Long before, Franklin D. Roosevelt had been supporting the Allies. While Americans were sympathetic to the people being crushed under the Axis powers, they were unwilling to enter a foreign war. FDR knew he had to fight against isolationism, anti-Semitism, and the scars of World War I, and win the war of public sentiment. In 1941: Fighting the Shadow War, A Divided America in a World at War Marc Wortman explores the "complex, contentious, and portentous" journey of America’s entry into World War II.FDR used all the powers at his disposal, from helping Winston Churchill and the British Navy with loans, to espionage at home and abroad, to battle with Hitler in the shadows. To gain public opinion, the largest obstacle was Charles Lindberg and his Committee for America First with its following of thousands. Wortman tracks journalist Philip Johnson and William Shirer as they report on the invasion of Poland: one a Nazi sympathizer, the other fervently anti-Nazi. Johnson and Shirer’s story are threads woven throughout the book. Combining military and political history, 1941: Fighting the Shadow War, A Divided America in a World at War tells the story of how FDR led the country to war.

    Just 30 years old on September 20, 1973, Jim was revered by an adoring audience for his gentle melodies and everyman demeanor. Now, for the first time, this memoir reveals the man behind the denim jackets and signature mustache, a hard-working, wry charmer who was also beset with exhaustion at the sheer magnitude of his own success. I Got a Name, told with full access to everyone who knew and loved Jim Croce, is at once a revealing portrait of a great artist and a moving love story.

    He delves instead into why Italian Americans have such a complicated relationship with the “old country,” and how Italy produces some of the world’s most astonishing art while suffering from corruption, political fragmentation, and an enfeebled civil society.With topics ranging from the pervasive force of Dante’s poetry to the meteoric rise of Silvio Berlusconi, Luzzi presents the Italians in all their glory and squalor, relating the problems that plague Italy today to the country’s ancient roots. He shares how his “two Italies”—the earthy southern Italian world of his immigrant childhood and the refined “northern” Italian realm of his professional life—join and clash in unexpected ways that continue to enchant the many millions who are either connected to Italy by ancestry or bound to it by love.

    The Klein brothers—Kenneth Jr., 8; David, 6; and Danny, 4—never came home. When two caps turned up on the ice of the Mississippi River, investigators concluded that the boys had drowned and closed the case. The boys’ parents were unconvinced, hoping against hope that their sons would still be found. Sixty long years would pass before two sheriff’s deputies, with new information in hand and the FBI on board, could convince the Minnesota Bureau of Criminal Apprehension to reopen the case.This is the story of that decades-long ordeal, one of the oldest known active missing-child investigations, told by a writer whose own research for an article in 1998 sparked new interest in the boys’ disappearance. Beginning in 2012, when deputies Jessica Miller and Lance Salls took up the Kleins’ cause, author Jack El-Hai returns to the mountain of clues amassed through the years, then follows the trail traced over time by the boys’ indefatigable parents, right back to those critical moments in 1951. Told in brisk, longform journalism style, The Lost Brothers captures the Kleins’ initial terror and confusion but also the unstinting effort, with its underlying faith, that carried them from psychics to reporters to private investigators and TV producers—and ultimately produced results that cast doubt on the drowning verdict and even suggested possible suspects in the boys’ abduction. An intimate portrait of a parent’s worst nightmare and its terrible toll on a family, the book is also a genuine mystery, spinning out suspense at every missed turn or potential lead, along with its hope for resolution in the end.

    Within hours, police had a suspect—a vodka-soaked village bumpkin named Anzor Sharmaidze. A tidy explanation quickly followed: It was a tragic accident. US diplomats hailed Georgia’s swift work, and both countries breathed a sigh of relief. Yet the bullet that killed Woodruff was never found and key witnesses have since retracted their testimony, saying they were beaten and forced to identify Sharmaidze. But if he didn’t do it, who did? Those who don’t buy the official explanation think the answer lies in the spy games that played out on Russia’s frontier following the 1991 collapse of the Soviet Union. Woodruff was an early actor in a dangerous drama. American spies were moving into newborn nations previously dominated by Soviet intelligence. Russia’s security apparatus, resentful and demoralized, was in turmoil, its nominal loyalty to a pro-Western course set by President Boris Yeltsin, shredded by hardline spooks and generals who viewed the Americans as a menace. At the time when Woodruff was stationed there, Georgia was a den of intrigue. It had a big Russian military base and was awash with former and not-so-former Soviet agents. Shortly before Woodruff was shot, veteran CIA officer Aldrich Ames—who would soon be unmasked as a KGB mole—visited him on agency business. In short order, Woodruff would be dead and Ames, in prison for life. Buckle up, because The Spy Who Was Left Behind reveals the full-throttle, little-known thrilling tale.

    J. Jackson) had front-row seats to a cultural revolution—and the hijinks of music stars like Adam Ant, Cyndi Lauper, Madonna, and Duran Duran. Their worlds collided, of course: John Cougar invited Nina to a late-night “party” that proved to be a seduction attempt. Mark partied with David Lee Roth, who offered him cocaine and groupies. Aretha Franklin made chili for Alan. Bob Dylan whisked Martha off to Ireland in his private jet.But while VJ has plenty of dish—secret romances, nude photographs, incoherent celebrities—it also reveals how four VJs grew up alongside MTV’s devoted viewers and became that generation’s trusted narrators. They tell the story of the ’80s, from the neon-colored drawstring pants to the Reagan administration, and offer a deeper understanding of how MTV changed our culture. Or as the VJs put it: “We’re the reason you have no attention span.”

    But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else." So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities -- smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book's side trips to New Orleans, Woodstock, Minnesota and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times.By turns revealing, poetical, passionate and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.

    The songwriting giant behind the bands Songs: Ohia and Magnolia Electric Co. had a knack for spinning tales, from the many personal myths he cultivated throughout his life to the poems and ballads he penned and performed. As with too many great musicians, Molina's complicated relationship with the truth, combined with a secretive relationship with the bottle, ultimately claimed his life.Jason Molina: Riding with the Ghost details Molina's personal trials and triumphs and reveals for the first time the true story of Molina's last months and works, including an unpublished album unknown to many of his fans. Offering unfettered access to the mind and artistry of Molina through exclusive interviews with family, friends, and collaborators, the book also explores the Midwest music underground and the development of Bloomington, Indiana-based label Secretly Canadian.As the first authorized and detailed account of this prolific songwriter and self-mythologizer, Jason Molina provides readers with unparalleled insight into Molina's tormented life and the fascinating Midwest musical underground that birthed him. It's a story for the ages that speaks volumes to the triumphs and trials of the artistic spirit while exploring the meaningful music that Molina's creative genius left behind.

    Now author Paul Roland turns the tables with this brilliant new exposé - a fascinating psychological profile of the leading Nazis and their lesser-known associates.

    . . As the Red Army closes in on the Third Reich, a German colonel sends an American intelligence officer an unusual report about a POW camp soon to be overrun by the Soviets. Locked up, the report says, are over a thousand horses, including the entire herd of white Lipizzaner's from Vienna's Spanish Riding School, as well as Europe's finest Arabian stallions -- stolen to create an equine "master race." The horses are worth millions and, if the starving Red Army reaches the stables first, they will kill the horses for rations. The Americans, under the command of General George Patton, whose love of horses was legendary, decide to help the Germans save the majestic creatures. So begins "Operation Cowboy," as GIs join forces with surrendered German soldiers and liberated prisoners of war to save the world's finest horses from fanatical SS soldiers and the ruthless Red Army in an extraordinary battle during the last few days of the war in Europe. This is an epic untold story from the waning days of World War II. Drawing from newly unearthed archival material, family archives held by descendants of the participants, and interviews with many of the participants published throughout the years, Ghost Riders is the definitive account of this truly unprecedented and moving story of kindness and compassion at the close of humanity's darkest hour.

    Rosenthal, who would later become one of the most controversial editors The New York Times has ever had, was the newspaper's city editor then; the murder happened on his beat. He first published this book in 1964, the year of the murder. It is part memoir, part investigative journalism, and part public service.

    In spite of a public perception that Eisenhower was unwilling to challenge McCarthy, Ike believed that directly confronting the senator would diminish the presidency. Therefore, the president operated with a “hidden hand,” refusing even to mention the Senator’s name. In Ike and McCarthy, David A Nichols shows how the tension between the two men escalated. In a direct challenge to Eisenhower, McCarthy alleged that the US Army was harboring communists and launched an investigation. But the senator had unwittingly signed his own political death warrant. The White House employed surrogates to conduct a clandestine campaign against McCarthy and was not above using information about the private lives of McCarthy’s aides as ammunition. In January 1954 McCarthy was arguably the most powerful member of the Senate. By the end of that year, he had been censured by his colleagues for unbecoming conduct. Eisenhower’s covert operation had discredited the senator months earlier, exploiting the controversy that resulted from the televised Army-McCarthy hearings. McCarthy would never recover his lost prestige. Nichols uses documents previously unavailable or overlooked to authenticate the extraordinary story of Eisenhower’s anti-McCarthy campaign. Ike and McCarthy is an eye-opening, newsworthy, and fascinating read.

    Petersburg for accompanying her husband Alexander on shooting and riding trips and for being outstandingly accurate with her gun. She was the daughter of a high-ranking Russian diplomat, and the mother of three young sons, destined to join the social and intellectual elite of imperial Russia. The Revolution of 1917 changed the course of these lives. By December 1918 her husband was dead, her children separated from her by the closing of the frontiers, and her own life was in danger. This is her account of how she faced these traumatic events, revealing the courage and determination she had shown in earlier times that helped her endure hunger, imprisonment, and loneliness. Her reunion with her sons in 1921 makes the months of danger and deprivation worthwhile. Illustrated with original family photographs this account will interest the serious academic and general reader alike.

    It chronicles his humble beginnings in the Midwest, his early days with the Jackson 5, and his unprecedented solo success. Giving absolutely unrivalled insight into the King of Pop's life, it details his songwriting process for hits like Beat It, Rock With You, Billie Jean, and We Are the World; describes how he developed his signature dance style, including the Moon Walk; and opens the door to his very private personal relationships with his family, including sister Janet, and stars like Diana Ross, Berry Gordy, Marlon Brando, Quincy Jones, Paul McCartney, and Brooke Shields. At the time of its original publication in 1988, MOONWALK broke the fiercely guarded barrier of silence that surrounded Michael Jackson. Candidly and courageously, Jackson talks openly about his wholly exceptional career and the crushing isolation of his fame, as well as the unfair rumors that have surrounded it. MOONWALK is illustrated with rare photographs from Jackson family albums and Michael's personal photographic archives, as well as a drawing done by Michael exclusively for the book. It reveals and celebrates, as no other book can, the life of this exceptional and beloved musician.

    In September 1939, when the Nazis began their reign of terror in Europe and invaded Poland, Aliza was eleven years old. In her diaries—furtively written on scraps of precious paper that she kept throughout the war—she described the history of her family, struggling to survive in the occupied Warsaw Ghetto. Those diaries and later writings formed the basis for this memoir. Becoming a member of Hashomer Hatzair, the noted youth movement in the Warsaw Ghetto, gave Aliza hope and encouraged her to fight for survival. As a result of an extraordinary series of “miracles,” Aliza managed to survive after being sent to the Bergen-Belsen concentration camp. She was among those liberated by American troops, and she has continued to tell the story throughout her life. Aliza is among the last of the Warsaw Ghetto survivors. She has been passionately lecturing around the world about the revolt, and she has escorted numerous youth groups on their visits to Poland. This book has been previously translated and published in Hungarian, Polish, and Hebrew.