under her brocaded cap. "He was found face down in a marrow-bone pie."With that incredible statement, Robert placed the letter in his wife's outstretched hand.Face Down in the Marrow-Bone Pie is a delightfully cozy Elizabethan mystery introducing Susanna, Lady Appleton. When her husband's steward dies in a unique, ignominious, and highly suspicious manner, Susanna takes advantage of her husband's absence on a political mission for Queen Elizabeth to investigate Bexwith's mysterious demise.The serving wench who found Bexwith claims that he was frightened to death by a ghost, but Susanna can think of several poisons that could have been concealed in the marrow-bone pie. (Susanna is something of an expert on poisons, having been inspired by her sister's fatal encounter with some poisonous berries to write a cautionary herbal for housewives.)Even if Bexwith was poisoned, was it accidental or intentional? As if the case weren't complicated enough, Susanna must also unmask a "ghost"-- or are the ghost and the poisoner one and the same?Kathy Lynn Emerson's debut Elizabethan mystery will delight as it introduces you to a sixteenth-century husband's worst nightmare: an intelligent, no-nonsense wife who happens to know hundreds of poisons.

    It’s 1974 and Ellison Russell’s life revolves around her daughter and her art. She’s long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper’s death. The murder forces Ellison to confront her husband’s proclivities and his crimes—kinky sex, petty cruelties and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?

    But she couldn’t. She’d stay there stuck fast in paint forever. A chimney sweep in Victorian London’s poverty-stricken East End, Tom Wasp is highly flattered to be asked to model for Valentine Drake, a painter in fashionable Chelsea, especially since his co-model is the beautiful and warm-hearted Bessie Barton, a red-headed stunner who becomes his friend. Grief-stricken when her body is found by mudlarks on the muddy banks of the river Thames, Tom vows to find her murderer. Tracking her pitiful past through London’s seamiest quarters, he discovers the monstrous shadow that hangs over her life, Moonman, from whose clutches Bessie had fled, only to fall into his murderous hands at last. But who is Moonman? Is he one of the Angels, the high-minded group of artists to which Valentine belongs? Or is the truth more terrifying still? Step by step Tom hunts down his quarry through the darkness, guided by his faith that there is goodness in this world as well as evil, and assisted by his chummy, the eleven-year-old Ned. Narrated by Tom himself, this unusual historical thriller whirls the reader from the squalor of London’s Victorian slums to the heady pleasures of its high-life, revealing both the evil and the goodness in both. Tom and Ned make a formidable team as they clean the filthy chimneys of life in this first book of the Tom Wasp series. Praise for Amy Myers ‘Victorian England hides a dark underbelly of misery and degradation along with a vicious murderer.’— Kirkus Reviews ‘Tom Wasp is one of the most engaging characters I’ve encountered in yeats’ – Ellen Keith, Historical Novels Review AMY MYERS has been a full-time writer since 1988, and has written a wide range of novels from historical sagas and contemporary romance to crime. She is married to an American and lives in Kent. Many of her novels have been published under the name of Harriet Hudson.