Dubner (the coauthor of Freakanomics) about a high-society silver thief, and an extraordinarily memorable "ode to bar fights" written by Jonathan Miles for Men's Journal after he punched an editor at a staff party. But this year's edition includes a bonus -- an original essay by James Ellroy detailing his fascination with Joseph Wambaugh and how it fed his obsession with crime -- even to the point of selling his own blood to buy Wambaugh's books. Smart, entertaining, and controversial, The Best American Crime Writing is an essential edition to any crime enthusiast's bookshelf.The girls next door / Peter Landesman --The ones that got away / Robert Draper --The family man / Skip Hollandsworth --Mysterious circumstances / David Grann --The virus underground / Clive Thompson --Punch drunk love / Jonathan Miles --The terror web / Lawrence Wright --Anatomy of a foiled plot / Craig Horowitz --To catch an oligarch / Justin Kane and Jason Felch --A long way down / Bruce Porter --Fine disturbances / Jeff Tietz --The silver thief / Stephen J. Dubner --Stalking her killer / Philip Weiss --Social disgraces / Debra Miller Landau --The self-destruction of an M.D. / Neil Swidey --Choirboys / James Ellroy

    Guest editor Stephen J. Dubner (Freakonomics) joins series editors Otto Penzler and Thomas Cook for the latest annual installment in what Entertainment Weekly has praised as the best mix of “the political, the macabre, and the downright brilliant,” and People Magazine calls, “arresting reading.”What Whoopi Goldberg ("Not a rape-rape"), Harvey Weinstein ("So-called crime"), et al. are saying in their outrage over the arrest of Raman Polanski ; At the train bridge / Calvin Trillin --Smooth jailing / Rick Anderson --What happenned to Etan Patz? / Lisa R. Cohen --Sex. lies, & videotape / Kevin Gray --Trial by fire / David Grann --Flesh and blood / Pamela Colloff --The celebrity defense / Jeffrey Toobin --The chessboard killer / Peter Savodnik --The great buffalo caper / Maximillian Potter --The man who shot the man who shot Lincoln / Ernest B. Furgurson --The boy who heard too much / David Kushner --Bringing down the dogmen / Skip Hollandsworth --Madoff and his models / Ron Chernow --The sicario / Charles Bowden

    An eclectic collection of the year's best reportage, The Best American Crime Reporting 2008 brings together the murderers and the master­minds, the mysteries and missteps that make for brilliant stories, told by the aces of the true-crime genre. This latest addition to the highly acclaimed series features guest editor Jonathan Kellerman, bestselling author of more than twenty crime novels, most recently Compulsion and the forthcoming Bones.Story of a snitch / Jeremy Kahn --A season in hell / Dean La Tourette --I'm with the Steelers / Justin Heckert --House across the way / Calvin Trillin --Caged life / Alan Prendergast --Badges of dishonor / Pamela Collof --Dangerous minds / Malcolm Gladwell --Dean of Death Row / Tad Friend --Tainted kidney / Charles Graeber --Ploy / Mark Bowden --Day of the dead / D. T. Max --Just a random female / Nick Schou --Serial killer's disciple / James Renner --Mercenary / Tom Junod --Murder at 19,000 feet / Jonathan Green

    This thrilling compendium includes:Jeffrey Toobin's eye-opening exposé in The New Yorker about a famous prosecutor who may have put the wrong man on death rowSkip Hollandsworth's amazing but true tale of an old cowboy bank robber who turned out to be a "classic good-hearted Texas woman"Jimmy Breslin's stellar piece about the end of the Mob as we know it

    An eclectic collection of the year's best reportage, The Best American Crime Reporting 2007 brings together the murderers and muscle men, the masterminds, and the mysteries and missteps that make for brilliant stories, told by the aces of the true crime genre. This latest addition to the highly acclaimed series features guest editor Linda Fairstein, the bestselling crime novelist and former chief prosecutor of the Manhattan District Attorney's Office's pioneering Special Victims' Unit.The loved ones / Tom Junod --The inside job / Neil Swidey --The talented Dr. Krist / Steve Fennessy --The case of the killer priest / Sean Flynn --Double blind / Matthew Teague --The school / C.J. Chivers --A kiss before dying / Pamela Colloff --The devil in David Berkowitz / Steve Fishman --The man who loves books too much / Allison Hoover Bartlett --Dirty old women / Ariel Levy --Who killed Ellen Andros? / Dan P. Lee --Fatal connection / David Bernstein --Last seen on September 10th / Mark Fass --My roommate, the diamond thief / Brian Boucher --The monster of Florence / Douglas Preston

    Featuring stories of fraud, murder, theft, and madness, the Best American Crime Reporting series has been hailed as “arresting reading” (People) and the best mix of “the political, the macabre, and the downright brilliant” (Entertainment Weekly).The color of blood / Calvin Trillin --Breaking the bank / L. Jon Wertheim --Body snatchers / Dan P. Lee --Everyone will remember me as some sort of monster / Mark Boal --The fabulous fraudulent life of Jocelyn and Ed / Sabrina Rubin Erdely --True crime / David Grann --The day Kennedy died / Michael J. Mooney --The Zankou chicken murders / Mark Arax --Mexico's red days / Charles Bowden --Hate and death / R. Scott Moxley --Dead man's float / Stephen Rodrick --Non-lehtal force / Alec Wilkinson --American murder mystery / Hanna Rosin --Stop, thief! / John Colapinto --Tribal wars / Matt McAllester

    For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind. Dave Eggers, who edits The Best American Nonrequired Reading annually, has once again chosen the best and least-expected contemporary fiction, nonfiction, satire, investigative reporting, alternative comics, and more from publications large, small, and on-line -- Zoetrope, Tin House, the Atlantic Monthly, Bomb, SPX, the New York Times, Texas Monthly, GQ, Iowa Review, Esquire, and others. Read on for "some of the best literature you haven't been reading . . . and it's fantastic. All of it" (St. Petersburg Times).

    Tasked with finding the best, most revealing, honest, and astonishing writing of the last twelve months, they pored over hundreds of published poems, stories, comics, and essays. With the help of guest editor Edan Lepucki, they selected the contents of this anthology, a collection of work they feel looks a lot like 2019. The Best American Nonrequired Reading 2019 features comics about war and butts and stories about pizza-delivery women, family, dolls giving birth, anthropomorphic lakes, and more. It was a successful year. Read on to see for yourself.  The Best American Nonrequired Reading 2019 includes Viet Thanh Nguyen, Charles Johnson, Robin Coste Lewis, Garth Greenwell, Nathaniel Russell, Britteney Black Rose Kapri, Andrea Long Chu, Deborah Taffa, Renée Branum, and others.  Hill country / Patricia Sammon --Follow the drinking gourd / Charles Johnson --Curse for the American dream / Jane Wong--Barbarians at the gate / Matthew Hongoltz-Hetling--I worked with Avital Ronell. I believe her accuser/ Andrea Long Chu--Holton Arms class of 1984. to the United States Congress--Diagnosis in reverse / Kate Gaskin--On true war stories/ Viet Thanh Nguyen--The frog king / Garth Greenwell--Child A / Emily Rinkema--As the sparks fly upward / Renee Branum--Arabic lesson / Latifa Ayad --Barbara from Florida/ Maddy Raskulinecz--It's natural (selected comics)/ Nathaniel Russell --Our Belgian wife / Uche Okonkwo--Self-care / Robin Coste Lewis --The brothers Aguayo/ Devin Gordon --Naked and vulnerable, the rest is circumstance / Sylvia Chan --Spring / Mikko Harvey --The babyland diaries / Angela Garbes --Two poems / Britteney Black Rose Kapri--The Gettysburg Address (sound translations 1 and 2 / Keith Donnell Jr. --Almost Human / Deborah Taffa --Macho / Margaret Ross --The lake and the onion / David Drury

    Compiled by Dave Eggers and students of his San Francisco writing center, it is thoroughly "entertaining and thought-provoking reading" (Library Journal).

    Compiled by Dave Eggers and students from his San Francisco writing center, it is "both uproarious and illuminating" (Publishers Weekly).

    For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind.The Best American Nonrequired Reading 2002 is a selection for young people of the best literature from mainstream and alternative American periodicals: from the New Yorker, Jane, Rolling Stone, Zyzzyva, Vibe, The Onion, Spin, Epoch, Time, Little Engines, Modern Humorist, Esquire, and more. Dave Eggers has chosen the highlights of 2001 for this genre-busting collection that includes new fiction, essays, satire, journalism -- and much more. From Eric Schlosser on french fries to Elizabeth McKenzie on awful family to Seaton Smith on how to "jive" with your teen, The Best American Nonrequried Reading 2002 is the first and the best.

    From more than 350 national, regional, and specialty publications and, increasingly, the top sports blogs, Christopher McDougall, best-selling author of Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen, hand-selected the very best sports journalism of the past year.

    The story, which also ran as a print series in the Los Angeles Times, wasn’t unfamiliar terrain to its writer, Christopher Goffard. Over two decades at newspapers from Florida to California, Goffard has reported probingly on the shadowy, unseen corners of society. This book gathers together for the first time “Dirty John” and the rest of his very best work.“The $40 Lawyer” provides an inside account of a young public defender’s rookie year in the legal trenches. “Framed” offers an unblinking chronicle of suburban mayhem (and is currently being developed by Netflix as a film starring Julia Roberts). A man wrongly imprisoned for rape, train-riding runaways in love, a Syrian mother forced to leave her children in order to save them, a boy who grows up to become a cop as a way of honoring his murdered sister, another boy who struggles with the knowledge that his father is on death row: these stories reveal the complexities of human nature, showing people at both their most courageous and their most flawed.Goffard shared in the Los Angeles Times’ Pulitzer Prize for Public Service in 2011 and has twice been a Pulitzer finalist for feature writing. This collection—a must-read for fans of both true-crime and first-rate narrative nonfiction—underscores his reputation as one of today’s most original journalistic voices.

    Edited by the award-winning Peter Gammons, the pieces in this volume embrace the world of sports in all its drama, humanity, and excitement.

    With podcasts like My Favorite Murder and In the Dark, bestsellers like I’ll Be Gone in the Dark and Furious Hours, and TV hits like American Crime Story and Wild Wild Country, the cultural appetite for stories of real people doing terrible things is insatiable.Acclaimed author of The Real Lolita and editor of Women Crime Writers: Eight Suspense Novels of the 1940s & 50s (Library of America) and Troubled Daughters, Twisted Wives (Penguin), Sarah Weinman brings together an exemplary collection of recent true crime tales. She culls together some of the most refreshing and exciting contemporary journalists and chroniclers of crime working today.  Michelle Dean’s “Dee Dee Wanted Her Daughter To Be Sick” went viral when it first published and is the basis for the TV show The Act and Pamela Colloff’s “The Reckoning,” is the gold standard for forensic journalism.  There are 13 pieces in all and as a collection, they showcase writing about true crime across the broadest possible spectrum, while also reflecting what makes crime stories so transfixing and irresistible to the modern reader.