Book picks similar to
Sandeh (Marathi) by Ratnakar Matkari
marathi
india
purple-pencil-project
ratnakar-matkari
Mazya Bapachi Pend (Marathi)
D.M. Mirasdar - 1957
Grief, longing, being away from near and dear…….. Colours not seen before, each story has a unique shade. Each reveals different pain. The story of the king titled perfectly as to Once Upon A Time…….. is the best example of this. The comedian in the Courts of the king helps him to win the heart of the most wise and beautiful damsel in the town. He uses all his wit so as to bring the beautiful maiden in the king’s palace. At the end, when he realizes that it is the wittiness that the lady was fallen for and not name or fame of the king, he pities himself. It could have been he himself who could have become the partner of the lady. She was not impressed with the king’s wealth neither craved for bravery. What she wished was a mind equivalent to her talents………. Alas……….
लक्ष्यवेध
रणजित देसाई
Apart from this, many a times each state of each nation has role models from the past but not forgotten history. Maharashtra has its own idols. The greatest and most loved of them all is shivaji maharaj.
Aik Sakhe
V.P. Kale - 1975
It is unique in its setting, it is based on the concept of Arabian Nights, each story ends in the beginning of yet another story. Va Pu has handled novels and dramas; he also has handled the biography and autobiographical forms, yet his base is that of a story writer and to be precise that of a story-teller. His writing reaches its peak, is in full bloom, is in this form. His stories are always meaningful and sensitive. But when he presents them himself, then these stories appear to be full of feelings, freshness, energy and vibrancy. His unique presentation gives certain depths to many a words said, many a sentence presented; sometimes showing compassion, sometimes style, sometimes affections and sometimes melodrama. None of the characters are special or unique; they all are representatives of common men and women; yet it is his presentation that reveals the greatness of small people and meanness of great people. His writing has beauty, simplicity, flow and a prance.
Bai_Bayko_Calender (Marathi)
V.P.KALE
There were 65 blocks on each floor, so in all the four floors had 260 blocks, all the members from each and every block started running towards Ramakant Laghate`s residence. Since many years, nothing so exciting had happened in the building and there was no possibility of anything exciting happening in the near future. This is a peculiarity of Va Pu`s stories; they start with a shock and give us another one at the end, the story it self at its height throughout the book. Every common man feels that something exciting should happen in his or her life. With this as a clue, Va Pu has cleverly woven the stories. Each and every story has a very special plot, which further heightens the suspense making it exciting as well and gives a shock at the end. Why do we get so engulfed in all those stories? Answer is simple. It is Va Pu`s natural, hearttoheart, and yet naughty style and the freshness of the topics.
Fakakd Goshti (Marathi)
Shankar Patil - 1998
One awakens the sorrow and one brings cheerfulness. Patil never wrote for the sake of humour, but his stories have many unseen sown seeds of laughter. They are full of the contrast in life, the contrast is the central theme of his stories. Patil must get the credit for adding this caricature type stories to Marathi literature. The humorists are the wise men of the world because the most forcible way to impart truth is through laugh. Yes, Patil proves to this test. He is a very clever, astute, ingenious, naughty and mischievous writer. This book is a proof of his qualities.
रक्तचंदन [Raktachandan]
G.A. Kulkarni - 1966
The stories are a strong reflection of the kind of life the author himslf led.
Strange Men Strange Places
Ruskin Bond - 1992
Soldiers, mercenaries, free-booters. Europeans all, braving the heat and dust of India. They fought for wealth, for glory, and for sheer fun. Their glorious and inglorious exploits are full of thrill, romance, and violence. Ruskin Bond has recreated the turbulent and colourful India of the eighteenth and nineteenth centuries with the soldiers of fortune strutting across the subcontinent. The saga of their lives and loves in Delhi, Jaipur, Aligarh, Sardhana, and Lucknow reads stranger than fiction.
M.T.Aayava Maroo
Anant Samant - 2005
No doubt that it is about the sea, storm and adventurous men; but most of all it is the story that probe deep in to the human minds molded by Indian, British, Philippine and Indonesian cultures. It is the drama of these four cultures conflicting, clashing, but living together to fight their destiny, which makes ‘M. T. Aiwa Maru’ the only novel of its kind in the world literature. Many known directors from Indian film industry have an ambition to create a movie based on this novel.
उल्का
Vishnu Sakharam Khandekar - 1934
Only the ideals have changed, the conflict has remained forever. The conflict in the ideals presented in Ulka represent the 1st half of the 20th Century
The Girl I Met That Night
Zahir Chauhan - 2021
His life changes when he meets a stranger one fateful night and is enamoured by her.ANAMIKA is a mystery, who is searching for herself. She tells Kabir her story, but on the condition that they would never meet again. The night ends, but their story has just begun!Their paths cross again, but Anamika disappears. With no clue about where she is, Kabir is lost and disheartened.To what extent will Kabir go to find Anamika? What is Anamika hiding from him? Will they meet again?Read this electrifying tale of destiny, love and courage to know more about The Girl I Met that Night.
Zhool
Bhalchandra Nemade - 1979
asprawling narrative of the moral life of post-independent society across Maharashtra. The novel unfolds the microcosm of the commercialized education in India.
Of Love and Politics
Tuhin A. Sinha - 2010
It takes a horrific incident like 26/11 to make each of them realize the shortcomings of the parties they swear by and to look at the larger picture.
Sattantar [सत्तांतर]
Vyankatesh Madgulkar - 1982
It does not take a break. If at all there is any change then it is in the form of high tide or overflowing. It is always on the side of worsening. Whenever there are more mouths to feed, a lot of people around this struggle reaches to peak. Whenever sharing land and food becomes inevitable, resistance is unavoidable. Confrontation is at its worst when someone tries to intrude our caste and our system and then tries to break through the impregnable walls of society. Those who are really able to speak, often blurt out their anger and antagonism through words. Those who are not able to speak out, reflect their love and hatred through actions, body language and so on. Once struggle starts, it takes a hideous form. Words appear to be deficient. Weapons take place of words then. Whenever there is a shortage of weapons, then often tusks and nails are used in place. Struggle envelopes everything.
Kuna Ekachi Bhramangatha
G.N. Dandekar - 1958
Part biographical author is describing his journey, where he is not conforming to all strictures demanded by parikramawasi. While he is searching for the ultimate truth he falls in love with a widow. But, falling in love, both for an ascetic and the window is blasphemy in Hinduism . The second half blossoms into love story and ends with sacrifices of protagonists so that societal rules remain intact.