Knox Prison is no joke. The food sucks, My roommate snores, And the only thing I have to look forward to is Monroe. My lawyer can look at my briefs anytime. She’s smart, beautiful, and the only way I’m getting out of this hellhole. I didn’t kill Blaze, but when you’re a Dead Soul MC member, no one cares about the truth. And maybe that’s for the best, Because no one can know about Canyon. Monroe is not just getting me out of jail, She’s also getting into my heart. Grave These lawyers can go screw themselves. If they think I’m going to let Everly go into witness protection, they've got another thing coming. They’re right that she is in danger, But I can keep her safe. So she will move in with me. At first, it seems simple, But as the lies unravel, I realize that Everly might be the only good thing in all of this. She’s pure, innocent and everything I’m not. But for her, I would change. Be the man she needs me to be. Forever. Brewer I thought kids were annoying. But after I meet, Ana, the MILF next doors daughter, I change my mind. She has the same sense of humor that I do. She’s a cool person, just on a smaller scale. And hanging out with her means more time with her mom. Makenna is easy on the eyes, But would be better on my bike. Getting close to me is a risk. But I would lay down my life for them. Take a bullet. Girls like battle scars, right? Rock She lied to me. The minute I see Gavin for the first time, I know he is mine. Piper told him his daddy was in jail. I should be angry with her. But with that stethoscope draped around her neck, I know she’s not as bad as I want her to be. She was just trying to protect him. From my life, my club, and the bastards that are trying to kill us. She has every reason to be worried, But no one will touch my son. Or my girl. She may have left before, But this time, I know she’ll stay. Because we both want the same thing. A family. Diesel No one tells me what to do. Except for maybe Dean, The President of the Black Hornets. I need their help in order to defeat the Black Saddles once and for all. But I know that their help is going to come at a cost. I don’t expect the price to be a pretty little thing, named Brynn. His daughter. That I thought was dead. Being in one MC is bad enough. But being a son in law to another MC’s president is going to be hell on earth. That is if she will agree to it. And so far, I can’t even get her to be in the same room with me. She’s feisty, and her good looks are no secret. I love a confident woman, But this one might be too hot to handle. I’m fire and she’s gasoline. Let’s light this sh*t up.

    

    As the composer, lyricist, actors and director prepare their performance, and a blizzard cuts off any possible retreat, bodies start to drop in plain sight, knives spring out of nowhere, masked figures drag their victims behind swiveling bookcases, and accusing fingers point in all directions. However, and with no thanks to the bumbling police inspector who snowshoes in to investigate, the mystery is solved in the nick of time and the "Slasher" unmasked-but not before the audience has been treated to a sidesplitting good time and a generous serving of the author's biting, satiric and refreshingly irreverent wit.

    is a series of women's monologues tackling many different aspects of the complex female psyche.

    The dialogue crackles with hilarious, caustic putdowns as the indomitable Maggie deals with her feckless family and unwanted suitors. Everyone wants a part of Big Maggie and her property but she has other ideas.

    Combining investigative zeal and theatrical imagination with insider access, Oslo invites you into the chambers where the Oslo Accords between Israel and the Palestinian Liberation Organization were forged during nine fraught months in 1993.” — New York Times“A riveting political thriller. Oslo makes a complex historical event feel intimate and profoundly affecting.”— Associated Press“Gripping, big-boned and remarkably entertaining. Oslo feels excruciatingly necessary and timely.”—New York MagazineWhen the Israeli prime minister and the chairman of the Palestine Liberation Organization shook hands on the White House lawn in 1993, the world watched in awe. Oslo tells the story of the key people who orchestrated this momentous occasion, emphasizing the intricate (and sometimes comical) human journey that led to this historic event. The diplomats and politicians from Israel, Palestine, Norway, and America who participated in the behind-the-scenes discussions come to life in Rogers’ wonderfully complex characters. As much a story about people as politics, Oslo casts a bright light on the humans behind the history.Oslo premiered in the fall of 2016 in a sold-out run at Lincoln Center and opens on Broadway in April 2017.J.T. Rogers’ plays include Blood and Gifts, The Overwhelming, White People, and Madagascar. He was nominated for a 2009 Olivier Award for his work as one of the original playwrights for The Great Game: Afghanistan. He is a 2012 Guggenheim fellow in playwriting. Other recent awards include NEA/TCG and NYFA fellowships, the Pinter Review Prize for Drama, the American Theatre Critics Association’s Osborne Award, and the William Inge Center for the Arts’ New Voices Award.A politically charged drama from acclaimed playwright J.T. Rogers

    I think this was a really, really great start.Five lost people come together at a community centre class to try and find some meaning in their lives. Counting to ten can be harder than you think. Over six tangled weeks their lives become knotted together in this tender and funny play.

    It broke all historic records for plays of any kind, with an original London run of 1,466 performances.The play was first performed at the Theatre Royal, Bury St Edmunds in February 1892.

    When a young actor from the big city lives with two aging bachelor farmers to gather stories about rural life, the farmers' lives are irrevocably altered when art attempts to imitate life and the line between truth and fiction is crossed.

    Recommended for all collections." - Choice

    Complete vocal score to the Broadway sensation with 11 songs: The Best of Times * I Am What I Am * A Little More Mascara * Look over There * Song on the Sand (La Da Da Da) * With You on My Arm * and more.

    What was life? What was love? What else could have been? Full of mordant, bitter humour, this is a passionate threnody from one of Ireland's leading playwrights.Woman and Scarecrow premieres at the Royal Court Theatre, London, in June 2006.

    18 vocal selections from the Broadway classic, including: Gary, Indiana * Goodnight, My Someone * Marian the Librarian * Pick-A-Little, Talk-A-Little/Goodnight Ladies * Seventy Six Trombones * Till There Was You * The Wells Fargo Wagon * Ya Got Trouble * and more.

    But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.“THE BOOK OF WILL…unequivocally announces Gunderson as a playwright with whom to be reckoned. It is, quite frankly, one of the best plays I have ever seen. It will bring tears of both laughter and sorrow to all but the most jaded audience member’s eyes. It is, in a word, a triumph.” —Boulder Weekly (CO). “[Gunderson] has peopled the stage with lively, historically based characters…She paints a vivid portrait of the times in language sometimes formal, sometimes poetic and often…contemporary…She also gives a real feel for theater life and what it means to be an actor; you sense this is a work of both scholarship and love. …[THE BOOK OF WILL] serves as homage to those who sacrificed to make the first folio happen and to Shakespeare’s magnificent words.” —Westword (Denver, CO).

    It follows an interesting life of a princess, Rotshidzwa, who doesn’t believe in love but is given an ultimatum to get married to a prince in order to access her father’s estate. The princess was wild and needed a tame, hence her father left a condition on his will – a condition which she did not want fulfil. Forced by her kind of lifestyle, she agreed to fake a marriage in the hope of receiving her portion of the estate and getting divorced afterwards. The prince agreed to enter into a fake marriage, provided that he gets a share of the money. Things did not go to plan as she was expected to prove the legitimacy of her marriage. In the process of proving the legitimacy of the marriage, she ends up falling in love with the prince and complicating his relationship with his partner named Adelaide. Their relationship ended up into a complicate love triangle.