Teare provides us with poems that insist on the simultaneous physical embodiment of tactile pleasure—that which is found in the textures of thought and language—as well as the action of syntax. Partly informed by an ecological imagination that leads him back to Emerson and Thoreau, Teare's method and fragmented style are nevertheless up to the moment. Remarkable in its range, Sight Map serves at once as a cross-country travelogue, a pilgrim's gnostic progress, an improvised field guide, and a postmodern "pillowbook," recording the erotic conflation of lover and beloved, deity and doubter.

    Here is his very earliest work—“In My Eighteenth Year,” published when he was eighteen; his first widely celebrated verses—“A Far Cry from Africa,” which speaks of violence, of loyalties divided in one’s very blood; his mature work—“The Schooner Flight” from The Star-Apple Kingdom; and his late masterpieces—the tenderness of “Sixty Years After” from the 2010 collection White Egrets.     Across sixty-five years, Walcott grapples with the themes that have defined his work as they have defined his life: the unsolvable riddle of identity; the painful legacy of colonialism on his native Caribbean island of St. Lucia; the mysteries of faith and love and the natural world; the Western canon, celebrated and problematic; the trauma of growing old, of losing friends, family, one’s own memory. This collection, edited by the celebrated English poet Glyn Maxwell, will prove as enduring as the questions and passions that have driven Walcott to write for more than half a century.

    The witty, wise and evocative words cover every aspect of bookishness - including hoarding, buying, borrowing, arranging, stealing, choosing, losing, reviewing and displaying – and comprise memoirs, poetry, journalism, fiction and philosophy. The sources of the extracts range from Erasmus to Edith Wharton to Umberto Eco, from Dante to Descartes to Dickens, from Edward Gibbon to Kenneth Grahame to Groucho Marx. Celebrating the timeless pleasures of reading, casting an irreverent eye over the foibles and eccentricities of booklovers and revealing the reading habits of a host of famous writers, this compendium is a must for any bibliomane. Indeed, if you buy only one book this year, this one is probably not for you.

    Pepper's cover, Terry Southern was an audacious original. Now Dig This is a journey through Terry Southern's America, from the buttoned-down '50s through the sexual revolution, rock 'n' roll, and independent cinema (which he helped inaugurate by cowriting and producing Easy Rider), up to his death in 1995. It spans Southern's stellar career, from early short stories and a Paris Review interview with Henry Green, to his legendary Esquire piece covering the 1968 Chicago Democratic Convention with Jean Genet and William Burroughs and his equally infamous account of life neck-high in girls and cocaine aboard The Rolling Stones' tour jet, to his memories of twentieth-century legends like Abbie Hoffman, Kurt Vonnegut, and Stanley Kubrick, with whom he wrote Dr. Strangelove. "A voice electric with street rhythm and royal with offhand intellection ... stuffed with strange and silken scraps." -- Troy Patterson, Entertainment Weekly "The subterranean Texan's finest moments are exquisite reads ... like a hot poker in the eye of conventional narrative." -- A. D. Amorosi, Philadelphia City Paper "The range of writing ... [was] as lethal as Mailer claimed and still awaiting the attention it deserves." -- Charles Taylor, Newsday "... reveals a writer defined by his generosity, by the pursuit of fun and by an insatiable ... literary appetite...." -- Claire Dederer, The New York Times Book Review

    This comprehensive and engaging anthology gathers his polymathic achievement, from the extraordinary humanity of The Post Officer to memoirs, letters, essays and conversations, short stories, extracts from the celebrated novel The Home and the World, poems, songs, epigrams, and paintings. This inspired collection of works by one of this century's most profound writers in an essential guide for readers seeking to understand Indian literature, culture, and wisdom, and the perfect reintroduction of Tagore's magnificence to American readers.

    It is voiced in first-person by an anonymous narrator often using jargon, broken grammar and punctuation with a poetry-like structure. The narration shifts quickly from random idea to idea with little to no connectivity between them, typically giving vivid descriptions of abstract situations. The narrative styles in the book vary significantly as well, with no apparent solid identity to the narrator itself. Some characters and ideas emerge suddenly and disappear without explanation.Within this form incorporate elements of science fiction, cyberpunk, tabloid journalism, and advertising slogans. Due to its use of pop-culture references (e.g. to kung-fu films) and literary allusions it requires knowledge of (then) current affairs. Leyner resorts to irony and humor as a means of interplay with traditional realism.-Wikipedia

    Tolkien’s five acclaimed modern classic ‘fairie’ tales in the vein of The Hobbit.Enchanted by a sand-sorcerer, the toy dog Roverandom explores a world filled with strange and fabulous creatures; the fat and unheroic Farmer Giles of Ham is called upon to do battle with the dragon Chrysophylax; Hobbits, princesses, dwarves and trolls partake in the adventures of Tom Bombadil; Smith of Wootton Major journeys to the land of Faery via the magical ingredients of a giant cake; and Niggle the painter sets out to paint the perfect tree.

    (7MB Version 1)* Beautifully illustrated with images relating to Chaucer's life and works* Concise introductions to the poems and other texts* Images of how the books were first illustrated, giving your eReader a taste of the medieval texts* Excellent formatting of the poetry* THE CANTERBURY TALES features the original Ellesmere Manuscript illustrations of the pilgrims* Offers two versions of the major texts THE CANTERBURY TALES and TROILUS AND CRISEDYE, each with individual contents tables and links: the Oxford University 1894 scholarly text, with original spellings and line numbers (ideal for students) AND a modernised and annotated text version to help the general reader – now you can truly enjoy Chaucer’s language!* Special criticism section, with essays by writers such as G. K. Chesterton, Virginia Woolf and James Joyce evaluating Chaucer’s contribution to literature* Features four biographies – immerse yourself in Chaucer's medieval world!* Scholarly ordering of texts into chronological order and literary genresCONTENTS:The PoetryTHE ROMAUNT OF THE ROSETHE BOOK OF THE DUCHESSTHE HOUSE OF FAMEANELIDA AND ARCITEPARLEMENT OF FOULESTROILUS AND CRISEYDE (ORIGINAL TEXT)TROILUS AND CRISEYDE (MODERNISED AND ANNOTATED)THE LEGEND OF GOOD WOMENTHE CANTERBURY TALES (ORIGINAL TEXT)THE CANTERBURY TALES (MODERNISED AND ANNOTATED)MINOR POEMSThe Non-FictionBOECETREATISE ON THE ASTROLABEThe CriticismCHAUCER AND HIS TIMES by Grace Eleanor HadowON MR. GEOFFREY CHAUCER by G. K. ChestertonADVENTURES IN CRITICISM by Sir Arthur Thomas Quiller-CouchLECTURES ON CHAUCER AND SPENSER by William HazlittExtract from ‘MY LITERARY PASSIONS’ by William Dean HowellsTHE RENAISSANCE AND THE REFORMATION by Andrew LangTHE PASTONS AND CHAUCER by Virginia WoolfExtract from ‘INTRODUCTION TO THE PAINTINGS’ by D. H. LawrenceExtract from ‘REALISM AND IDEALISM IN ENGLISH LITERATURE’ by James JoyceThe BiographiesCHAUCER AND HIS ENGLAND by G. G. CoultonCHAUCER by Sir Adolphus William WardCHAUCER’S OFFICIAL LIFE by James Root HulbertBRIEF LIFE OF GEOFFREY CHAUCER by D. Laing PurvesPlease visit www.delphiclassics.com to browse through our range of exciting titles

    Today she is recognized as one of America's great poets of the 20th century. This unprecedented collection offers a full-scale presentation of a writer of startling originality, at once passionate and reticent, adventurous and perfectionist. It presents all the poetry that Bishop published in her lifetime, in such classic volumes as "North & South," "A Cold Spring," "Questions of Travel," and "Geography III." In addition it contains an extensive selection of un_published poems and drafts of poems (several not previously collected), as well as all her published poetic translations, ranging from a chorus from Aristophanes' The Birds to versions of Brazilian sambas. "Poems, Prose, and Letters" brings together as well most of her published prose writings, including stories; reminiscences; travel writing about the places (Nova Scotia, Florida, Brazil) that so profoundly marked her poetry; and literary essays and statements, including a number of pieces published here for the first time. The book is rounded out with a selection of Bishop's irresistibly engaging and self-revelatory letters. Of the 53 letters included here, written between 1933 and 1979, a considerable number are printed for the first time, and all are presented in their entirety. Their recipients include Robert Lowell, Marianne Moore, Randall Jarrell, Anne Stevenson, May Swenson, and Carlos Drummond de Andrade.

    Drake written during 2004-2014. A Brilliant Madness is a reflection of the social collapses in the 21st century. The social programming, the daily routine and the economic struggles we all go through blindly. What has happen to us? Where did all the love go? We have all gone beautifully mad in a beautifully mad world.

    The world was 'somewhere inside his skull. And it hurt.' These poems and dramatic sketches, however, delight even when they hurt" -- ROSMARIE WALDROP"BORIS BY THE SEA was born when Aesop was reading Chekhov, and Chekhov was reading Nietzsche, and Nietzsche was watching The Brother From Another Planet. Actually Matvei Yankelevich wrote this book, but 'wrote' is incomplete... he seems more to inhabit this stateless, beautiful being who uses language to move his body or erase the sea: 'Boris looked over himself and realized there were many parts of him that he could not see. And only a small part of these parts was on the surface.' BORIS BY THE SEA could be a children's fable if it weren't so freakin' real, unreal, hyper-real: 'But people need each other to open each other up and see what is inside.' This is Boris--and he, like Pinnochio--has a clever master." -- ROBERT FITTERMANMatvei Yankelevich's first full-length book, BORIS BY THE SEA, is a work of existential theater that destroys the distance between puppeteer and puppet, between ego and id, between what is real and what is absurd. Consisting of prose, poems, and plays, the book creates its own world and then confronts the loneliness of having to exist within one's own creation. Like Daniil Kharms, Yankelevich has written a children's book for only the bravest of adults.

    Thomas Hardy started composing poetry in the heyday of Tennyson and Browning. He was still writing with unimpaired power sixty years later, when Eliot and Yeats were the leading names in the field. His extraordinary stamina and a consistent individuality of style and vision made him a survivor, immune to literary fashion. At the start of the twenty-first century his reputation stands higher than it ever did, even in his own lifetime. He is now recognised not only as a great poet, but as one who is widely loved. He speaks with directness, humanity and humour to scholarly or ordinary readers alike.

    The 250 poems included in this acclaimed anthology span centuries of human conflict from David's lament for Saul and Jonathan, and Homer's Iliad, to the finest poems of the Second World War, Vietnam, the conflicts in Northern Ireland and El Salvador, and chilling visions of the Next War. Reflecting the feelings of poets as diverse as Byron, Hardy, Owen, Sassoon, and Heaney, they reveal a great shift in social awareness from man's early celebratory war songs to the more recent anti-war attitudes of poets responding to man's inhumanity to man.

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    This newly edited anthology reflects the diverse experiences of those who lived through the war, bringing together the words of poets, soldiers, and civilians affected by the conflict. Here are famous verses by Rupert Brooke, Siegfried Sassoon, and Wilfred Owen; poetry by women writing from the home front; and the anonymous lyrics of soldiers’ songs. Arranged thematically, the selections take the reader through the war’s stages, from conscription to its aftermath, and offer a blend of voices that is both unique and profoundly moving.