Each one of the 976 works of art represented in the book -- including 661 classical paintings on display in the permanent painting collection and 315 other masterpieces -- is annotated with the name of the painting and artist, the date of the work, the birth and death dates of the artist, the medium that was used, the size of the work, and the catalog number (if applicable). In addition, 180 of the most iconic and significant paintings and other pieces of art are highlighted with 300-word essays by art historian Anja Grebe on such topics as the key attributes of the work, what to look for when viewing the work, the artist's inspirations and techniques, biographical information on the artist, and the artist's impact on art history.

    His influential work spans many practices over a 23-year period, from music packaging to installation work to printmaking. Here, he reveals his personal notebooks, photographs, sketches, and abandoned routes to iconic Radiohead artworks. Arranged chronologically, each chapter is dedicated to a major work—whether an album cover, promotional piece, or a personal project—and is presented as a step-by-step working case study. Featuring commentary by Thom Yorke and never-before-seen archival material, this is the first deep dive into Donwood’s creative practice and the artistic freedom afforded to him by working for a major music act. It is a must-have for fans of the band and anyone interested in graphic design and popular culture.

    The next day - BLAM! - Pablo bursts through the canvas, paintbrush in hand, ready to paint something fresh and new."Pablo Picasso may have been one of the most famous artists of the 20th century, but that doesn't mean he painted what people wanted him to paint! In fact, some people hated his paintings, and called them "ugly!" and "terrible!" -- something many kids can relate to. But Picasso didn't listen to all those people, and kept on working the way he wanted to work, until he created something so new, so different... that people didn't know what to say!For every young artist who's drawn something other kids think is "ugly," this story of rebellion and creativity is sure to inspire.

    Factor in nearly as many years of teaching experience, and that adds up to a whole lot of know-how to share. In Pastel Pointers, he lays it all out: information on tools, materials, color, composition, landscape elements, finishes and more. Compiles the best of McKinley's popular Pastel Pointers blog and Pastel Journal columns Covers frequently asked questions ("How do I achieve natural-looking greens?") and simple solutions to common problems, such as excess pigment buildup Includes a chapter on "The Business of Pastels"—tips for framing, shipping, preparing for gallery shows, and otherwise representing your work in a professional manner This book covers everything from the fundamentals to get you going (how to lay out your palette, create an underpainting, evoke luminous effects) to inspirations that will keep you growing (plein air painting, working in a series, keeping a painting journal). Whether you're a beginner or an experienced painter anxious to explore the expressive possibilities of pastel, this is your guide to making the most of the medium.

    What follows is a delightfully magical tale of art run amok as each newly drawn object becomes real, and fair game for the antics of the mischievous bird. Colorful chaos ensues as the resourceful bird takes pencil in beak and begins to reveal its own artistic talents. The beautifully detailed pictures invite children to observe carefully and tell the story themselves as the mesmerizing plot leads them to an astounding surprise ending. Along the way younger children will be introduced to the concept of color (eight are featured), older ones will discover the fascinating interplay between art and imagination, and all will be inspired to reach for their own drawing pencils.

    Among his renowned portraits, "The Daughters of Edward Darley Boit" stands alongside "Madame X" and "Lady Agnew of Lochnaw" as one of Sargent's immortal images. This painting depicts four young sisters in the spacious foyer of the family's Paris apartment, strangely dispersed across the murky tones and depths of the square canvas, as though unrelated to one another, unsettled and unsettling to the eye. "The Daughters" both affirms and defies convention, flouting the boundaries between portrait and genre scene, formal composition and quick sketch or snapshot. Unveiled at the Paris Salon of 1883, it predated by just two years the scandal of "Madame X" and was itself characterized by one critic as "four corners and a void"; but Henry James came closer to the mark when he described the painter as a "knock-down insolence of talent," for few of Sargent's works embody the epithet as well as "The Daughters of Edward Darley Boit." Drawing on numerous unpublished archival documents, scholar Erica E. Hirshler excavates all facets of this iconic canvas, discussing not only its significance as a work of art but also the figures and events involved in its making, its importance for Sargent's career, its place in the tradition of artistic patronage and the myriad factors that have contributed to its lasting popularity and relevance. The result is an aesthetic, philosophical and personal tour de force that will change the way you look at Sargent's work, and that both illuminates an iconic painting and reaffirms its pungent magnetism.

    Some say she is the most famous painting in the world. Who is she? Why, the Mona Lisa, of course! But did you know that she was once stolen from her wall at the Louvre? Who took her? Why? Where was she hidden? How was she found? Someone call the police!Narrated by the lady of the enigmatic smile herself-and brought to life with gorgeous paintings that take the reader from da Vinci's renaissance right up to the present day-this is a stylishly whimsical account of the glorious, wonderful, sometimes dangerous life of the best recognized painting of all time. Discover the secrets behind her mysterious smile, and hear for yourself the amazing true story of her kidnapping.

    Shows how to create abstract paintings within the rules of realism through a list of tools and materials, lessons on applying traditional elements to abstract art, and projects with instructions and color illustrations.

    The many-pointed star formed from large icicles balances on a rock in a quiet Dumfriesshire valley, a delicate bamboo screen stands on a Japanese beach, a great serpentine ridge of earth extends along a disused railway cutting on Tyneside, four massive snow rings mark the position of the North Pole.

    J. Clark describes the painting of Manet, Degas, Seurat, and others as an attempt to give form to that modernity and seek out its typical representatives—be they bar-maids, boaters, prostitutes, sightseers, or petits bourgeois lunching on the grass. The central question of The Painting of Modern Life is this: did modern painting as it came into being celebrate the consumer-oriented culture of the Paris of Napoleon III, or open it to critical scrutiny? The revised edition of this classic book includes a new preface by the author.

     Free BONUS Inside! Pierre-August Renoir, leader of the nineteenth-century Impressionist movement, spent his entire life perfecting his style. Rejected for decades, he depended on friends for a place to stay and money for painting supplies. Renoir lived in poverty until his forties, and when he was finally discovered and hailed as a great artist, his health began to fail him. Still, Renoir never gave up his passion for painting. When he became crippled by arthritis, Renoir painted confined to a wheelchair with the paintbrush bound to his wrist. His need to create beauty was the driving force of his life, and throughout rejections and deteriorating health, Renoir retained an optimism that is reflected in his paintings. Discover a plethora of topics such as Early Life in Poverty Success as a Portrait Artist The Dreyfus Affair The Price of Fame Losing the Use of His Hands Last Years and Death And much more! So if you want a concise and informative book on Pierre-Auguste Renoir, simply scroll up and click the "Buy now" button for instant access!

    Viewed by critics, artists, art historians, and students as the essential text on how prehistoric images have been “overlayed” onto contemporary art by today’s artists, Overlay is for anyone interested in the possibility of reintegrating art into the fabric of society as a whole, as in prehistoric times.From megalithic monuments such as Stonehenge to Richard Long’s minimalism, from the earliest examples of cave drawings to Ana Mendieta’s Cuban site art, from the matriarchal fertility rituals of the ancient Celts to Judy Chicago’s Dinner Party, Lippard shows a continuum in the forms, materials, symbols, and imagery that artists have employed for thousands of years.Lavishly illustrated with over 320 black-and-white photographs and 8 pages of color images, Overlay includes the work of artists Carl Andre, Louise Bourgeois, Robert Smithson, Robert Morris, Charles Simonds, Mary Beth Edelson, Anna Sofaer, Michelle Stuart, Sol LeWitt, Ad Reinhardt, Alice Aycock, Nancy Holt, Emily Carr, Dennis Oppenheim, and many others.

    It is difficult for us now, even with all our engineering and architectural skills, to imagine the extraordinary ways these medieval houses of worship were constructed. Midway through the twelfth century, the building of cathedrals became a crusade to erect awe-inspiring churches across Europe. In their zeal, bishops, monks, masons, and workmen created the architectural style known as Gothic, arguably Christianity’s greatest contribution to the world’s art and architecture. The style evolved slowly and almost accidentally as medieval artisans combined ingenuity, inspiration, and brute strength to create a fitting monument to their God. Here are the dramatic stories of the building of Saint-Denis, Notre Dame, Chartres, Reims, and other Gothic cathedrals.

    Conceived and closely edited by Gerhard Richter himself, Atlas cuts straight to the heart of the artist's thinking, collecting more than 5,000 photographs, drawings and sketches that he has compiled or created since the moment of his creative breakthrough in 1962. Year by year, the images closely parallel the subjects of Richter's paintings, revealing the orderly but open-ended analysis that has been so central to his art. Offering invaluable insight into Richter's working process, this encyclopedic new edition, which completely revises and updates the rare, out-of-print 1997 edition and includes 147 additional plates, features 780 multi-image panels, each reproduced full page and in full color. Richter redefined the terms of contemporary painting as he looked to photography for a way to release painting from the political and symbolic burdens of Socialist Realism and Abstract Expressionism. From pictures of family and friends to images from the mass media, Richter's photographs--sometimes found, sometimes original--have provided the basis for many of his paintings, often re-emerging in a luminous, monochromatic palette, and falling ambiguously between documentary and historical painting.

    So when her teacher asks her to help make a mural for the school library, she can’t wait to begin! But how can Marisol make a sky without blue paint? After gazing out the bus window and watching from her porch as day turns into night, she closes her eyes and starts to dream. . . . From the award-winning Peter H. Reynolds comes a gentle, playful reminder that if we keep our hearts open and look beyond the expected, creative inspiration will come.