Spradlin now dons a different hat and gallops hell for leather into a darker, wilder West. Blood Riders is the story of Civil War veteran Jonas R. Hollister, who’s recruited by the U.S. government to hunt down and destroy an ancient tribe of vampires that is terrorizing the frontier territories. An ingenious mash-up of western and dark fantasy—with an intriguing touch of American steampunk weaponry thrown in for good measure—Spradlin’s Blood Riders has Hollister joining up with real-life historical figures Samuel Colt and Alan Pinkerton and one of horror literature’s most famous monster hunters (Abraham Van Helsing from Bram Stoker’s Dracula) to rid the West of the undead scourge once and for all.

    The present volume selects thirteen other tales of mystery and the macabre, including the works of James Hogg, J.S. LeFanu, Letitia Landon, Edward Bulwer, and William Carelton. The introduction surveys the genesis and influence of The Vampyre and its central themes and techniques, while the Appendices contain material closely associated with its composition and publication, including Lord Byron's prose fragment Augustus Darvell.JOHN POLIDORI - The VampyreHORACE SMITH - Sir Guy Eveling's DreamWILLIAM CARLETON - Confessions of a Reformed RibbonmanEDWARD BULWER - Monos and DaimonosALLAN CUNNINGHAM - The Master of LoganANONYMOUS - The VictimJAMES HOGG - Some Terrible Letters from ScotlandANONYMOUS - The CurseANONYMOUS - Life in DeathN. P. WILLIS - My Hobby,--RatherCATHERINE GORE - The Red ManCHARLES LEVER - Post-Mortem Recollections of a Medical LecturerLETITIA E. LANDON - The Bride of LindorfJOSEPH SHERIDAN LE FANU - Passage in the Secret History of an Irish Contess

    Banned from reading, Florence devours books in secret and talks to herself—and narrates her story—in a unique language of her own invention. By night, she sleepwalks the corridors and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles.After the sudden violent death of the children's first governess, a second teacher, Miss Taylor, arrives, and immediately strange phenomena begin to occur. Florence becomes convinced that the new governess is a malevolent spirit who means to do Giles harm. Against this powerful enemy, Florence must use all her intelligence and ingenuity to protect her little brother and preserve her private world. This Gothic page-turner in the tradition of The Woman in Black and The Fall of the House of Usher is told in a startlingly different and wonderfully captivating narrative voice.

    The red-headed prostitute Rosina; the junk-dealer Aaron Wassertrum; puppeteers; street musicians; and a deaf-mute silhouette artist.Lurking in its inhabitants’ subconscious is the Golem, a creature of rabbinical myth. Supposedly a manifestation of all the suffering of the ghetto, it comes to life every 33 years in a room without a door. When the jeweller Athanasius Pernath, suffering from broken dreams and amnesia, sees the Golem, he realises to his terror that the ghostly man of clay shares his own face...The Golem, though rarely seen, is central to the novel as a representative of the ghetto's own spirit and consciousness, brought to life by the suffering and misery that its inhabitants have endured over the centuries. Perhaps the most memorable figure in the story is the city of Prague itself, recognisable through its landmarks such as the Street of the Alchemists and the Castle.

    She's still reeling from the news when she's offered an unexpected solution: Mr Argenton, a wealthy stranger, asks for her hand in marriage.Marrying Mr Argenton will restore her family's fortunes and save them from scandal, but condemns Sophie to a life in Northwood, a vast and unnaturally dark mansion situated hours from civilisation.Sophie struggles to adjust to her new position as mistress over the desolate house. Mr Argenton's relatives are cold, and Mr Argenton himself is keeping secrets. Even worse, the house is more than it seems.Mr Argenton's young cousin, Elise, draws terrifying images. Doors slam. Inhuman figures slink through the forest surrounding the house. A piano plays in the middle of the night. Blood drips from the ceilings.Sophie is inevitably pulled towards the terrifying truth: Northwood's ancient halls are haunted by the family's long-dead ancestors. The malevolent spirits--produced by grisly deaths--resent her intrusion into their home.Trapped in Northwood and desperate for an escape, Sophie's fate is further complicated as she finds herself irrevocably drawn to the tall, dark-eyed man she married. She suspects her feelings are returned, but Mr Argenton is hiding the truth about the house--and his secrets are so dangerous that they might just be unforgivable.

    After all, no one ever proved the rumors about her father’s gruesome experiments. But when she learns he is alive and continuing his work on a remote tropical island, she is determined to find out if the accusations are true.Accompanied by her father’s handsome young assistant, Montgomery, and an enigmatic castaway, Edward — both of whom she is deeply drawn to—Juliet travels to the island, only to discover the depths of her father’s madness: He has experimented on animals so that they resemble, speak, and behave as humans. And worse, one of the creatures has turned violent and is killing the island’s inhabitants. Torn between horror and scientific curiosity, Juliet knows she must end her father's dangerous experiments and escape her jungle prison before it's too late. Yet as the island falls into chaos, she discovers the extent of her father’s genius—and madness—in her own blood.Inspired by H. G. Wells’s classic The Island of Dr. Moreau, The Madman’s Daughter is a dark and breathless Gothic thriller about the secrets we’ll do anything to know and the truths we’ll go to any lengths to protect.

    She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

    You don't just kill vampires for the money, you do it for the satisfaction. You do it because somebody has to. You do it no matter what it does to you. And you drink'a lot. Some jobs just suck. This one bites.But nobody does it better than Jack Crow, the leader of VAMPIRE$ Inc. His crack team of hunters takes down the blood suckers with a lethal combination of cojones and crossbows.After members of Jack's team are ambushed and slaughtered; however, the survivors need to rethink their strategy. With a new recruit from the Vatican? A priest who's not afraid to wield a stake'and a sharpshooter loaded up with silver bullets, it's payback time. The only problem is that the vampires have no intention of going down easy. They have their own hit list, and Jack Crow's name is scrawled in blood right at the top.

    Her charge, Mary, is a troubled child. Distracted and secretive, she hasn't uttered a word since the sudden death of her twin, William—just days after their former nanny disappeared.With Mary defiantly silent, Elspeth turns to the islanders. But no one will speak of what happened to William. Just as no one can explain the hypnotic lullabies sung in empty corridors. Nor the strange dolls that appear in abandoned rooms.Nor the faint whistling that comes in the night...As winter draws in and passage to the mainland becomes impossible, Elspeth finds herself trapped.But is this house haunted by the ghosts of the past?OR THE SECRETS OF THE LIVING..?Chilling, twisty and emotionally gripping, The Whistling is an atmospheric page-turner with shades of the classics, yet a unique character of its own. Perfect for fans of Susan Hill and Laura Purcell.

    There they must confront a host of the undead...and face the demons within themselves.

    The body of a teenage boy is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last—revenge for the bullying he endures at school, day after day.But the murder is not the most important thing on his mind. A new girl has moved in next door—a girl who has never seen a Rubik's Cube before, but who can solve it at once. There is something wrong with her, though, something odd. And she only comes out at night....

    What he does with them doesn’t make him proud, just quiets the demons for a little while. But his nights soon take a terrifying turn in a desert cantina, where Travis crosses paths with a mysterious pale-skinned girl in red boots. Come the morning, he wakes weak and bloodied in his cabover camper, no sign of a girl, no memory of the night before.Annabelle Gaskin spies the camper parked behind her rundown motel and offers the disheveled cowboy inside a few odd jobs to pay his board. Travis takes her up on the offer, if only to buy time, to lay low, to heal. By day, he mends the old motel, insinuating himself into the lives of Annabelle and her ten-year-old son. By night, in the cave of his camper, he fights an unspeakable hunger. Before long, Annabelle and her boy come to realize that this strange cowboy they’ve taken in is not what he seems.Half a state away, a grizzled Texas ranger is hunting Travis down for his past misdeeds, but what he finds will lead him to a revelation far more monstrous than he could ever imagine. A man of the law, he’ll have to decide how far into the darkness he’ll go for the sake of justice. When these lives converge on a dusty autumn night, an old evil will find new life—and new blood.Deftly written and utterly compelling, this is an atmospheric literary fiction debut perfect for fans of horror, psychological suspense, and Western fiction.

    Now everything you could possibly want is under one roof, at unbelievable prices. But you'd better be careful what you wish for. This place demands something of its customers that goes beyond brand loyalty. At The Store, one-stop shopping has become last-stop shopping.Bill Davis is the only one in town who senses the evil lurking within The Store. But he can't stop his two teenage daughters from taking jobs there and falling under the frightening influence of its sadistic manager. When Bill finally takes a stand, he will get much more than he bargained for. . . .

    She can leave behind the memory of the past winter; of her sickly ma giving birth to a baby sister who cries endlessly; of the terrifying visions she saw as her sanity began to slip, the victim of cabin fever; and most of all, the memories of the boy she has been secretly meeting with as a distraction from her pain. The boy whose baby she now carries. When the Verners arrive at their new home, a large cabin abandoned by its previous owners, they discover the inside covered in blood. And as the days pass, it is obvious to Amanda that something isn’t right on the prairie. She’s heard stories of lands being tainted by evil, of men losing their minds and killing their families, and there is something strange about the doctor and his son who live in the woods on the edge of the prairie. But with the guilt and shame of her sins weighing on her, Amanda can’t be sure if the true evil lies in the land, or deep within her soul.

    It’s 1900 in Oregon, and Olivia’s father, concerned that she’s headed for trouble, convinces a stage mesmerist to try to hypnotize the rebellion out of her. But the hypnotist, an intriguing young man named Henri Reverie, gives her a terrible gift instead: she’s able to see people’s true natures, manifesting as visions of darkness and goodness, while also unable to speak her true thoughts out loud. These supernatural challenges only make Olivia more determined to speak her mind, and so she’s drawn into a dangerous relationship with the hypnotist and his mysterious motives, all while secretly fighting for the rights of women. Winters breathes new life into history once again with an atmospheric, vividly real story, including archival photos and art from the period throughout.