She’s been dining out too long, literally and figuratively, on a culture of celebrity worship and empty punditry. She seeks refuge from her better judgment in endless parties, ritual substance abuse, and half-hearted attempts to get herself fired, but in a libertarian newsroom where outrageous spin is the easiest way to sell papers, her bad-girl behaviour just wins her more accolades.Along this path of self-destruction, Max’s past, comic and poignant, keeps intruding: memories of her mother’s brutal death and her hippie father’s crippling breakdown; the reappearance of an aging vegan idealist who briefly played her stepmom on the West Coast commune where she came of age; tender realizations about the bad artist she was supposed to marry and a long-lost boyfriend who seems exotically sane. When a host of prior indiscretions finally catches up with her, Maxime realizes that any chance at happiness depends on uncovering, at last, her one true story.Set during the madness of the Toronto International Film Festival and weaving back and forth between Max’s commune past and her newsroom present, How Happy to Be portrays with razor-sharp insight and bittersweet wit a modern woman’s descent into — and eventual escape from — the deafening pop culture noise of the early twenty-first century. Intelligent, savvy, this novel marks the arrival of a remarkable new fiction talent.

    As he blows out the candles on his cake, he makes a token wish. Three days later, to his utter astonishment, that wish comes true.All his problems solved, Kyle is busy counting his blessings when a gaunt pensioner turns up at his door unannounced. The stranger then confounds Kyle by claiming credit for his recent good fortune, followed by a bizarre declaration … when Edmund Wishkin grants a wish, there’s always a price to pay.Whether he believes the old man or not, Kyle is about to discover the true cost of a wish fulfilled.

    Sarah, a beautiful, successful lawyer, wants nothing more than to have a baby. But balancing IVF treatments with a grueling eighty-hour workweek is no walk in the park. Meanwhile, Annie, a Harvard-grad chemist recently transplanted to Southern California, is cutting coupons to afford her young autistic son’s expensive therapy.Desperate, the two friends come up with a brilliant plan: they’ll combine Sarah’s looks and Annie’s brains to sell a “luxury” antiaging face cream to the wealthy, fading beauties in Annie’s La Jolla book club. The scheme seems innocent enough, until Annie decides to add a special—and oh-so-illegal—ingredient that could bring their whole operation crashing to the ground.Hilarious, intelligent, and warm, Crimes Against a Book Club is a delightful look at the lengths women will go to fend for their families and for one another.

    Annick Boudreau regularly confronts a myriad of mental health issues in her psychology practice at the West Coast Cognitive Behavioural Therapy Clinic in Vancouver, British Columbia. But even Annick is stunned when Sanjay, a young patient who suffers from Obsessive Compulsive Disorder, is arrested for the brutal murder of his roommate. While Sanjay is tortured by repeated violent thoughts, everything Annick knows about her patient and his illness has her convinced that he’s innocent. But the police and prosecution are convinced that they have caught the perpetrator and aren’t interested in looking for other suspects. Unable to talk to the authorities because of doctor-patient confidentiality, Annick feels compelled to investigate on her own, finding herself drawn into the darker side of her postcard-perfect city in the process.

    She holds up the Indigenous trans body as a site of struggle, liberation, and beauty. A confessional poet, Benaway narrates her sexual and romantic intimacies with partners as well as her work to navigate the daily burden of transphobia and violence. She examines the intersections of Indigenous and trans experience through autobiographical poems and continues to speak to the legacy of abuse, violence, and colonial erasure that defines Canada. Her sparse lines, interwoven with English and Anishinaabemowin (Ojibwe), illustrate the wonder and power of Indigenous trans womanhood in motion. Holy Wild is not an easy book, as Benaway refuses to give any simple answers, but it is a profoundly vibrant and beautiful work filled with a transcendent grace.Praise for Holy Wild:"This is a heart wrenching, thought provoking, honest, and graceful walkthrough of trans realities both on the homeland and in urban settings." —Joshua Whitehead, author of Jonny Appleseed, longlisted for the Scotiabank Giller Prize, and Full-Metal Indigiqueer"As the poet says, "they want one thing and I am many." This book is many things, and we are grateful." —Katherena Vermette, author of the award-winning novel The Break"Benaway conjures trans life in a place that is both prior to and in excess of the violence that mires it. It is the emotional infrastructure for something like freedom. Let Benaway lead you there." —Billy-Ray Belcourt, author of This Wound is a World

    She’d be ready to go, if it weren’t for Perdita...The Georgian Bay lighthouse’s single eye keeps watch over storm and calm, and Marged grew up in its shadow, learning the language of the wind and the trees. There’s blustery beauty there, where sea and sky incite each other to mischief…or worse…Garth Hellyer of the Longevity Project doesn’t believe Marged was a girl coming of age in the 1890s, but reading her diaries in the same wild and unpredictable location where she wrote them might be enough to cast doubt on his common sense.Everyone knows about death. It’s life that’s mysterious....

    One glimpse of the tiny painted house that folk art legend Maud Lewis shared with her husband, Everett, in Marshalltown, Nova Scotia, during the mid-twentieth century and the startling contrast between her joyful artwork and her life's deprivations is evident. One glimpse at her photo and you realize, for all her smile's shyness, she must've been one tough cookie. But, beneath her iconic resilience, who was Maud, really? How did she manage, holed up in that one-room house with no running water, married to a miserly man known for his drinking? Was she happy, or was she miserable? Did painting save or make her Everett's meal ticket? And then there are the darker secrets that haunt her story: the loss of her parents, her child, her first love. Against all odds, Maud Lewis rose above these constraints—and this is where you'll find the Maud of Brighten the Corner Where You Are: speaking her mind from beyond the grave, freed of the stigmas of gender, poverty, and disability that marked her life and shaped her art. Unfettered and feisty as can be, she tells her story her way, illuminating the darkest corners of her life. In possession of a voice all her own, Maud demonstrates the agency that hovers within us all.

    Chronicling five generations of this eccentric clan, Fall on Your Knees follows four remarkable sisters whose lives are filled with driving ambition, inescapable family bonds, and forbidden love. Their experiences will take them from their stormswept homeland, across the battlefields of World War I, to the freedom and independence of Jazz-era New York City.Compellingly written, running the literary gamut from menacingly dark to hilariously funny, this is an epic saga of one family’s trials and triumphs in a world of sin, guilt, and redemption.

    But soon after, a horrific accident scars each of them in a different way, testing their bonds and leaving each with a debt to be paid. As adults, seeking to rise above debt and advance in life, each man decides upon a very different path--but over time, all three discover they are tied to each other in intricately tangled, sometimes violent, and surprising ways that none of them has been wise enough to foresee.   In Crimes Against My Brother, literary legend David Adams Richards is at his finest, reprising some of his most complex and beloved characters (such as Sydney Henderson from Mercy Among the Children), introducing unforgettable new ones (such as the beautiful but fatally foolish Annette Brideau; and the wily, charming, money-hungry manipulator Lonnie Sullivan), and weaving a tale of such force, gravitas, complexity, universality, and compassionate understanding that he reaffirms his status as a master storyteller who has, book by book, used his rare genius to create an entire, teeming universe alongside a river in a small northern part of the world.

    Only one has told her story.three years after giving up alcohol, Jowita Bydlowska found herself throwing back a glass of champagne like it was lemonade. 'It's a special occasion,' she said to her boyfriend. And indeed it was. It was a party celebrating the birth of their first child. It also marked Jowita's immediate, full-blown return to alcoholism and all that entails for a new mother who is at first determined to keep her problem a secret. Her trips to bottle shops stores are in-and-out missions. Perhaps she's being paranoid, but she thinks people tend to notice the stroller. Walking home, she stays behind buildings, in alleyways, taking discreet sips from a bottle she's stored in the nappy bag. She know she's become a villain: a mother who drinks; a mother who endangers her child. She drinks to forget this. And then the trouble really starts. Jowita Bydlowska's memoir of her relapse into addiction is an extraordinary achievement. the writing is raw and immediate. It places you in the moment - saddened and appalled but never able to look away. With brutal honesty, DRUNK MUM takes us through the binges and blackouts, the self-deception and less successful attempts to deceive others, the humiliations and extraordinary risk-taking. She shines a light on the endless hunger of wanting just one more drink, and one more again, while dealing with motherhood, anxiety, depression - and rehab. Advance Praise for Drunk Mom: 'Jowita is matter of fact, funny, fearless, and irreverent as she lifts the veil to chronicle what it means to be a young mother when both baby and mother have their own bottles - the shame and the inner voices, as well as the joy and relief. this book is for anyone who has ever struggled to make it through a day.' - Laura Albert, a.k.a. Jt LeRoy, author of Sarah, the Heart Is Deceitful Above All things and Harold's End 'Drunk Mom is a stunning, harrowing read. Why harrowing? Not just because of the dramatic story, of a new mother at the edge of her tether. And not only because of Jowita Bydlowska's skill as a writer, and the crisp, original way she tells it. What's most harrowing about Drunk Mom is that you can't stop reading it-this, the dark, now-told tale that lurks in the shadow of every seemingly normal family.' - Ian Brown, author of the Boy in the Moon 'A brave, brilliant and scathing self-portrait. Full of energy and insight. If Frida Kahlo had been a writer, she might have been compared to Jowita Bydlowska.' - Patricia Pearson, author of A Brief History of Anxiety - Yours and Mine. 'Fearless and troubling, and so very humane, Bydlowska explodes the cutesy momoir genre. You'll read it in one sitting.' - Katrina Onstad, author of Everybody Has Everything.

    This book also contains them all, except that each one appears by itself in its own chapter. A unique personality for each vowel soon emerges: A is courtly, E is elegiac, I is lyrical, O is jocular, U is obscene. A triumphant feat, seven years in the making, this uncanny work of avant-garde literature promises to be one of the most important books of the decade.

    The Confabulist weaves together the life, loves and murder of the world's greatest magician, Harry Houdini, with the story of the man who killed him (twice): Martin Strauss, an everyday man whose fate was tied to the magician's in unforeseen ways. A cast of memorable characters spins around Houdini's celebrity-driven life, as they did in his time: from the Romanov family soon to be assassinated, to Sir Arthur Conan Doyle and the powerful heads of Scotland Yard, and the Spiritualists who would use whoever they could to establish their religion. A brilliant novel about fame and ambition, reality and illusion, and the ways that love, grief and imagination can alter what we perceive and believe.

    Now they must empty and sell the beloved family home, which hasn't been de-cluttered in more than half a century. Twenty-three rooms bulge with history, antiques, and oxygen tanks. Plum remembers her loving but difficult parents who could not have been more different: the British father, a handsome, disciplined patriarch who nonetheless could not control his opinionated,extroverted Southern-belle wife who loved tennis and gin gimlets. The task consumes her, becoming more rewarding than she ever imagined. Items from childhood trigger memories of her eccentric family growing up in a small town on the shores of Lake Ontario in the 1950's and 60's. But unearthing new facts about her parents helps her reconcile those relationships with a more accepting perspective about who they were and what they valued.They Left Us Everything is a funny, touching memoir about the importance of preserving family history to make sense of the past and nurturing family bonds to safeguard the future.

    Moving from 2001 through to 2025, The Outer Harbour is at once a history book and a cautionary tale of the future, condensing and confounding our preconceived ideas around race, migration, gentrification, and home.Wayde Compton is the author of three poetry collections. He is director of the Writer's Studio at Simon Fraser University.

    In August 2014 State Security agents grabbed them, accusing them of espionage. In shock, they were unaware of a Chinese spy arrest in Canada, giving the US “some leverage over China to bring a stop to more than a decade of rampant cybertheft” or that they’d become “bargaining chips in China’s desperate countermove”. (Graff, Garrett M. “How the US Forced China to Quit Stealing—Using a China Spy”. Wired Magazine. October 11, 2018) This compelling story of a Canadian Christian couple who spent 30 years working and raising their family in China, involved in aid, education and social enterprise is a unique parallel journey. From the early days teaching English in a decade of ration coupons and collective work units, Kevin and Julia watched with admiration as China catapulted into the modern age with unprecedented speed. Well-loved in China, the Garratt’s had always been thanked for their work in education, social welfare, social enterprises and community service. In 2007, along with two of their children, they moved to the China/North Korea border, opened a popular coffee shop and provided aid and assistance for marginalized communities in Dandong, China and North Korea. Their sudden disappearance plunged them into a journey where survival took every breath. Through their harrowing ordeal and intense suffering comes life-changing insight. They find themselves part of new community of those who’ve tasted yet overcome the pain of injustice. Courage and kindness, friendship and faith, resonates through the ordeal with the heartbeat of a love journey. Artfully written, Two Tears in the Window combines Kevin’s gifted story-telling and humour with Julia’s ability to let you see through their eyes and draw readers into deeply painful yet profoundly life-changing experiences. For more information or to contact the authors, visit www.twotearsonthewindow.com