Created by some of Japan's most talented and up-and-coming special effects make-up artists, this is the first Japanese language Special Effects Make-Up "how-to" guide! From easy "scar" make-ups to basic techniques to masks and full-scale prosthetics, each process is covered in a fully illustrated, step-by-step process.

    Carry your sword, my prophetess. Obstinate contumacy training. Find the objective that is more draining. More strenuous tasks will make you grow. Pain upon you I bestow. I’ll take it all and nothing less. I claim it back; I repossess. Tip the scale; Turn it over. Mark the unused; What’s leftover. The main part no longer exists; Despite the reduction, it persists. Continued movement; A quest for traction. An opposite and negative reaction. Hex induced metamorphosis; Reoccur once again for us. Physically and internally changing. The process of rearranging. The alteration was so fitting. Now they’re pausing; They’re intermitting. In reaffirming the causation; Keep kempt, and maintain your original explanation. Wear our serpent, prophetess; Prior to you was profitless. The soil was sown with no reaping. Tear our hearts out for your keeping. Beyond the boundaries of what is permitted. Reward me for the sins I’ve committed. My acts were bold; Caress my flesh. I give it all and nothing less. The facsimile will shudder. Express what it is I utter. Amidst psychos and others. Among psychos and others. Live with vigor; Efficiently transfigure. Disfigure; Change his figure. Make it so; Mark the torso. Undergo; Nock the torso. Let it grow; Open the torso. Let him know; Carve the torso.

    Chronicling steroid use far beyond the headlines, it begins with the bodybuilders of Venice Beach in the 1970s and continues through to the NFL’s Raiders of the ’80s and ’90s and the baseball scandals of today. Assael also reveals the dramatic story of the godfather of the steroid movement: Dan Duchaine, who wrote The Original Underground Steroid Handbook in 1981.Part detective story, part medical investigation, and part sociological examination, Steroid Nation is a groundbreaking work on the most compelling story in the sports world today.

    With a combination of sparse line work and visual codes borrowed from animation and film, the quiet, melancholy lives of a young couple struggling to make ends meet are beautifully captured in this poetic masterpiece. Uninvolved with the political movements of the time, Ichiro and Sachiko hope for something better, but they’re no revolutionaries; their spare time is spent drinking, smoking, daydreaming, and sleeping—together and at times with others. While Ichiro attempts to make a living from his comics, Sachiko’s parents are eager to arrange a marriage for her, but Ichiro doesn’t seem interested. Both in their relationship and at work, Ichiro and Sachiko are unable to say the things they need to say, and like any couple, at times say things to each other that they do not mean, ultimately communicating as much with their body language and what remains unsaid as with words. Red Colored Elegy is informed as much by underground Japanese comics of the time as it is by the French nouvelle vague, and its cultural referents range from James Dean to Ken Takakura. Its influence in Japan was so great that Morio Agata, a prominent Japanese folk musician and singer/songwriter, debuted with a love song written and named after it.

    From cute handwriting came manga, Hello Kitty, and Harajuku, and the kawaii aesthetic now affects every aspect of Japanese life. As colorful as its subject matter, this book contains numerous interviews with illustrators, artists, fashion designers, and scholars. It traces the roots of the movement from sociological and anthropological perspectives and looks at kawaii's darker side as it morphs into gothic and gloomy iterations. Best of all, it includes hundreds of colorful photographs that capture kawaii's ubiquity: on the streets and inside homes, on lunchboxes and airplanes, in haute couture and street fashion, in cafes, museums, and hotels.

    He has also appeared in numerous independent films and made his New York Stage debut in the acclaimed MCC production of Small Engine Repair.Keegan was given his first camera at age nine, and began a lifelong study and pursuit of photography. life.love.beauty is a selection of photographs taken since his childhood. It's a photo journey through the life of an intensely creative soul whose expression finds various forms: in acting, in poems and stories, lyrics and music, but above all in photography. This book's content resonates in the commonality we all share on our own journeys while unveiling an inside look into a world that very few experience.Organized into three broad groups-life, love, and beauty-the book ranges over the public and private side of Keegan Allen and his world. A child of Hollywood, whose father was also an actor and his mother a painter, Keegan roams freely through that realm, photographing his fellow actors on set, behind the scenes; and recording the amazed, gleeful, sometimes weeping fans that flock to his television and career related events.Allen also has an eye for the anonymous and the unexpected: the woman gazing dreamily from the balcony of a run-down hotel; the rifle-toting dog walker who seems to have emerged from the 19th century; the performers and denizens of Venice Beach and also the streets of New York, some of them chasing the dream of fame, others having long-since abandoned it; the little boy amid in the crowd in an enormous airport; portraits of lovers kissing on subways, in parks, and on the streets. Traveling from California to New York to Paris and back, as well as through the American west, he finds beauty in both urban and rural places: from large-scale landscapes to glimpses of light transforming what it touches.Keegan's poems, stories, captions and musings, song lyrics, and journal pages complement the photographs on this journey. He provides an account of growing up just off the Sunset Strip, coming into his own as an actor/artist, dealing with public recognition while maintaining a very private life, falling in and out of love, and acknowledging the influence of his family, friends, fans, and loved ones.life.love.beauty is an unusually intimate and revealing book: a delight for anyone who values photography, and a gift for the many fans who already follow Keegan's career.Keegan's real passion comes through in both his photographs and candid story telling in this unique photo-journal.

    Titillating text messages. It's-not-you-it's-me relationship-enders. In Other People’s Love Letters, Bill Shapiro has searched America’s attics, closets, and cigar boxes and found actual letters–unflinchingly honest missives full of lust, provocation, guilt, and vulnerability–written only for a lover’s eyes. Modern love, of course, is not all bliss, and in these pages you’ll find the full range of a relationship, with its whispered promises as well as its heartache. But what at first appears to be a deliciously voyeuristic peek into other people’s most passionate moments, will ultimately reawaken your own desires and tenderness…because when you read these letters, you’ll find the heart you’re looking into is actually your own.• "i think UR great. wanna have wine & Tequila again sometime?"• "I can't believe you're real, and I think about you constantly in some way or the other all day. I haven't given the finger to anyone driving since I met you."• "With you I learned how to fight cleaner, how to talk things out better, and how to make a strong loving family out of nothing. These are priceless gifts that I will carry with me the rest of my life. One more thing you did for me: you left, and I had to get through it."• "P.S. I look forward to your letters too much to call. Also, where do you stand on chains?"

    The book teaches that a person's softness is their biggest strength and that having a big heart is not always a bad thing and that a glimmer of light can be found in the darkest places.A Handful of Stars is raw and unapologetic, soft and kind, reflective and inspirational all at the same time. Some of Ruby's most loved poems are shared within the pages of this book, in hope that they will have the same effect on readers the second time as they did the first.

    In the sounds of ice breaking in the river, silkworms eating mulberry leaves in the night, and Mahler played on the double bass, her characters hear the music of human suffering and redemption. . . . The Ocean in the Closet is a compelling and moving novel.”—Kyoko MoriIn sunny California, the Vietnam War may have just ended, but nine-year-old Helen Johnson’s world is beginning to crumble. Her father, a former POW and Vietnam veteran, has become increasingly distant; her mother, a Japanese adoptee, is struggling with mental illness; and her six-year-old brother is too young to understand what’s happening. Determined to find out more about her mother’s past and with a boldness that belies her timid self-image, Helen writes to her great-uncle Hideo in Japan, beginning a journey that will take her across the ocean and through the imperial legacies of both countries.As Hideo and his wife recount the stories of his family’s silk business in Hiroshima, their experiences in China and Japan during and after World War II, and the fate of his sister Ume, Helen’s grandmother, they discover that although their lives have been darkened by war, their future can be healed by tending their shared roots. In this beautiful debut novel, Yuko Taniguchi creates a moving story of hope and redemption, of tragedy and resilience, and of the secrets, burdens, and ultimate strength that lie in a young girl’s heart.Yuko Taniguchi, author of the critically acclaimed book of poetry Foreign Wife Elegy, was born in Yokohama, Japan, in 1975. At the age of fifteen, she came to the United States and attended high school in Maryland, obtaining her collegiate degrees in Minnesota, where she continues to make her home. Visit her website at www.yukotaniguchi.com.

    Recollections of Farrar's father are prominent throughout the stories. Ultimately, it is music and musicians that are given the most space and the final word since music has been the creative impetus and driving force for the past 35 years of his life.In writing these stories, he found a natural inclination to focus on very specific experiences; a method analogous to the songwriting process. The highlights and pivotal experiences from that musical journey are all represented as the binding thread in these stories, illustrated throughout with photography from his life. If life is a movie, then these stories are the still frames.

    With a legion of over a million followers, Kerby has been a source of inspiration to artists, designers, and art-lovers all over the world with his stunning art and inspirational messages like "Never Quit Drawing" and "Be Awesome Today." Now fans can glimpse the personal sketchbook of Kerby Rosanes with Sketchy Stories, a beautiful facsimile reproduction of his original sketchbook, loaded with secret doodles, elaborate sketches, and whimsical lines and detailed patterns. Interspersed with his artwork, Kerby also includes techniques, tips, inspirations, influences, and more. The ideal gift for fans of Kerby Rosanes or anyone who is ready to be creatively inspired.

    Shaw

    Playing games with the basic units of both life and fiction—the solid certainties of the self, the world around us, and the words we use to describe these things to one another—Mieko Kanai creates a reality where nothing is certain, and where a little boy going out to run errands for his mother might find that he’s an adult, and his mother long dead, at the end of a single train ride. Using precise language to describe dreamlike plots owing as much to Kafka and Barthelme as to Kenzaburō Ōe and the long tradition of the Japanese folktale of the macabre, The Word Book is an unforgettable voyage to absurd, hilarious, and terrifying locales, and is the English-language debut for one of the greatest and most interesting Japanese writers working today.

    On its journey seaward, it passes through countryside that has long been at the heart of the Japanese tradition. And it flows too past the mountains and the villages, past the dams, ditches and rice fields that provide such a richly textured backdrop to this novel.Powerful enough to sweep away people on its banks and placid enough to carry along with its flow a sumptuous wedding procession, The River Ki dominates the lives of the people who live in its fertile valley and imparts a vital strength to the three women, mother, daughter and granddaughter, around whom this novel is built. It provides them with the courage to cope, in their different ways, with the unprecedented changes that occurred in Japan between the last years of the last century and the middle of this century.Sawako Ariyoshi, one of Japan's most successful modern novelists, describes this social and cultural revolution largely through the eyes of Hana, a woman with the vision and integrity to understand the inevitability of the death of the traditional order in Japan. Ariyoshi writes with a love for detail bound to a broader understanding of the importance of the geographical and biological forces that mold her characters-and the result is a story that flows with all the vitality of The River Ki itself.

    Who are they? They are him and her. They are you and me. They are rowing to salvage what remains of themselves. They are rowing to remember the fun we’ve had."Michael Seidlinger is a homegrown Calvino, a humanist, and wise and darkly whimsical. His invisible cities are the spires of the sea where we all sail our coffins in search of our stories."--Steve Erickson, author of Zeroville“Melding the static, high-concept premise of two humans floating alone on a coffin in a sea devoid of all else with stark and meditative prose, The Fun We've Had evokes a highly unexpected experience, somewhere between Beckett's most hopeless solipsists and the mysterious energy of a child's Choose Your Own Adventure-era dream.”--Blake Butler, author of There Is No Year and Three Hundred Million“It is obvious that Michael J Seidlinger had a great deal of fun writing The Fun We've Had. What more could a reader ask for?”--Michael Kimball, author of Big Ray“The best poets are writing poetry no matter what they are writing, creating entirely new and weird spaces. There is no doubt Seidlinger has made one of the weirdest spaces we will ever inhabit. In The Fun We’ve Had, every visible thing is a love of disturbing tremors, keeping ahead of our ever-curious eyes, hoping to savor every line. What a magnificent book.”--CAConrad, author of The Book of Frank"Seidlinger’s imagination is a sea unto itself, the reader riding these rollicking waves. This book will have you clutching pages as though they’re life vests. Fans of Calvino and Shelley Jackson will dig the slow submerge into this crazy romp."--Joshua Mohr, author of Damascus"Michael J Seidlinger writes with the kind of weird, wonderful, joyful abandon that reminds the reader that world is still the great unknown. In The Fun We’ve Had, he examines the long blank space between life and death, fills it with love and loss and boats made of coffins, with people clinging to life and using the weight of the past as ballast. This is a fun read, true; but it's also a true read, and that's what makes it so beautifully sad."--Amber Sparks, author of The Desert Places and May We Shed These Human Bodies“Ready for an analogy? Here goes: When you need to give a dog a pill, you don’t just jam it down his throat, you wrap that pill in something yummy, like, say, ham. Michael J Seidlinger understands that this principle extends to people and books. So he’s got this pill he wants you to swallow, right? That pill is the truth about love and death and strife and, more generally, the messy mysterious business of being human, and also of being nothingness. Pretty heavy, right? Big old horse pill. But then Seidlinger, no fool, wraps it in the yummy slow-smoked maple goodness of his humor. He obviously had a fine time writing this book, which is precisely the reason you’ll have a fine time reading it.”–Ron Currie Jr., author of Flimsy Little Plastic Miracles